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A Gray Eye or So. In Three Volumes—Volume II
A Gray Eye or So. In Three Volumes—Volume II

Chapter XI · On the Legitimate in Art

Chapter XI of A Gray Eye or So. In Three Volumes—Volume II, “On the Legitimate in Art,” is here in full — 49 sentences across 10 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/9 · 5 lines
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WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.
There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.
It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.
However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.
The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing Cymbeline and other masterpieces at the Legitimate.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Gray Eye or So. In Three Volumes—Volume II

Chapter XI · On the Legitimate in Art

Chapter XI of A Gray Eye or So. In Three Volumes—Volume II, “On the Legitimate in Art,” is here in full — 49 sentences across 10 reading sections, with audio for every sentence and word.

Reading 1/9 · 5 reading units · Lines 1–5

Line 1
WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.
Line 2
There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.
Line 3
It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.
Line 4
However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.
Line 5
The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producingCymbelineand other masterpieces at the Legitimate.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abhorrent adjective US /æbˈhɔːrənt/

offensive to the mind

From this reading “However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.”

amply adverb US /ˈæmpli/

to an ample degree or in an ample manner

From this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

historian noun US /hɪˈstɔːriən/

a person who is an authority on history and who studies it and writes about it

From this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

lament verb US /ləˈment/

express grief verbally

From this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

masterpieces noun US /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading “The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.”

nineteenth adjective US /ˈnaɪnˈtiːnθ/

coming next after the eighteenth in position

From this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

overpaid verb US /ˈoʊvərˈpeɪd/

inflected form of “overpay” — pay too much

From this reading “However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.”

standpoint noun US /ˈstændpɔɪnt/

a mental position from which things are viewed

From this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

nineteenth century adjective + noun

In this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

confidently expected adverb + adjective

In this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

twenty years noun + noun

In this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

considerable number adjective + noun

In this reading “There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.”

generally supposed adverb + adjective

In this reading “However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.”

associated with verb + particle counted as “associate with”

In this reading “However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.”

from the standpoint preposition + article + noun counted as “from … standpoint”

In this reading “WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.”

never heard adverb + adjective

In this reading “The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.”

All words in this reading · 151

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

abhorrentadjectiveUS /æbˈhɔːrənt/

offensive to the mind

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

acquaintedadjectiveUS /əˈkweɪntɪd/

having fair knowledge of

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

afterprepositionUS /ˈæftər/

later than; following

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

amplyadverbUS /ˈæmpli/

to an ample degree or in an ample manner

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

appreciationnounUS /əˌpriːʃiˈeɪʃən/

understanding of the nature or meaning or quality or magnitude of something

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

Archie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

assertverbUS /əˈsɜːrt/

state categorically

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

associatedverbUS /əˈsoʊsieɪtɪd/

past form of “associate” — make a logical or causal connection

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

assumptionnounUS /əˈsʌmpʃən/

a statement that is assumed to be true and from which a conclusion can be drawn

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

atprepositionUS /æt/

in or near a particular place or position

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

basisnounUS /ˈbeɪsəs/

a relation that provides the foundation for something

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

beautiesnounUS /ˈbjuːtiz/

plural of “beauty” — the qualities that give pleasure to the senses

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

BrownnounUS /braʊn/

an orange of low brightness and saturation

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

byprepositionUS /baɪ/

showing who or what does the action

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

ceasedverbUS /siːst/

past form of “cease” — put an end to a state or an activity

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

closingnounUS /ˈkloʊzɪŋ/

the act of closing something

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

confidentlyadverbUS /ˈkɑːnfədəntli/

with confidence; in a confident manner

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

considerableadjectiveUS /kənˈsɪdərəbəl/

large or relatively large in number or amount or extent or degree

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

contentnounUS /ˈkɑːntent/

(usually plural) everything that is included in a collection and that is held or included in something

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

Cymbeline

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

desirenounUS /dɪˈzaɪər/

the feeling that accompanies an unsatisfied state

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

dressesnounUS /ˈdresəz/

plural of “dress” — a one-piece garment for a woman; has skirt and bodice

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

drovenounUS /droʊv/

a group of animals (a herd or flock) moving together

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

dueadjectiveUS /duː/

owed and payable immediately or on demand

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

endnounUS /end/

either extremity of something that has length

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

enterprisenounUS /ˈentərpraɪz/

a purposeful or industrious undertaking (especially one that requires effort or boldness)

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

enthusiasticadjectiveUS /ɪnˌθuːziˈæstɪk/

having or showing great excitement and interest

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

episodenounUS /ˈepəsoʊd/

a happening that is distinctive in a series of related events

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

everadverbUS /ˈevər/

at any time

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

everyonepronounUS /ˈevriwʌn/

every person

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

expectedadjectiveUS /ɪkˈspektəd/

considered likely or probable to happen or arrive

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

expensiveadjectiveUS /ɪkˈspensɪv/

high in price or charging high prices

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

failedverbUS /feɪld/

past form of “fail” — fail to do something; leave something undone

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

failurenounUS /ˈfeɪljər/

an act that fails

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

financialadjectiveUS /fəˈnænʃəl/

involving financial matters

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

fortunenounUS /ˈfɔːrtʃən/

an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

historiannounUS /hɪˈstɔːriən/

a person who is an authority on history and who studies it and writes about it

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

horsesnounUS /ˈhɔːrsəz/

plural of “horse” — solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

incidentnounUS /ˈɪnsədənt/

a single distinct event

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

lamentverbUS /ləˈment/

express grief verbally

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

lastadjectiveUS /læst/

immediately past

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

LegitimateadjectiveUS /ləˈdʒɪtəmət/

of marriages and offspring; recognized as lawful

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

makeverbUS /meɪk/

engage in

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

managementnounUS /ˈmænədʒmənt/

the act of managing something

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

masterpiecesnounUS /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

Mowbray

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

nineteenthadjectiveUS /ˈnaɪnˈtiːnθ/

coming next after the eighteenth in position

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

nodeterminerUS /noʊ/

not any; not one

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

numbernounUS /ˈnʌmbər/

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

overpaidverbUS /ˈoʊvərˈpeɪd/

inflected form of “overpay” — pay too much

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

ownverbUS /oʊn/

have ownership or possession of

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

paidadjectiveUS /peɪd/

marked by the reception of pay

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

producingverbUS /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

purelyadverbUS /ˈpjʊrli/

restricted to something

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

readinessnounUS /ˈredinəs/

the state of having been made ready or prepared for use or action (especially military action)

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

seasonnounUS /ˈsiːzən/

a period of the year marked by special events or activities in some field

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

self-sacrificingadjective

willing to deprive yourself

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading It failed, they said, not because the people of England had ceased to love Shakespeare, but because Mr. Archie Brown had ceased to love Mrs. Mowbray.

Shakespeariannoun

a Shakespearean scholar

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

showedverbUS /ʃoʊd/

past form of “show” — give an exhibition of to an interested audience

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

socialadjectiveUS /ˈsoʊʃəl/

relating to human society and its members

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

spendverbUS /spend/

use up a period of time in a specific way

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

standpointnounUS /ˈstændpɔɪnt/

a mental position from which things are viewed

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

supposedadjectiveUS /səˈpoʊzd/

required or under orders

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

ThereadverbUS /ðer/

in or at that place or location

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

treatedadjectiveUS /ˈtriːtɪd/

subjected to a physical (or chemical) treatment or action or agent

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

twentynounUS /ˈtwenti/

the cardinal number that is the sum of nineteen and one

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

WHENconjunctionUS /wen/

at the time that

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

whereverconjunctionUS /weˈrevər/

in or to any place at all

From this reading The people who took this view of the matter were people who had never heard the name of Mr. Archie Brown--people who regarded Mrs. Mowbray as a self-sacrificing lady who had so enthusiastic a desire to make the public acquainted with the beauties of Shakespeare, that she was quite content to spend her own fortune (wherever that came from) in producing “Cymbeline” and other masterpieces at the Legitimate.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

whopronounUS /huː/

which person or people

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

withprepositionUS /wɪð/

in the company of; together with

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading There were a considerable number of persons, however, who showed a readiness to assert that the management of the Legitimate by Mrs. Mowbray should be looked upon as a purely--only purely was not the word they used--social incident, having no basis whatever in art.

woreverbUS /wɔːr/

inflected form of “wear” — be dressed in

From this reading However this may be, there were also people who said that the Legitimate Theatre under the management of Mrs. Mowbray could not have been so great a financial failure, after all; for Mrs. Mowbray, when her season came to an end, wore as expensive dresses as ever, and drove as expensive horses as ever; and as everyone who had been associated with the enterprise had been paid--some people said overpaid--the natural assumption was that Shakespeare on the stage was not so abhorrent to the people of England as was generally supposed.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

yearsnounUS /jɪrz/

a late time of life

From this reading WHEN the history of the drama in England during the last twenty years of the nineteenth century comes to be written, the episode of the management of the Legitimate Theatre by Mrs. Mowbray will doubtless be amply treated from the standpoint of art, and the historian will, it may be confidently expected, lament the want of appreciation on the part of the public for the Shakespearian drama, to which the closing of the Legitimate Theatre was due.

Chapter 11 of A Gray Eye or So. In Three Volumes—Volume II by Frank Frankfort Moore holds 49 sentences, grouped into 10 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

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Chapter 11 holds 49 sentences of A Gray Eye or So. In Three Volumes—Volume II, unabridged, divided into 10 reading sections.

This page carries chapter 11 of A Gray Eye or So. In Three Volumes—Volume II by Frank Frankfort Moore exactly as it stands in the source edition, without abridgement. It runs to 49 sentences, grouped into 10 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Vocabulary met early in A Gray Eye or So. In Three Volumes—Volume II

Words and structures a reader meets early in A Gray Eye or So. In Three Volumes—Volume II, each tappable for pronunciation and meaning.

Still
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Pondering
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Aspects
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