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A History of English Romanticism in
A History of English Romanticism in

Chapter III · Chapter 3

Chapter 3 of A History of English Romanticism in is here in full — 473 sentences across 95 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/94 · 5 lines
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The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.
But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.
It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.
In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.
To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A History of English Romanticism in

Chapter III · Chapter 3

Chapter 3 of A History of English Romanticism in is here in full — 473 sentences across 95 reading sections, with audio for every sentence and word.

Reading 1/94 · 5 reading units · Lines 1–5

Line 1
The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.
Line 2
But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.
/bʌt æz ərˈɪdʒənəl kriˈeɪtɪv ˈdʒiːnjəs ɪz nɑːt ˈɔːlweɪz ˈfɔːrθˈkʌmɪŋ ə ˈlɪtəreri ˌrevəˈluːʃən ˈkɑːmənli bɪˈɡɪnz wɪð ˌɪməˈteɪʃən/
Line 3
It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.
/ɪt siːks ˌɪnspərˈeɪʃən ɪn ðə pæst ənd ˈsʌbstətuːts ə nuː set ʌv ˈmɑːdəlz æz ˈdɪfərənt æz ˈpɑːsəbəl frʌm ðoʊz wɪtʃ ɪt faɪndz ˈkɜːrəntli ˈfɑːloʊd/
Line 4
In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.
/ɪn ˈevəri ˈkʌntri ʌv ˈjʊrəp ðə ˈklæsɪkəl trəˈdɪʃən hæd ˈhɪdən ˌwʌˈtevər wɑːz moʊst ˈnæʃənəl moʊst ˌɪndəˈvɪdʒəwəl ɪn ɪts ˈɜːrliər ˈkʌltʃər ˈʌndər ə smuːð ˈjuːnəfɔːrm vəˈnɪr/
Line 5
To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.
/tuː breɪk əˈweɪ frʌm ˈmɑːdərn kənˈvenʃən ˈɪŋɡlənd ənd ˈdʒɜːrməni ənd ˈæftərwərd fræns went bæk tuː ˈeɪn.ʃənt sprɪŋz ʌv ˈnæʃənəl laɪf nɑːt ˈɔːlweɪz æt fɜːrst ˈwaɪzli bʌt ɪn oʊˈbiːdiəns tuː ə truː ˈɪnstɪŋkt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

creative adjective US /kriˈeɪtɪv/

having the ability or power to create

From this reading “But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.”

currently adverb US /ˈkɜːrəntli/

at this time or period; now

From this reading “It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.”

Dissatisfaction noun US /ˌdɪsætɪˈsfækʃən/

the feeling of being displeased and discontent

From this reading “The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.”

forthcoming adjective US /ˈfɔːrθˈkʌmɪŋ/

at ease in talking to others

From this reading “But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.”

prevalent adjective US /ˈprevələnt/

most frequent or common

From this reading “The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.”

reversion noun US /rɪˈvɜːrʒən/

(law) an interest in an estate that reverts to the grantor (or his heirs) at the end of some period (e.g., the death of the grantee)

From this reading “The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.”

substitutes noun US /ˈsʌbstətuːts/

plural of “substitute” — a person or thing that takes or can take the place of another

From this reading “It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.”

veneer noun US /vəˈnɪr/

coating consisting of a thin layer of superior wood glued to a base of inferior wood

From this reading “In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

afterwardadverbUS /ˈæftərwərd/

happening at a time subsequent to a reference time

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

aptadjectiveUS /æpt/

(usually followed by “to”) naturally disposed toward

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

atprepositionUS /æt/

in or near a particular place or position

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

backadverbUS /bæk/

in or to or toward a former location

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

beginsnounUS /bɪˈɡɪnz/

plural of “begin” — Israeli statesman (born in Russia) who (as prime minister of Israel) negotiated a peace treaty with Anwar Sadat (then the president of Egypt) (1913-1992)

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

breakverbUS /breɪk/

terminate

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

classicaladjectiveUS /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

commonlyadverbUS /ˈkɑːmənli/

under normal conditions

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

conventionnounUS /kənˈvenʃən/

a large formal assembly

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

criticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

culturenounUS /ˈkʌltʃər/

a particular society at a particular time and place

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

currentlyadverbUS /ˈkɜːrəntli/

at this time or period; now

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

DissatisfactionnounUS /ˌdɪsætɪˈsfækʃən/

the feeling of being displeased and discontent

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

EuropenounUS /ˈjʊrəp/

the 2nd smallest continent (actually a vast peninsula of Eurasia); the British use “Europe” to refer to all of the continent except the British Isles

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

expressverbUS /ɪkˈspres/

give expression to

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

fashionnounUS /ˈfæʃən/

how something is done or how it happens

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

findsnounUS /faɪndz/

plural of “find” — a productive insight

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

forthcomingadjectiveUS /ˈfɔːrθˈkʌmɪŋ/

at ease in talking to others

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

GermanynounUS /ˈdʒɜːrməni/

a republic in central Europe; split into East Germany and West Germany after World War II and reunited in 1990

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

hiddenadjectiveUS /ˈhɪdən/

not accessible to view

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

imitationnounUS /ˌɪməˈteɪʃən/

the doctrine that representations of nature or human behavior should be accurate imitations

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

independentadjectiveUS /ˌɪndɪˈpendənt/

free from external control and constraint

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

instinctnounUS /ˈɪnstɪŋkt/

inborn pattern of behavior often responsive to specific stimuli

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

modelsnounUS /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

moodnounUS /muːd/

a characteristic (habitual or relatively temporary) state of feeling

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

mostadverbUS /moʊst/

used to form the superlative

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

nationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

obediencenounUS /oʊˈbiːdiəns/

the act of obeying; dutiful or submissive behavior with respect to another person

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

pastnounUS /pæst/

the time that has elapsed

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

prevalentadjectiveUS /ˈprevələnt/

most frequent or common

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

reversionnounUS /rɪˈvɜːrʒən/

(law) an interest in an estate that reverts to the grantor (or his heirs) at the end of some period (e.g., the death of the grantee)

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

revolutionnounUS /ˌrevəˈluːʃən/

a drastic and far-reaching change in ways of thinking and behaving

From this reading But, as original creative genius is not always forthcoming, a literary revolution commonly begins with imitation.

seeksnounUS /siːks/

plural of “seek” — the movement of a read/write head to a specific data track on a disk

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

setverbUS /set/

put into a certain place or abstract location

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

smoothadjectiveUS /smuːð/

having a surface free from roughness or bumps or ridges or irregularities

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

Spenserians

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

springsnounUS /sprɪŋz/

plural of “spring” — the season of growth

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

substitutesnounUS /ˈsʌbstətuːts/

plural of “substitute” — a person or thing that takes or can take the place of another

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

traditionnounUS /trəˈdɪʃən/

an inherited pattern of thought or action

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

typesnounUS /taɪps/

plural of “type” — a subdivision of a particular kind of thing

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

uniformadjectiveUS /ˈjuːnəfɔːrm/

always the same; showing a single form or character in all occurrences

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

veneernounUS /vəˈnɪr/

coating consisting of a thin layer of superior wood glued to a base of inferior wood

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading In every country of Europe the classical tradition had hidden whatever was most national, most individual, in its earlier culture, under a smooth, uniform veneer.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It seeks inspiration in the past, and substitutes a new set of models as different as possible from those which it finds currently followed.

wiselyadverbUS /ˈwaɪzli/

in a wise manner

From this reading To break away from modern convention, England and Germany, and afterward France, went back to ancient springs of national life; not always, at first, wisely, but in obedience to a true instinct.

withprepositionUS /wɪð/

in the company of; together with

From this reading The Spenserians Dissatisfaction with a prevalent mood or fashion in literature is apt to express itself either in a fresh and independent criticism of life, or in a reversion to older types.

Chapter 3 of A History of English Romanticism in by Henry A. (Henry Augustin) Beers holds 473 sentences, grouped into 95 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

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Chapter 3 holds 473 sentences of A History of English Romanticism in, unabridged, divided into 95 reading sections.

This page carries chapter 3 of A History of English Romanticism in by Henry A. (Henry Augustin) Beers exactly as it stands in the source edition, without abridgement. It runs to 473 sentences, grouped into 95 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Work through the 95 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

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Chapter 1
One of the 0 chapters of A History of English Romanticism in, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of A History of English Romanticism in, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of A History of English Romanticism in, divided into 5-sentence reading sections.