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A Household Book of English Poetry
A Household Book of English Poetry

Chapter XI

Chapter 11 of A Household Book of English Poetry is here in full — 309 sentences across 62 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/61 · 5 lines
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‘You draw me, you hard-hearted adamant, And yet you draw not iron.’
P.
112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.
Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.
Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.
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A Household Book of English Poetry

Chapter XI

Chapter 11 of A Household Book of English Poetry is here in full — 309 sentences across 62 reading sections, with audio for every sentence and word.

Reading 1/61 · 5 reading units · Lines 1–5

Line 1
‘You draw me, you hard-hearted adamant, And yet you draw not iron.’
Line 2
P.
/piː/
Line 3
112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.
Line 4
Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.
Line 5
Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.
/nɔːr duː aɪ daʊt ðæt ðiːz laɪnz ɑːr wʌt ðeɪ prəˈfes tuː biː ðə ˌkɑːmpəˈzɪʃən ʌv kɪŋ tʃɑːrlz ðer ˌɔːθənˈtɪsɪti ɪz stæmpt ɑːn ˈevəri laɪn/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adamant adjective US /ˈædəmənt/

impervious to pleas, persuasion, requests, reason

From this reading “‘You draw me, you hard-hearted adamant, And yet you draw not iron.’”

authenticity noun US /ˌɔːθənˈtɪsɪti/

undisputed credibility

From this reading “Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.”

constitute verb US /ˈkɑːnstətuːt/

form or compose

From this reading “112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.”

omitting verb US /oʊˈmɪtɪŋ/

inflected form of “omit” — prevent from being included or considered or accepted

From this reading “112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.”

profess verb US /prəˈfes/

practice as a profession, teach, or claim to be knowledgeable about

From this reading “Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.”

triplets noun US /ˈtrɪpləts/

plural of “triplet” — the cardinal number that is the sum of one and one and one

From this reading “112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.”

uncouth adjective US /ˈʌnˈkuːθ/

lacking refinement or cultivation or taste

From this reading “Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.”

Walpole noun US /ˈwɔːlpoʊl/

English writer and historian; son of Sir Robert Walpole (1717-1797)

From this reading “Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

agree with verb + particle

In this reading “Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.”

fine poem adjective + noun

In this reading “112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.”

stamped on verb + particle counted as “stamp on”

In this reading “Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

112

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

adamantadjectiveUS /ˈædəmənt/

impervious to pleas, persuasion, requests, reason

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

agreeverbUS /əˈɡriː/

be in accord; be in agreement

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

altogetheradverbUS /ˌɔːltəˈɡeðər/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

authenticitynounUS /ˌɔːθənˈtɪsɪti/

undisputed credibility

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

boldlyadverbUS /ˈboʊldli/

with boldness, in a bold manner

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

cii

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

constituteverbUS /ˈkɑːnstətuːt/

form or compose

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

dealtverbUS /delt/

inflected form of “deal” — act on verbally or in some form of artistic expression

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

drawverbUS /drɔː/

cause to move by pulling

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

entireadjectiveUS /ɪnˈtaɪər/

constituting the full quantity or extent; complete

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

failverbUS /feɪl/

fail to do something; leave something undone

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

FewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

flownounUS /floʊ/

the motion characteristic of fluids (liquids or gases)

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

hard-hearted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

HoracenounUS /ˈhɔːrəs/

Roman lyric poet said to have influenced English poetry (65-8 BC)

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

inharmoniousadjective

not in harmony

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

ironnounUS /ˈaɪərn/

a heavy ductile magnetic metallic element; is silver-white in pure form but readily rusts; used in construction and tools and armament; plays a role in the transport of oxygen by the blood

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

majesticadjectiveUS /məˈdʒestɪk/

majestic in manner or bearing; superior to mundane matters

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

mostadverbUS /moʊst/

used to form the superlative

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

NodeterminerUS /noʊ/

not any; not one

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

NorconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

omittingverbUS /oʊˈmɪtɪŋ/

inflected form of “omit” — prevent from being included or considered or accepted

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

PnounUS /piː/

a multivalent nonmetallic element of the nitrogen family that occurs commonly in inorganic phosphate rocks and as organic phosphates in all living cells; is highly reactive and occurs in several allotropic forms

From this reading P.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

professverbUS /prəˈfes/

practice as a profession, teach, or claim to be knowledgeable about

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

seemingadjectiveUS /ˈsiːmɪŋ/

appearing as such but not necessarily so

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

solemnadjectiveUS /ˈsɑːləm/

dignified and somber in manner or character and committed to keeping promises

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

stampedverbUS /stæmpt/

past form of “stamp” — walk heavily

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

tennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

tripletsnounUS /ˈtrɪpləts/

plural of “triplet” — the cardinal number that is the sum of one and one and one

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

twenty-fouradjectiveUS /ˈtwentifɔːr/

being four more than twenty

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

uncouthadjectiveUS /ˈʌnˈkuːθ/

lacking refinement or cultivation or taste

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

WalpolenounUS /ˈwɔːlpoʊl/

English writer and historian; son of Sir Robert Walpole (1717-1797)

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Nor do I doubt that these lines are what they profess to be, the composition of King Charles; their authenticity is stamped on every line.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Few, I think, will agree with Horace Walpole that ‘the poetry is most uncouth and inharmonious;’ so far from this, it has a very solemn and majestic flow.

withprepositionUS /wɪð/

in the company of; together with

From this reading 112, No. cii.--I have dealt somewhat boldly with this poem, of its twenty-four triplets omitting all but ten, these ten seeming to me to constitute a fine poem, which the entire twenty-four altogether fail to do.

yetconjunctionUS /jet/

but in spite of that

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

YoupronounUS /juː/

the person or people being spoken to

From this reading ‘You draw me, you hard-hearted adamant, And yet you draw not iron.’

Chapter 11 of A Household Book of English Poetry by Richard Chenevix [Compiler] Trench holds 309 sentences, grouped into 62 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of A Household Book of English Poetry contain?

Chapter 11 holds 309 sentences of A Household Book of English Poetry, unabridged, divided into 62 reading sections.

This page carries chapter 11 of A Household Book of English Poetry by Richard Chenevix [Compiler] Trench exactly as it stands in the source edition, without abridgement. It runs to 309 sentences, grouped into 62 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of A Household Book of English Poetry?

Work through the 62 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 62 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #55496, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 284 minutes of reading across 682 sections of 5 sentences each, at an unhurried pace.

How to read A Household Book of English Poetry section by section

How to work through A Household Book of English Poetry section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 11 chapters of A Household Book of English Poetry to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A Household Book of English Poetry

Words and structures a reader meets early in A Household Book of English Poetry, each tappable for pronunciation and meaning.

Richard
A word that appears in the opening chapter of A Household Book of English Poetry; the reader can tap it to hear it and see its dictionary entry.
Chenevix
A word that appears in the opening chapter of A Household Book of English Poetry; the reader can tap it to hear it and see its dictionary entry.
Trench
A word that appears in the opening chapter of A Household Book of English Poetry; the reader can tap it to hear it and see its dictionary entry.
Preface
A word that appears in the opening chapter of A Household Book of English Poetry; the reader can tap it to hear it and see its dictionary entry.