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A Child's Guide to Pictures
A Child's Guide to Pictures

Chapter IV

Chapter 4 of A Child's Guide to Pictures is here in full — 165 sentences across 33 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/33 · 5 lines
English subtitles · tap any word to listen 1 / 5
CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.
We have now to study another element--that of contrast.
This also results from a natural love of change and variety.
How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!
“Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

A Child's Guide to Pictures

Chapter IV

Chapter 4 of A Child's Guide to Pictures is here in full — 165 sentences across 33 reading sections, with audio for every sentence and word.

Reading 1/33 · 5 reading units · Lines 1–5

Line 1
CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.
/ˈkɑːntræst ɪn ðə ˈpriːviəs ˈtʃæptər wiː dɪˈskʌst ˈbæləns ənd ˌrepəˈtɪʃən æz ˈeləmənts ʌv ˌkɑːmpəˈzɪʃən/
Line 2
We have now to study another element--that of contrast.
Line 3
This also results from a natural love of change and variety.
/ðɪs ˈɔːlsoʊ rɪˈzʌlts frʌm ə ˈnætʃərəl lʌv ʌv tʃeɪndʒ ənd vərˈaɪəti/
Line 4
How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!
Line 5
“Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

candy noun US /ˈkændi/

a rich sweet made of flavored sugar and often combined with fruit or nuts

From this reading “How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!”

composition noun US /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading “CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.”

discussed verb US /dɪˈskʌst/

past form of “discuss” — to consider or examine in speech or writing

From this reading “CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.”

element noun US /ˈeləmənt/

an abstract part of something

From this reading “We have now to study another element--that of contrast.”

elements noun US /ˈeləmənts/

violent or severe weather (viewed as caused by the action of the four elements)

From this reading “CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.”

enlivened adjective US /enˈlaɪvənd/

made sprightly or cheerful

From this reading ““Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.”

repetition noun US /ˌrepəˈtɪʃən/

an event that repeats

From this reading “CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.”

studies noun US /ˈstʌdiz/

plural of “study” — a detailed critical inspection

From this reading ““Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

previous chapter adjective + noun

In this reading “CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.”

by contrast preposition + noun

In this reading “How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading This also results from a natural love of change and variety.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading This also results from a natural love of change and variety.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading We have now to study another element--that of contrast.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

balanceverbUS /ˈbæləns/

bring into balance or equilibrium

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

becomeverbUS /bɪˈkʌm/

enter or assume a certain state or condition

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

boynounUS /bɔɪ/

a youthful male person

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

byprepositionUS /baɪ/

showing who or what does the action

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

candynounUS /ˈkændi/

a rich sweet made of flavored sugar and often combined with fruit or nuts

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading This also results from a natural love of change and variety.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

CONTRASTnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

discussedverbUS /dɪˈskʌst/

past form of “discuss” — to consider or examine in speech or writing

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

dulladjectiveUS /dʌl/

lacking in liveliness or animation

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

eatverbUS /iːt/

take in solid food

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading We have now to study another element--that of contrast.

elementsnounUS /ˈeləmənts/

violent or severe weather (viewed as caused by the action of the four elements)

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

enlivenedadjectiveUS /enˈlaɪvənd/

made sprightly or cheerful

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

extraadjectiveUS /ˈekstrə/

more than is needed, desired, or required

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading This also results from a natural love of change and variety.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We have now to study another element--that of contrast.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

ill-temperedadjective

annoyed and irritable

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

JacknounUS /dʒæk/

a small worthless amount

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading This also results from a natural love of change and variety.

makeverbUS /meɪk/

engage in

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading This also results from a natural love of change and variety.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading We have now to study another element--that of contrast.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

playverbUS /pleɪ/

participate in games or sport

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

previousadjectiveUS /ˈpriːviəs/

just preceding something else in time or order

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

relievedadjectiveUS /rɪˈliːvd/

(of pain or sorrow) made easier to bear

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

repetitionnounUS /ˌrepəˈtɪʃən/

an event that repeats

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

resultsnounUS /rɪˈzʌlts/

plural of “result” — a phenomenon that follows and is caused by some previous phenomenon

From this reading This also results from a natural love of change and variety.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

sickadjectiveUS /sɪk/

affected by an impairment of normal physical or mental function

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

studiesnounUS /ˈstʌdiz/

plural of “study” — a detailed critical inspection

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading We have now to study another element--that of contrast.

stupidadjectiveUS /ˈstuːpəd/

lacking or marked by lack of intellectual acuity

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

sunnounUS /sʌn/

the star that is the source of light and heat for the planets in the solar system

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

sunshinenounUS /ˈsʌnʃaɪn/

the rays of the sun

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading We have now to study another element--that of contrast.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

thereadverbUS /ðer/

in or at that place or location

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This also results from a natural love of change and variety.

tiredadjectiveUS /ˈtaɪərd/

depleted of strength or energy

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We have now to study another element--that of contrast.

varietynounUS /vərˈaɪəti/

a collection containing a variety of sorts of things

From this reading This also results from a natural love of change and variety.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading CONTRAST In the previous chapter we discussed balance and repetition as elements of composition.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

wetadjectiveUS /wet/

covered or soaked with a liquid such as water

From this reading How sick we should get of candy, if we had nothing else to eat! how tired of sunshine, if there were never a cold or wet day to make the sun seem extra beautiful by contrast!

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading “Jack,” as we know, “will become a dull boy,” if his studies are not enlivened by play; but how worse than dull--stupid and ill-tempered--if his play were not relieved by something serious.

Chapter 4 of A Child's Guide to Pictures by Charles H. (Charles Henry) Caffin holds 165 sentences, grouped into 33 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of A Child's Guide to Pictures contain?

Chapter 4 holds 165 sentences of A Child's Guide to Pictures, unabridged, divided into 33 reading sections.

This page carries chapter 4 of A Child's Guide to Pictures by Charles H. (Charles Henry) Caffin exactly as it stands in the source edition, without abridgement. It runs to 165 sentences, grouped into 33 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of A Child's Guide to Pictures?

Work through the 33 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 33 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Child's Guide to Pictures

Common questions about reading A Child's Guide to Pictures by Charles H. (Charles Henry) Caffin on this page, its source edition and its audio.

Is this the complete text of A Child's Guide to Pictures?

Yes. All 2840 sentences of Project Gutenberg eBook #59040 are kept, with a record of which sentences cover which part.

Which edition of A Child's Guide to Pictures is used?

Project Gutenberg eBook #59040, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A Child's Guide to Pictures take to read?

About 236 minutes of reading across 568 sections of 5 sentences each, at an unhurried pace.

How to read A Child's Guide to Pictures section by section

How to work through A Child's Guide to Pictures section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of A Child's Guide to Pictures to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A Child's Guide to Pictures

Words and structures a reader meets early in A Child's Guide to Pictures, each tappable for pronunciation and meaning.

Expect
A word that appears in the opening chapter of A Child's Guide to Pictures; the reader can tap it to hear it and see its dictionary entry.
Collect
A word that appears in the opening chapter of A Child's Guide to Pictures; the reader can tap it to hear it and see its dictionary entry.
Photographs
A word that appears in the opening chapter of A Child's Guide to Pictures; the reader can tap it to hear it and see its dictionary entry.
Pictures
A word that appears in the opening chapter of A Child's Guide to Pictures; the reader can tap it to hear it and see its dictionary entry.