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A History of English Literature
A History of English Literature

Chapter IV · Chapter 4

Chapter 4 of A History of English Literature is here in full — 114 sentences across 23 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/22 · 5 lines
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THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.
It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.
JUGGLERS, FOLK-PLAYS, PAGEANTS.
At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.
The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A History of English Literature

Chapter IV · Chapter 4

Chapter 4 of A History of English Literature is here in full — 114 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/22 · 5 reading units · Lines 1–5

Line 1
THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.
/ðə mɪˈdiːvəl ˈdrɑːmə fɔːr ðə seɪk ʌv ˈklɪrnəs wiː hæv rɪˈzɜːrvd fɔːr ə ˈsepəreɪt ˈtʃæptər ðə dɪˈskʌʃən ʌv ðə ˈdrɑːmə ʌv ðə hoʊl mɪˈdiːvəl ˈpɪriəd wɪtʃ ðoʊ ɪt dɪd nɑːt riːtʃ ə ˈveri haɪ ˈlɪtəreri ˈlevəl wɑːz wʌn ʌv ðə moʊst ˌkerəktərˈɪstɪk ɪkˈspreʃənz ʌv ðə eɪdʒ/
Line 2
It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.
/ɪt ʃʊd biː ˈemfəsaɪzd ðæt tuː noʊ ˈʌðər fɔːrm dʌz wʌt wiː hæv sed ʌv ðə ˌsɪməˈlerəti ʌv mɪˈdiːvəl ˈlɪtərətʃər θruːˈaʊt ˈwestərn ˈjʊrəp əˈplaɪ mɔːr ˈkloʊsli soʊ ðæt wʌt wiː faɪnd truː ʌv ðə ˈdrɑːmə ɪn ˈɪŋɡlənd wʊd fɔːr ðə moʊst pɑːrt hoʊld ɡʊd fɔːr ðə ˈʌðər ˈkʌntriz æz wel/
Line 3
JUGGLERS, FOLK-PLAYS, PAGEANTS.
Line 4
At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.
Line 5
The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

emphasized adjective US /ˈemfəsaɪzd/

spoken with emphasis

From this reading “It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.”

jugglers noun US /ˈdʒʌɡələrz/

plural of “juggler” — a performer who juggles objects and performs tricks of manual dexterity

From this reading “JUGGLERS, FOLK-PLAYS, PAGEANTS.”

medieval adjective US /mɪˈdiːvəl/

relating to or belonging to the Middle Ages

From this reading “THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.”

minstrels noun US /ˈmɪnstrəlz/

plural of “minstrel” — a singer of folk songs

From this reading “At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.”

outcasts noun US /ˈaʊtkæsts/

plural of “outcast” — a person who is rejected (from society or home)

From this reading “The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.”

pageants noun US /ˈpædʒənts/

plural of “pageant” — an elaborate representation of scenes from history etc; usually involves a parade with rich costumes

From this reading “JUGGLERS, FOLK-PLAYS, PAGEANTS.”

proscribed adjective US /proʊˈskraɪbd/

excluded from use or mention

From this reading “At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.”

similarity noun US /ˌsɪməˈlerəti/

the quality of being similar

From this reading “It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.”

All words in this reading · 121

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

agenounUS /eɪdʒ/

how long something has existed

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

AgesnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

applyverbUS /əˈplaɪ/

put into service; make work or employ for a particular purpose or for its inherent or natural purpose

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

AtprepositionUS /æt/

in or near a particular place or position

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

byprepositionUS /baɪ/

showing who or what does the action

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

centuriesnounUS /ˈsentʃəriz/

plural of “century” — a period of 100 years

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

ChristendomnounUS /ˈkrɪsəndəm/

the collective body of Christians throughout the world and history (found predominantly in Europe and the Americas and Australia)

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

ChurchnounUS /tʃɜːrtʃ/

one of the groups of Christians who have their own beliefs and forms of worship

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

clearnessnounUS /ˈklɪrnəs/

free from obscurity and easy to understand; the comprehensibility of clear expression

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

corruptverbUS /kərˈʌpt/

corrupt morally or by intemperance or sensuality

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

countriesnounUS /ˈkʌntriz/

plural of “country” — a politically organized body of people under a single government

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

crudeadjectiveUS /kruːd/

not carefully or expertly made

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

deepestadjectiveUS /ˈdiːpəst/

superlative of “deep” — relatively deep or strong; affecting one deeply

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

demandnounUS /dɪˈmænd/

an urgent or peremptory request

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

discussionnounUS /dɪˈskʌʃən/

an extended communication (often interactive) dealing with some particular topic

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

disreputableadjectiveUS /dɪsˈrepjətəbəl/

lacking respectability in character or behavior or appearance

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

DRAMAnounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

emphasizedadjectiveUS /ˈemfəsaɪzd/

spoken with emphasis

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

EmpirenounUS /ˈempaɪər/

the domain ruled by an emperor or empress; the region over which imperial dominion is exercised

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

endnounUS /end/

either extremity of something that has length

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

EuropenounUS /ˈjʊrəp/

the 2nd smallest continent (actually a vast peninsula of Eurasia); the British use “Europe” to refer to all of the continent except the British Isles

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

expressionsnounUS /ɪkˈspreʃənz/

plural of “expression” — the feelings expressed on a person's face

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

fallverbUS /fɔːl/

descend in free fall under the influence of gravity

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

FOLK-PLAYS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading JUGGLERS, FOLK-PLAYS, PAGEANTS.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

immoraladjectiveUS /ˌɪˈmɔːrəl/

deliberately violating accepted principles of right and wrong

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

inferioradjectiveUS /ˌɪnˈfɪriər/

of or characteristic of low rank or importance

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

instinctsnounUS /ˈɪnstɪŋkts/

plural of “instinct” — inborn pattern of behavior often responsive to specific stimuli

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

JUGGLERSnounUS /ˈdʒʌɡələrz/

plural of “juggler” — a performer who juggles objects and performs tricks of manual dexterity

From this reading JUGGLERS, FOLK-PLAYS, PAGEANTS.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

levelnounUS /ˈlevəl/

a position on a scale of intensity or amount or quality

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

MEDIEVALadjectiveUS /mɪˈdiːvəl/

relating to or belonging to the Middle Ages

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

mergedadjectiveUS /mɜːrdʒd/

formed or united into a whole

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

MiddlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

minstrelsnounUS /ˈmɪnstrəlz/

plural of “minstrel” — a singer of folk songs

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

mostadverbUS /moʊst/

used to form the superlative

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

nodeterminerUS /noʊ/

not any; not one

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

outcastsnounUS /ˈaʊtkæsts/

plural of “outcast” — a person who is rejected (from society or home)

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

PAGEANTSnounUS /ˈpædʒənts/

plural of “pageant” — an elaborate representation of scenes from history etc; usually involves a parade with rich costumes

From this reading JUGGLERS, FOLK-PLAYS, PAGEANTS.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

performancesnounUS /pərˈfɔːrmənsəz/

plural of “performance” — a dramatic or musical entertainment

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

proscribedadjectiveUS /proʊˈskraɪbd/

excluded from use or mention

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

reachverbUS /riːtʃ/

reach a destination, either real or abstract

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

reservedadjectiveUS /rɪˈzɜːrvd/

set aside for the use of a particular person or party

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

respondedverbUS /rɪˈspɑːndɪd/

past form of “respond” — show a response or a reaction to something

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

RomanadjectiveUS /ˈroʊmən/

relating to or characteristic of people of Rome

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

sakenounUS /seɪk/

a reason for wanting something done

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

separateverbUS /ˈsepəreɪt/

act as a barrier between; stand between

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

similaritynounUS /ˌsɪməˈlerəti/

the quality of being similar

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

socialadjectiveUS /ˈsoʊʃəl/

relating to human society and its members

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

spectaclenounUS /ˈspektəkəl/

something or someone seen (especially a notable or unusual sight)

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

throughoutprepositionUS /θruːˈaʊt/

in every part of a place, or for the whole of a period

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

troublesomeadjectiveUS /ˈtrʌbəlsəm/

causing difficulty or annoyance

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

unhonored

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

unsuppressedadjective

given vent to

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

wanderedverbUS /ˈwɑːndərd/

past form of “wander” — move about aimlessly or without any destination, often in search of food or employment

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The performances of these social outcasts, crude and immoral as they were, continued for centuries unsuppressed, because they responded to the demand for dramatic spectacle which is one of the deepest though not least troublesome instincts in human nature.

WesternadjectiveUS /ˈwestərn/

relating to or characteristic of the western parts of the world or the West as opposed to the eastern or oriental parts

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

whatpronounUS /wʌt/

used to ask for information about something

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

whopronounUS /huː/

which person or people

From this reading At the fall of the Roman Empire, which marks the beginning of the Middle Ages, the corrupt Roman drama, proscribed by the Church, had come to an unhonored end, and the actors had been merged into the great body of disreputable jugglers and inferior minstrels who wandered over all Christendom.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading THE MEDIEVAL DRAMA For the sake of clearness we have reserved for a separate chapter the discussion of the drama of the whole medieval period, which, though it did not reach a very high literary level, was one of the most characteristic expressions of the age.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading It should be emphasized that to no other form does what we have said of the similarity of medieval literature throughout Western Europe apply more closely, so that what we find true of the drama in England would for the most part hold good for the other countries as well.

Chapter 4 of A History of English Literature by Robert Huntington Fletcher holds 114 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of A History of English Literature contain?

Chapter 4 holds 114 sentences of A History of English Literature, unabridged, divided into 23 reading sections.

This page carries chapter 4 of A History of English Literature by Robert Huntington Fletcher exactly as it stands in the source edition, without abridgement. It runs to 114 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of A History of English Literature?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 23 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A History of English Literature

Common questions about reading A History of English Literature by Robert Huntington Fletcher on this page, its source edition and its audio.

Is this the complete text of A History of English Literature?

Yes. All 5100 sentences of Project Gutenberg eBook #7201 are kept, with a record of which sentences cover which part.

Which edition of A History of English Literature is used?

Project Gutenberg eBook #7201, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A History of English Literature take to read?

About 425 minutes of reading across 1020 sections of 5 sentences each, at an unhurried pace.

How to read A History of English Literature section by section

How to work through A History of English Literature section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 11 chapters of A History of English Literature to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A History of English Literature

Words and structures a reader meets early in A History of English Literature, each tappable for pronunciation and meaning.

Period
A word that appears in the opening chapter of A History of English Literature; the reader can tap it to hear it and see its dictionary entry.
Britons
A word that appears in the opening chapter of A History of English Literature; the reader can tap it to hear it and see its dictionary entry.
Anglo-saxons
A word that appears in the opening chapter of A History of English Literature; the reader can tap it to hear it and see its dictionary entry.
Foreword
A word that appears in the opening chapter of A History of English Literature; the reader can tap it to hear it and see its dictionary entry.