used before a singular noun to mean one of a group, when it is not a particular one
From this reading When we think of a garden lawn, an impression of green comes into our mind.
the form of “a” used before a word that begins with a vowel sound
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used to join words or parts of a sentence that go together
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
arrangementnounUS /ərˈeɪndʒmənt/
the thing arranged or agreed to
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
a person whose creative work shows sensitivity and imagination
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
artistsnounUS /ˈɑːrtɪsts/
plural of “artist” — a person whose creative work shows sensitivity and imagination
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
at the same time that; because; in the way that
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
bedsnounUS /bedz/
plural of “bed” — a piece of furniture that provides a place to sleep
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
a subdivision of a written work; usually numbered and titled
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
classesnounUS /ˈklæsəz/
plural of “class” — a collection of things sharing a common attribute
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
a visual attribute of things that results from the light they emit or transmit or reflect
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
coloredadjectiveUS /ˈkʌlərd/
having color or a certain color; sometimes used in combination
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract
From this reading When we think of a garden lawn, an impression of green comes into our mind.
deem to be
From this reading It is the latter way of seeing things that we are now going to consider.
distinguishesverbUS /dɪˈstɪŋɡwɪʃɪz/
third-person singular of “distinguish” — mark as different
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
separated into parts or pieces
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
all things; all of a situation
From this reading We know that everything visible to the eye has color.
the organ of sight
From this reading We know that everything visible to the eye has color.
a plant cultivated for its blooms or blossoms
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
the phonological or orthographic sound or appearance of a word that can be used to describe or identify something
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
showing where something starts, or who sent it
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
a plot of ground where plants are cultivated
From this reading When we think of a garden lawn, an impression of green comes into our mind.
applying to all or most members of a category or group
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
the act of departing
From this reading It is the latter way of seeing things that we are now going to consider.
green color or pigment; resembling the color of growing grass
From this reading When we think of a garden lawn, an impression of green comes into our mind.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading We know that everything visible to the eye has color.
huenounUS /hjuː/
the quality of a color as determined by its dominant wavelength
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
a vague idea in which some confidence is placed
From this reading When we think of a garden lawn, an impression of green comes into our mind.
inside something, or within a place, period, or state
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
having or showing interest; especially curiosity or fascination or concern
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
the form of “be” used with he, she, it, or a singular noun
From this reading It is the latter way of seeing things that we are now going to consider.
a thing, animal, or idea already mentioned
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about
From this reading We know that everything visible to the eye has color.
referring to the second of two things or persons mentioned (or the last one or ones of several)
From this reading It is the latter way of seeing things that we are now going to consider.
lawnnounUS /lɔːn/
a field of cultivated and mowed grass
From this reading When we think of a garden lawn, an impression of green comes into our mind.
localadjectiveUS /ˈloʊkəl/
relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
massesnounUS /ˈmæsəz/
the common people generally
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used to say something is possible, or to give permission
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
past form of “mention” — make reference to
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
The element of a person that enables awareness and thought.
From this reading When we think of a garden lawn, an impression of green comes into our mind.
in the historical present; at this point in the narration of a series of past events
From this reading It is the latter way of seeing things that we are now going to consider.
belonging to, or connected with, somebody or something
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used to join alternatives or possibilities
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
belonging to the speaker and others
From this reading When we think of a garden lawn, an impression of green comes into our mind.
to a distinctly greater extent or degree than is common
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
pathsnounUS /pæðz/
plural of “path” — a course of conduct
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
just preceding something else in time or order
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
express in words
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
perceive by sight or have the power to perceive by sight
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
perception by means of the eyes
From this reading It is the latter way of seeing things that we are now going to consider.
any spatial attributes (especially as defined by outline)
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used to introduce what somebody said, thought, or felt
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
the people, animals, or things already mentioned, as the subject
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
any movable possession (especially articles of clothing)
From this reading It is the latter way of seeing things that we are now going to consider.
judge or regard; look upon; judge
From this reading When we think of a garden lawn, an impression of green comes into our mind.
the plural of “that”: the people or things further away, or already known
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used before the base form of a verb to make the infinitive
From this reading It is the latter way of seeing things that we are now going to consider.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
capable of being seen; or open to easy view
From this reading We know that everything visible to the eye has color.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
how something is done or how it happens
From this reading It is the latter way of seeing things that we are now going to consider.
the speaker together with one or more other people
From this reading It is the latter way of seeing things that we are now going to consider.
used to ask for information about something
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
at the time that
From this reading When we think of a garden lawn, an impression of green comes into our mind.
used to introduce a clause giving more about a thing just mentioned
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.
which person or people
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
everything that exists anywhere
From this reading COLOR It was mentioned in the previous chapter that artists may be divided into two classes: those who are particularly interested in the shape or form of what they see, and those who see the world as an arrangement of “colored masses.”
used for something imagined, polite, or habitual in the past
From this reading Green, an artist would say, is the local color of the lawn--the general hue which distinguishes it from the paths and flower beds.