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A History of American Literature
A History of American Literature

Chapter XXVIII

Chapter 28 of A History of American Literature is here in full — 321 sentences across 65 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/64 · 5 lines
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CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.
There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."
This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.
Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.
The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A History of American Literature

Chapter XXVIII

Chapter 28 of A History of American Literature is here in full — 321 sentences across 65 reading sections, with audio for every sentence and word.

Reading 1/64 · 5 reading units · Lines 1–5

Line 1
CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.
Line 2
There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."
Line 3
This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.
Line 4
Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.
Line 5
The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

basic adjective US /ˈbeɪsɪk/

pertaining to or constituting a base or basis

From this reading “The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.”

contemporary adjective US /kənˈtempəreri/

characteristic of the present

From this reading “CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.”

historians noun US /hɪˈstɔːriənz/

plural of “historian” — a person who is an authority on history and who studies it and writes about it

From this reading “CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.”

includes verb US /ˌɪnˈkluːdz/

third-person singular of “include” — have as a part, be made up out of

From this reading “Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.”

playwright noun US /ˈpleɪraɪt/

someone who writes plays

From this reading “There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."”

producer noun US /prəˈduːsər/

someone who manufactures something

From this reading “There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."”

Richardson noun US /ˈrɪtʃərdsən/

United States architect (1838-1886)

From this reading “There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."”

textbooks noun US /ˈtekstbʊks/

plural of “textbook” — a book prepared for use in schools or colleges

From this reading “There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

of course preposition + noun

as might be expected

In this reading “This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.”

All words in this reading · 96

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1865

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

1870

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

1900

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

accountedverbUS /əˈkaʊntɪd/

past form of “account” — be the sole or primary factor in the existence, acquisition, supply, or disposal of something

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

acknowledgedadjectiveUS /ækˈnɑːlɪdʒd/

recognized or made known or admitted

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

actornounUS /ˈæktər/

a theatrical performer

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

AtlanticnounUS /ətˈlæntɪk/

the 2nd largest ocean; separates North and South America on the west from Europe and Africa on the east

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

basicadjectiveUS /ˈbeɪsɪk/

pertaining to or constituting a base or basis

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

byprepositionUS /baɪ/

showing who or what does the action

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

collectionnounUS /kəˈlekʃən/

several things grouped together or considered as a whole

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

conditionsnounUS /kənˈdɪʃənz/

the prevailing context that influences the performance or the outcome of a process

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

conspiracynounUS /kənˈspɪrəsi/

a secret agreement between two or more people to perform an unlawful act

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

CONTEMPORARYadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

datesnounUS /deɪts/

plural of “date” — the specified day of the month

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

DRAMAnounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

encourageverbUS /enˈkɜːrɪdʒ/

contribute to the progress or growth of

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

English-speakingadjective

able to communicate in English

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

four-hundred-odd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

historiansnounUS /hɪˈstɔːriənz/

plural of “historian” — a person who is an authority on history and who studies it and writes about it

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

ignoredadjectiveUS /ˌɪɡˈnɔːrd/

disregarded

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

includesverbUS /ˌɪnˈkluːdz/

third-person singular of “include” — have as a part, be made up out of

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

induceverbUS /ˌɪnˈduːs/

cause to arise

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

LiteraturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

mentionverbUS /ˈmenʃən/

make reference to

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

nodeterminerUS /noʊ/

not any; not one

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

nonepronounUS /nʌn/

not one, and not any

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

Pattee's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

periodnounUS /ˈpɪriəd/

an amount of time

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

play-writing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

PlaysnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

playwrightnounUS /ˈpleɪraɪt/

someone who writes plays

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

producernounUS /prəˈduːsər/

someone who manufactures something

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

Quinn's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

RepresentativenounUS /ˌreprəˈzentətɪv/

a person who represents others

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

RichardsonnounUS /ˈrɪtʃərdsən/

United States architect (1838-1886)

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

significancenounUS /səɡˈnɪfɪkəns/

the quality of being significant

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

substantialadjectiveUS /səbˈstænʃəl/

of considerable importance, size, or worth

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

textbooksnounUS /ˈtekstbʊks/

plural of “textbook” — a book prepared for use in schools or colleges

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This silence cannot, of course, be accounted for by any conspiracy among the historians; it must be acknowledged that in itself the period had almost no dramatic significance.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading CONTEMPORARY DRAMA From 1865 to 1900 the American drama occupied a place of so little artistic importance in American life that the literary historians have ignored it.

twenty-fiveadjectiveUS /ˈtwentifaɪv/

being five more than twenty

From this reading Quinn's collection of twenty-five "Representative American Plays" includes only three produced between these dates.

volumesnounUS /ˈvɑːljuːmz/

plural of “volume” — the amount of 3-dimensional space occupied by an object

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

Wendell

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading There is no word about it in the substantial volumes by Richardson and Wendell, none in the ordinary run of textbooks, not a mention of playwright, producer, actor, or stage even in the four-hundred-odd pages of Pattee's "American Literature since 1870."

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading The basic reason for this is that literary conditions did not induce or encourage play-writing in the English-speaking world on either side of the Atlantic.

Chapter 28 of A History of American Literature by Percy Holmes Boynton holds 321 sentences, grouped into 65 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of A History of American Literature contain?

Chapter 28 holds 321 sentences of A History of American Literature, unabridged, divided into 65 reading sections.

This page carries chapter 28 of A History of American Literature by Percy Holmes Boynton exactly as it stands in the source edition, without abridgement. It runs to 321 sentences, grouped into 65 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of A History of American Literature?

Work through the 65 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 65 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A History of American Literature

Common questions about reading A History of American Literature by Percy Holmes Boynton on this page, its source edition and its audio.

Is this the complete text of A History of American Literature?

Yes. All 8487 sentences of Project Gutenberg eBook #45353 are kept, with a record of which sentences cover which part.

Which edition of A History of American Literature is used?

Project Gutenberg eBook #45353, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A History of American Literature take to read?

About 600 minutes of reading across 1698 sections of 5 sentences each, at an unhurried pace.

How to read A History of American Literature section by section

How to work through A History of American Literature section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of A History of American Literature to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A History of American Literature

Words and structures a reader meets early in A History of American Literature, each tappable for pronunciation and meaning.

Version
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.
Unable
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.
Reproduce
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.
Certain
A word that appears in the opening chapter of A History of American Literature; the reader can tap it to hear it and see its dictionary entry.