Chapter 11 of A Barren Title: A Novel is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter XI
Chapter 11 of A Barren Title: A Novel is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.
CECILIA AND THE COUNTESS. _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_. "My Dearest Mora,-- .
Chapter 11 of A Barren Title: A Novel is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.
Reading 1/30 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
English illustrator of several of Dickens' novels (1815-1882)
From this reading “_Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.”
female equivalent of a count or earl
From this reading “CECILIA AND THE COUNTESS.”
a politically organized body of people under a single government
a beloved person; used as terms of endearment
From this reading “"My Dearest Mora,-- .”
a written message addressed to a person or organization
From this reading “_Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.”
the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center
From this reading “_Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.”
fail to perceive or to catch with the senses or the mind
From this reading “_Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.”
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “_Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.”
In this reading “_Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used to join words or parts of a sentence that go together
From this reading CECILIA AND THE COUNTESS.
English illustrator of several of Dickens' novels (1815-1882)
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading CECILIA AND THE COUNTESS.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
female equivalent of a count or earl
From this reading CECILIA AND THE COUNTESS.
a politically organized body of people under a single government
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
a beloved person; used as terms of endearment
From this reading "My Dearest Mora,-- .
showing where something starts, or who sent it
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
inside something, or within a place, period, or state
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
a written message addressed to a person or organization
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
fail to perceive or to catch with the senses or the mind
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading "My Dearest Mora,-- .
belonging to the person speaking
From this reading "My Dearest Mora,-- .
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading CECILIA AND THE COUNTESS.
used before the base form of a verb to make the infinitive
From this reading _Second Letter From_ MISS COLLUMPTON _in London to_ Miss Browne _in the country_.
Chapter 11 of A Barren Title: A Novel by T. W. (Thomas Wilkinson) Speight holds 152 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 11 holds 152 sentences of A Barren Title: A Novel, unabridged, divided into 31 reading sections.
This page carries chapter 11 of A Barren Title: A Novel by T. W. (Thomas Wilkinson) Speight exactly as it stands in the source edition, without abridgement. It runs to 152 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading A Barren Title: A Novel by T. W. (Thomas Wilkinson) Speight on this page, its source edition and its audio.
Yes. All 2595 sentences of Project Gutenberg eBook #57613 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #57613, unabridged. The Project Gutenberg header, footer and licence are removed.
About 216 minutes of reading across 519 sections of 5 sentences each, at an unhurried pace.
How to work through A Barren Title: A Novel section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 18 chapters of A Barren Title: A Novel to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in A Barren Title: A Novel, each tappable for pronunciation and meaning.
