Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
A History of English Romanticism in
A History of English Romanticism in

Chapter VIII · Chapter 8

Chapter 8 of A History of English Romanticism in is here in full — 459 sentences across 92 reading sections, with audio for every sentence and word.

Cover illustration for A History of English Romanticism in
Context Illustration Reading 1/91 · 5 lines
English subtitles · tap any word to listen 1 / 5
Percy and the Ballads.
The regeneration of English poetic style at the close of the last century came from an unexpected quarter.
What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.
What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.
But they could not jump off their own shadows: the eighteenth century was too much for them.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A History of English Romanticism in

Chapter VIII · Chapter 8

Chapter 8 of A History of English Romanticism in is here in full — 459 sentences across 92 reading sections, with audio for every sentence and word.

Reading 1/91 · 5 reading units · Lines 1–5

Line 1
Percy and the Ballads.
/ˈpɜːrsi ənd ðə ˈbælədz/
Line 2
The regeneration of English poetic style at the close of the last century came from an unexpected quarter.
/ðə riˈdʒenərˈeɪʃən ʌv ˈɪŋɡlɪʃ poʊˈetɪk staɪl æt ðə kloʊs ʌv ðə læst ˈsentʃəri keɪm frʌm æn ˌʌnɪkˈspektɪd ˈkwɔːrtər/
Line 3
What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.
Line 4
What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.
/wʌt ðeɪ hæd sɔːt tuː duː wɑːz tuː ˈriːkɔːl ˈbrɪtɪʃ ˈpoʊətri tuː ðə wɔːks ʌv ˌɪmædʒəˈneɪʃən ənd tuː ˈoʊldər ənd ˈbetər ˈmɑːdəlz ðæn ˈdraɪdən ənd poʊp/
Line 5
But they could not jump off their own shadows: the eighteenth century was too much for them.
/bʌt ðeɪ kʊd nɑːt dʒʌmp ɔːf ðer oʊn ˈʃædoʊz ðə eɪˈtiːnθ ˈsentʃəri wɑːz tuː mʌtʃ fɔːr ðem/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Celtic adjective US /ˈseltɪk/

relating to or characteristic of the Celts

From this reading “What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.”

collectors noun US /kəˈlektərz/

plural of “collector” — a person who collects things

From this reading “What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.”

domestication noun US /dəˌmestəˈkeɪʃən/

adaptation to intimate association with human beings

From this reading “What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.”

Dryden noun US /ˈdraɪdən/

the outstanding poet and dramatist of the Restoration (1631-1700)

From this reading “What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.”

imitations noun US /ˌɪmɪˈteɪʃənz/

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading “What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.”

models noun US /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading “What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.”

regeneration noun US /riˈdʒenərˈeɪʃən/

(biology) growth anew of lost tissue or destroyed parts or organs

From this reading “The regeneration of English poetic style at the close of the last century came from an unexpected quarter.”

Spenser noun US /ˈspensər/

English poet who wrote an allegorical romance celebrating Elizabeth I in the Spenserian stanza (1552-1599)

From this reading “What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Percy and the Ballads.

atprepositionUS /æt/

in or near a particular place or position

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

balladnounUS /ˈbæləd/

a narrative song with a recurrent refrain

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

BalladsnounUS /ˈbælədz/

plural of “ballad” — a narrative song with a recurrent refrain

From this reading Percy and the Ballads.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

BritishnounUS /ˈbrɪtɪʃ/

the people of Great Britain

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

byprepositionUS /baɪ/

showing who or what does the action

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

CelticadjectiveUS /ˈseltɪk/

relating to or characteristic of the Celts

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

collectorsnounUS /kəˈlektərz/

plural of “collector” — a person who collects things

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

domesticationnounUS /dəˌmestəˈkeɪʃən/

adaptation to intimate association with human beings

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

DrydennounUS /ˈdraɪdən/

the outstanding poet and dramatist of the Restoration (1631-1700)

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

effectuallyadverb

in an effectual manner

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

eighteenthadjectiveUS /eɪˈtiːnθ/

coming next after the seventeenth in position

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

GothicadjectiveUS /ˈɡɑːθɪk/

characteristic of the style of type commonly used for printing German

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

imitationsnounUS /ˌɪmɪˈteɪʃənz/

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

jumpverbUS /dʒʌmp/

move forward by leaps and bounds

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

lastadjectiveUS /læst/

immediately past

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

lettersnounUS /ˈletərz/

the literary culture

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

mennounUS /men/

the force of workers available

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

MiltonnounUS /ˈmɪltən/

English poet; remembered primarily as the author of an epic poem describing humanity's fall from grace (1608-1674)

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

modelsnounUS /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

musenounUS /mjuːz/

in ancient Greek mythology any of 9 daughters of Zeus and Mnemosyne; protector of an art or science

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

ownverbUS /oʊn/

have ownership or possession of

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

PercynounUS /ˈpɜːrsi/

United States writer whose novels explored human alienation (1916-1990)

From this reading Percy and the Ballads.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

PopenounUS /poʊp/

the head of the Roman Catholic Church

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

professionaladjectiveUS /prəˈfeʃənəl/

engaged in a profession or engaging in as a profession or means of livelihood

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

quarternounUS /ˈkwɔːrtər/

one of four equal parts

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

recallverbUS /ˈriːkɔːl/

recall knowledge from memory; have a recollection

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

regenerationnounUS /riˈdʒenərˈeɪʃən/

(biology) growth anew of lost tissue or destroyed parts or organs

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

scholarsnounUS /ˈskɑːlərz/

plural of “scholar” — a learned person (especially in the humanities); someone who by long study has gained mastery in one or more disciplines

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

shadowsnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

soughtadjectiveUS /sɔːt/

that is looked for

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

SpensernounUS /ˈspensər/

English poet who wrote an allegorical romance celebrating Elizabeth I in the Spenserian stanza (1552-1599)

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

stylenounUS /staɪl/

how something is done or how it happens

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Percy and the Ballads.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading But they could not jump off their own shadows: the eighteenth century was too much for them.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading The regeneration of English poetic style at the close of the last century came from an unexpected quarter.

walksnounUS /wɔːks/

plural of “walk” — the act of traveling by foot

From this reading What they had sought to do was to recall British poetry to the walks of imagination and to older and better models than Dryden and Pope.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What scholars and professional men of letters had sought to do by their imitations of Spenser and Milton, and their domestication of the Gothic and the Celtic muse, was much more effectually done by Percy and the ballad collectors.

Chapter 8 of A History of English Romanticism in by Henry A. (Henry Augustin) Beers holds 459 sentences, grouped into 92 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of A History of English Romanticism in contain?

Chapter 8 holds 459 sentences of A History of English Romanticism in, unabridged, divided into 92 reading sections.

This page carries chapter 8 of A History of English Romanticism in by Henry A. (Henry Augustin) Beers exactly as it stands in the source edition, without abridgement. It runs to 459 sentences, grouped into 92 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of A History of English Romanticism in?

Work through the 92 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 92 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A History of English Romanticism in

Common questions about reading A History of English Romanticism in by Henry A. (Henry Augustin) Beers on this page, its source edition and its audio.

Is this the complete text of A History of English Romanticism in?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of A History of English Romanticism in is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A History of English Romanticism in take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read A History of English Romanticism in section by section

How to work through A History of English Romanticism in section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of A History of English Romanticism in to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A History of English Romanticism in

Words and structures a reader meets early in A History of English Romanticism in, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of A History of English Romanticism in, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of A History of English Romanticism in, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of A History of English Romanticism in, divided into 5-sentence reading sections.