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A History of American Literature Since 1870
A History of American Literature Since 1870

Chapter VI

Chapter 6 of A History of American Literature Since 1870 is here in full — 271 sentences across 55 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/54 · 5 lines
English subtitles · tap any word to listen 1 / 5
JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.
One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.
He could write in his later years, "My poems are literally my autobiography."
"If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."
In some ways he is a more significant figure than either Harte or Hay.
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A History of American Literature Since 1870

Chapter VI

Chapter 6 of A History of American Literature Since 1870 is here in full — 271 sentences across 55 reading sections, with audio for every sentence and word.

Reading 1/54 · 5 reading units · Lines 1–5

Line 1
JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.
Line 2
One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.
Line 3
He could write in his later years, "My poems are literally my autobiography."
/hiː kʊd raɪt ɪn hɪz ˈleɪtər jɪrz maɪ ˈpoʊəmz ɑːr ˈlɪtərəli maɪ ˌɔːtəbaɪˈɑːɡrəfi/
Line 4
"If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."
/ɪf juː ker tuː red ˈfɜːrðər ʌv maɪ laɪf ˈmeɪkɪŋ əˈlaʊəns fɔːr poʊˈetɪk ˈlaɪsəns juː wɪl faɪnd ðiːz ˈpoʊəmz ˈlɪtərəli truː/
Line 5
In some ways he is a more significant figure than either Harte or Hay.
/ɪn sʌm weɪz hiː ɪz ə mɔːr səɡˈnɪfɪkənt ˈfɪɡjər ðæn ˈiːðər hɑːrt ɔːr heɪ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

autobiography noun US /ˌɔːtəbaɪˈɑːɡrəfi/

a biography of yourself

From this reading “He could write in his later years, "My poems are literally my autobiography."”

Harte noun US /hɑːrt/

United States writer noted for his stories about life during the California gold rush (1836-1902)

From this reading “JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.”

license noun US /ˈlaɪsəns/

a legal document giving official permission to do something

From this reading “"If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."”

objectively adverb US /ɑːbˈdʒektɪvli/

with objectivity

From this reading “One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.”

onlooker noun US /ˈɔːnlʊkər/

someone who looks on

From this reading “JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.”

poetic adjective US /poʊˈetɪk/

of or relating to poetry

From this reading “"If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."”

sharer noun US /ˈʃerər/

someone who has or gives or receives a part or a share

From this reading “JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.”

Twain noun US /tweɪn/

two items of the same kind

From this reading “One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

emerged from verb + particle counted as “emerge from”

In this reading “One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.”

literally true adverb + adjective

In this reading “"If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."”

making allowance noun + noun

In this reading “"If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."”

for the sake preposition + article + noun counted as “for … sake”

In this reading “One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.”

some ways adjective + noun

In this reading “In some ways he is a more significant figure than either Harte or Hay.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

allowancenounUS /əˈlaʊəns/

an amount allowed or granted (as during a given period)

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading He could write in his later years, "My poems are literally my autobiography."

autobiographynounUS /ˌɔːtəbaɪˈɑːɡrəfi/

a biography of yourself

From this reading He could write in his later years, "My poems are literally my autobiography."

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading He could write in his later years, "My poems are literally my autobiography."

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading In some ways he is a more significant figure than either Harte or Hay.

emergedverbUS /ɪˈmɜːrdʒd/

past form of “emerge” — come out into view, as from concealment

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

feelsnounUS /fiːlz/

plural of “feel” — an intuitive awareness

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading In some ways he is a more significant figure than either Harte or Hay.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

furtheradverbUS /ˈfɜːrðər/

to or at a greater extent or degree or a more advanced stage (“further” is used more often than “farther” in this abstract sense)

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

HartenounUS /hɑːrt/

United States writer noted for his stories about life during the California gold rush (1836-1902)

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

HaynounUS /heɪ/

grass mowed and cured for use as fodder

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He could write in his later years, "My poems are literally my autobiography."

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

JOAQUIN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading He could write in his later years, "My poems are literally my autobiography."

licensenounUS /ˈlaɪsəns/

a legal document giving official permission to do something

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

likeverbUS /laɪk/

prefer or wish to do something

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

literallyadverbUS /ˈlɪtərəli/

in a literal sense

From this reading He could write in his later years, "My poems are literally my autobiography."

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

MarkverbUS /mɑːrk/

attach a tag or label to

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

materialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

MILLERnounUS /ˈmɪlər/

United States bandleader of a popular big band (1909-1944)

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading In some ways he is a more significant figure than either Harte or Hay.

MydeterminerUS /maɪ/

belonging to the person speaking

From this reading He could write in his later years, "My poems are literally my autobiography."

objectivelyadverbUS /ɑːbˈdʒektɪvli/

with objectivity

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

onlookernounUS /ˈɔːnlʊkər/

someone who looks on

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In some ways he is a more significant figure than either Harte or Hay.

picturesqueadjectiveUS /ˈpɪktʃərəsk/

suggesting or suitable for a picture; pretty as a picture

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading He could write in his later years, "My poems are literally my autobiography."

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

ratheradverbUS /ˈræðər/

on the contrary

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

readverbUS /red/

interpret something that is written or printed

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

sakenounUS /seɪk/

a reason for wanting something done

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

sharernounUS /ˈʃerər/

someone who has or gives or receives a part or a share

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

significantadjectiveUS /səɡˈnɪfɪkənt/

important in effect or meaning

From this reading In some ways he is a more significant figure than either Harte or Hay.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading In some ways he is a more significant figure than either Harte or Hay.

studyingnounUS /ˈstʌdiɪŋ/

reading carefully with intent to remember

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

surroundingsnounUS /sərˈaʊndɪŋz/

the environmental condition

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

TwainnounUS /tweɪn/

two items of the same kind

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading In some ways he is a more significant figure than either Harte or Hay.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading JOAQUIN MILLER The work of Harte and even of Hay is the work of an onlooker rather than a sharer.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading One feels that both were studying their picturesque surroundings objectively for the sake of "copy"; but Joaquin Miller, like Mark Twain, may be said to have emerged from the materials he worked in.

writeverbUS /raɪt/

produce a literary work

From this reading He could write in his later years, "My poems are literally my autobiography."

yearsnounUS /jɪrz/

a late time of life

From this reading He could write in his later years, "My poems are literally my autobiography."

youpronounUS /juː/

the person or people being spoken to

From this reading "If you care to read further of my life, making allowance for poetic license, you will find these [poems] literally true."

Chapter 6 of A History of American Literature Since 1870 by Fred Lewis Pattee holds 271 sentences, grouped into 55 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of A History of American Literature Since 1870 contain?

Chapter 6 holds 271 sentences of A History of American Literature Since 1870, unabridged, divided into 55 reading sections.

This page carries chapter 6 of A History of American Literature Since 1870 by Fred Lewis Pattee exactly as it stands in the source edition, without abridgement. It runs to 271 sentences, grouped into 55 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of A History of American Literature Since 1870?

Work through the 55 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 55 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A History of American Literature Since 1870

Common questions about reading A History of American Literature Since 1870 by Fred Lewis Pattee on this page, its source edition and its audio.

Is this the complete text of A History of American Literature Since 1870?

Yes. All 7966 sentences of Project Gutenberg eBook #42593 are kept, with a record of which sentences cover which part.

Which edition of A History of American Literature Since 1870 is used?

Project Gutenberg eBook #42593, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A History of American Literature Since 1870 take to read?

About 600 minutes of reading across 1594 sections of 5 sentences each, at an unhurried pace.

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How to work through A History of American Literature Since 1870 section by section, using the audio and the tap-to-define vocabulary.

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A History of American Literature Since 1870

Words and structures a reader meets early in A History of American Literature Since 1870, each tappable for pronunciation and meaning.

Lifespans
A word that appears in the opening chapter of A History of American Literature Since 1870; the reader can tap it to hear it and see its dictionary entry.
People
A word that appears in the opening chapter of A History of American Literature Since 1870; the reader can tap it to hear it and see its dictionary entry.
Still
A word that appears in the opening chapter of A History of American Literature Since 1870; the reader can tap it to hear it and see its dictionary entry.
Living
A word that appears in the opening chapter of A History of American Literature Since 1870; the reader can tap it to hear it and see its dictionary entry.