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A History of American Literature
A History of American Literature

Chapter XII

Chapter 12 of A History of American Literature is here in full — 270 sentences across 54 reading sections, with audio for every sentence and word.

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EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.
To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.
Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.
Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.
Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A History of American Literature

Chapter XII

Chapter 12 of A History of American Literature is here in full — 270 sentences across 54 reading sections, with audio for every sentence and word.

Reading 1/54 · 5 reading units · Lines 1–5

Line 1
EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.
Line 2
To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.
Line 3
Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.
/ˈwɪtmən wɑːz ˌɪnˈtensli ˈnæʃənəl ənd ˈloʊkəl ˈlʊkɪŋ ɑːn laɪf ˌhaʊˈevər ˈbrɔːdli hiː meɪ hæv siːn ɪt ˈɔːlweɪz frʌm hɪz əˈmerəkən ˈvæntədʒ pɔɪnt/
Line 4
Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.
Line 5
Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.
/poʊ ɪz ˈðerfɔːr səmˈtaɪmz sed tuː hæv bɪn ɪn noʊ weɪ rɪˈleɪtɪd tuː ðə kɔːrs ʌv əˈmerəkən ˈlɪtərətʃər bʌt ðɪs ˈdʒʌdʒmənt mɪˈsteɪkənli ˈoʊvərlʊks hɪz ənˈhæpəli ˈverid kərˈɪr æz ə ˈmæɡəziːn kənˈtrɪbjətər ənd ˈedətər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

contributor noun US /kənˈtrɪbjətər/

someone who contributes (or promises to contribute) a sum of money

From this reading “Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.”

craftsman noun US /ˈkræftsmən/

a professional whose work is consistently of high quality

From this reading “To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.”

deriving noun US /dərˈaɪvɪŋ/

(historical linguistics) an explanation of the historical origins of a word or phrase

From this reading “Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.”

evolving verb US /ɪˈvɑːlvɪŋ/

-ing form of “evolve” — work out

From this reading “Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.”

mistakenly adverb US /mɪˈsteɪkənli/

in a mistaken or erroneous manner

From this reading “Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.”

overlooks noun US /ˈoʊvərlʊks/

plural of “overlook” — a high place affording a good view

From this reading “Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.”

poe noun US /poʊ/

United States writer and poet (1809-1849)

From this reading “EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.”

vantage noun US /ˈvæntədʒ/

place or situation affording some advantage (especially a comprehensive view or commanding perspective)

From this reading “Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

vantage point noun + noun

a place from which something can be viewed

In this reading “Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.”

greatest respect adjective + noun

In this reading “EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.”

All words in this reading · 105

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1809

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

1849

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

ALLAN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

bestnounUS /best/

the supreme effort one can make

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

booksnounUS /bʊks/

Bound written or printed works.

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

broadlyadverbUS /ˈbrɔːdli/

without regard to specific details or exceptions

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

byprepositionUS /baɪ/

showing who or what does the action

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

castingnounUS /ˈkæstɪŋ/

object formed by a mold

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

ContinentnounUS /ˈkɑːntənənt/

one of the large landmasses of the earth

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

contributornounUS /kənˈtrɪbjətər/

someone who contributes (or promises to contribute) a sum of money

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

craftsmannounUS /ˈkræftsmən/

a professional whose work is consistently of high quality

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

derivingnounUS /dərˈaɪvɪŋ/

(historical linguistics) an explanation of the historical origins of a word or phrase

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

detachedadjectiveUS /dɪˈtætʃt/

showing lack of emotional involvement

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

EDGARnounUS /ˈedɡər/

the younger brother of Edwy who became king of Northumbria when it renounced Edwy; on Edwy's death he succeeded to the throne of England (944-975)

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

editornounUS /ˈedətər/

a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

essentiallyadverbUS /eˈsenʃəli/

in essence; at bottom or by one's (or its) very nature

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

evolvingverbUS /ɪˈvɑːlvɪŋ/

-ing form of “evolve” — work out

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

incomparableadjectiveUS /ˌɪnˈkɑːmpərəbəl/

such that comparison is impossible; unsuitable for comparison or lacking features that can be compared

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

intenselyadverbUS /ˌɪnˈtensli/

to a high degree; extremely; in high concentration or density

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

localadjectiveUS /ˈloʊkəl/

relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

locatedadjectiveUS /ˈloʊkeɪtəd/

situated in a particular spot or position

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

magazinenounUS /ˈmæɡəziːn/

a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

maturer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

mistakenlyadverbUS /mɪˈsteɪkənli/

in a mistaken or erroneous manner

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

nationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

nodeterminerUS /noʊ/

not any; not one

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

overlooksnounUS /ˈoʊvərlʊks/

plural of “overlook” — a high place affording a good view

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

paidadjectiveUS /peɪd/

marked by the reception of pay

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

pastnounUS /pæst/

the time that has elapsed

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

perfervidadjective

characterized by intense emotion

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

POEnounUS /poʊ/

United States writer and poet (1809-1849)

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

relatedadjectiveUS /rɪˈleɪtɪd/

being connected either logically or causally or by shared characteristics

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

spacenounUS /speɪs/

the unlimited expanse in which everything is located

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

talesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

unhappilyadverbUS /ənˈhæpəli/

in an unpleasant way

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

universaladjectiveUS /ˌjuːnəˈvɜːrsəl/

of worldwide scope or applicability

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

utterlyadverbUS /ˈʌtərli/

completely and without qualification; used informally as intensifiers

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

vantagenounUS /ˈvæntədʒ/

place or situation affording some advantage (especially a comprehensive view or commanding perspective)

From this reading Whitman was intensely national and local, looking on life, however broadly he may have seen it, always from his American vantage point.

variedadjectiveUS /ˈverid/

characterized by variety

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

waynounUS /weɪ/

how something is done or how it happens

From this reading Poe is therefore sometimes said to have been in no way related to the course of American literature; but this judgment mistakenly overlooks his unhappily varied career as a magazine contributor and editor.

WhitmannounUS /ˈwɪtmən/

United States poet who celebrated the greatness of America (1819-1892)

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

withprepositionUS /wɪð/

in the company of; together with

From this reading EDGAR ALLAN POE Edgar Allan Poe (1809-1849) is one of the two American poets regarded with greatest respect by authors and critics in England and on the Continent.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Poe was utterly detached in his creative writing, deriving his maturer tales and poems neither from past nor present, neither from books nor life, but evolving them out of his perfervid imagination and casting the best of them into incomparable form.

yieldedverbUS /ˈjiːldɪd/

past form of “yield” — be the cause or source of

From this reading To Whitman respect is paid because he is so essentially American in his subject matter and point of view, it is yielded to Poe because his subject matter is so universal--located out of space and out of time--and because he was such a master craftsman in his art.

Chapter 12 of A History of American Literature by Percy Holmes Boynton holds 270 sentences, grouped into 54 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of A History of American Literature contain?

Chapter 12 holds 270 sentences of A History of American Literature, unabridged, divided into 54 reading sections.

This page carries chapter 12 of A History of American Literature by Percy Holmes Boynton exactly as it stands in the source edition, without abridgement. It runs to 270 sentences, grouped into 54 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of A History of American Literature?

Work through the 54 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 54 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A History of American Literature

Common questions about reading A History of American Literature by Percy Holmes Boynton on this page, its source edition and its audio.

Is this the complete text of A History of American Literature?

Yes. All 8487 sentences of Project Gutenberg eBook #45353 are kept, with a record of which sentences cover which part.

Which edition of A History of American Literature is used?

Project Gutenberg eBook #45353, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A History of American Literature take to read?

About 600 minutes of reading across 1698 sections of 5 sentences each, at an unhurried pace.

How to read A History of American Literature section by section

How to work through A History of American Literature section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A History of American Literature

Words and structures a reader meets early in A History of American Literature, each tappable for pronunciation and meaning.

Version
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.
Unable
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.
Reproduce
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.
Certain
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.