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A Laodicean : A Story of To-day
A Laodicean : A Story of To-day

Chapter X · Chapter 10

Chapter 10 of A Laodicean : A Story of To-day is here in full — 182 sentences across 37 reading sections, with audio for every sentence and word.

Cover illustration for A Laodicean : A Story of To-day
Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
She regarded it attentively for some moments, her finger resting lightly against her chin, and said, I have given up the idea of a Greek court.’
He showed his astonishment, and was almost disappointed.
He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.
Yes,’ she continued; on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.
I have informed Mr. Havill of the same thing.’
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Laodicean : A Story of To-day

Chapter X · Chapter 10

Chapter 10 of A Laodicean : A Story of To-day is here in full — 182 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’
/ʃiː rɪˈɡɑːrdɪd ɪt əˈtentɪvli fɔːr sʌm ˈmoʊmənts hɜːr ˈfɪŋɡər ˈrestɪŋ ˈlaɪtli əˈɡenst hɜːr tʃɪn ənd sed aɪ hæv ˈɡɪvən ʌp ðə aɪˈdiːə ʌv ə ɡriːk kɔːrt/
Line 2
He showed his astonishment, and was almost disappointed.
/hiː ʃoʊd hɪz əˈstɑːnɪʃmənt ənd wɑːz ˈɔːlmoʊst ˌdɪsəˈpɔɪntɪd/
Line 3
He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.
/hiː hæd bɪn ˈɡraɪndɪŋ ʌp ɡriːk ˈɑːrkətektʃər ɪnˈtaɪərli ɑːn hɜːr əˈkaʊnt hæd rentʃt hɪz maɪnd raʊnd tuː ðɪs streɪndʒ ərˈeɪndʒmənt ɔːl fɔːr ˈnʌθɪŋ/
Line 4
Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.
Line 5
I have informed Mr. Havill of the same thing.’

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

architecture noun US /ˈɑːrkətektʃər/

an architectural product or work

From this reading “He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.”

attentively adverb US /əˈtentɪvli/

with attention; in an attentive manner

From this reading “She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’”

fortress noun US /ˈfɔːrtrəs/

a fortified defensive structure

From this reading “‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.”

grinding noun US /ˈɡraɪndɪŋ/

material resulting from the process of grinding

From this reading “He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.”

inserting verb US /ˌɪnˈsɜːrtɪŋ/

-ing form of “insert” — put or introduce into something

From this reading “‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.”

Perpendicular noun US /ˌpɜːrpənˈdɪkjələr/

a straight line at right angles to another line

From this reading “‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.”

reconsideration noun US /rikənˌsɪdərˈeɪʃən/

a consideration of a topic (as in a meeting) with a view to changing an earlier decision

From this reading “‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.”

wrenched verb US /rentʃt/

past form of “wrench” — twist or pull violently or suddenly, especially so as to remove (something) from that to which it is attached or from where it originates

From this reading “He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.”

All words in this reading · 87

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

accountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading He showed his astonishment, and was almost disappointed.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

architecturenounUS /ˈɑːrkətektʃər/

an architectural product or work

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

astonishmentnounUS /əˈstɑːnɪʃmənt/

the feeling that accompanies something extremely surprising

From this reading He showed his astonishment, and was almost disappointed.

attentivelyadverbUS /əˈtentɪvli/

with attention; in an attentive manner

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

byprepositionUS /baɪ/

showing who or what does the action

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

chinnounUS /tʃɪn/

the protruding part of the lower jaw

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

courtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

disappointedadjectiveUS /ˌdɪsəˈpɔɪntɪd/

disappointingly unsuccessful

From this reading He showed his astonishment, and was almost disappointed.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

fingerverbUS /ˈfɪŋɡər/

feel or handle with the fingers

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

fortressnounUS /ˈfɔːrtrəs/

a fortified defensive structure

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

futureadjectiveUS /ˈfjuːtʃər/

yet to be or coming

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

grindingnounUS /ˈɡraɪndɪŋ/

material resulting from the process of grinding

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

harmonynounUS /ˈhɑːrməni/

compatibility in opinion and action

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

Havill

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have informed Mr. Havill of the same thing.’

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He showed his astonishment, and was almost disappointed.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He showed his astonishment, and was almost disappointed.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

informedadjectiveUS /ˌɪnˈfɔːrmd/

having much knowledge or education

From this reading I have informed Mr. Havill of the same thing.’

insertingverbUS /ˌɪnˈsɜːrtɪŋ/

-ing form of “insert” — put or introduce into something

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

lightlyadverbUS /ˈlaɪtli/

without good reason

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

limitnounUS /ˈlɪmət/

the greatest possible degree of something

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

makeverbUS /meɪk/

engage in

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

marble-work

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

mediaevaladjective

relating to or belonging to the Middle Ages

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading I have informed Mr. Havill of the same thing.’

NormannounUS /ˈnɔːrmən/

United States operatic soprano (born in 1945)

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

ourselvespronounUS /aʊərˈselvz/

used when we are both doing the action and receiving it

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

perceiveverbUS /pərˈsiːv/

to become aware of through the senses

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

PerpendicularnounUS /ˌpɜːrpənˈdɪkjələr/

a straight line at right angles to another line

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

piecenounUS /piːs/

a separate part of a whole

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

reconsiderationnounUS /rikənˌsɪdərˈeɪʃən/

a consideration of a topic (as in a meeting) with a view to changing an earlier decision

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

restingverbUS /ˈrestɪŋ/

-ing form of “rest” — not move; be in a resting position

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

resultnounUS /rɪˈzʌlt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

sameadjectiveUS /seɪm/

Identical; not different.

From this reading I have informed Mr. Havill of the same thing.’

sayverbUS /seɪ/

express in words

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

showedverbUS /ʃoʊd/

past form of “show” — give an exhibition of to an interested audience

From this reading He showed his astonishment, and was almost disappointed.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

strictlyadverbUS /ˈstrɪktli/

restricted to something

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

stylenounUS /staɪl/

how something is done or how it happens

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

synchronismnoun

the relation that exists when things occur at the same time

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

thingnounUS /θɪŋ/

a special situation

From this reading I have informed Mr. Havill of the same thing.’

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading She regarded it attentively for some moments, her finger resting lightly against her chin, and said, ‘I have given up the idea of a Greek court.’

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He showed his astonishment, and was almost disappointed.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

wrenchedverbUS /rentʃt/

past form of “wrench” — twist or pull violently or suddenly, especially so as to remove (something) from that to which it is attached or from where it originates

From this reading He had been grinding up Greek architecture entirely on her account; had wrenched his mind round to this strange arrangement, all for nothing.

YesnounUS /jes/

an affirmative

From this reading ‘Yes,’ she continued; ‘on reconsideration I perceive the want of harmony that would result from inserting such a piece of marble-work in a mediaeval fortress; so in future we will limit ourselves strictly to synchronism of style--that is to say, make good the Norman work by Norman, the Perpendicular by Perpendicular, and so on.

Chapter 10 of A Laodicean : A Story of To-day by Thomas Hardy holds 182 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of A Laodicean : A Story of To-day contain?

Chapter 10 holds 182 sentences of A Laodicean : A Story of To-day, unabridged, divided into 37 reading sections.

This page carries chapter 10 of A Laodicean : A Story of To-day by Thomas Hardy exactly as it stands in the public-domain source edition, without abridgement. It runs to 182 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of A Laodicean : A Story of To-day?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Laodicean : A Story of To-day

Common questions about reading A Laodicean : A Story of To-day by Thomas Hardy on this page, its source edition and its audio.

Is this the complete text of A Laodicean : A Story of To-day?

Yes. All 7249 sentences of Project Gutenberg eBook #3258 are kept, with a record of which sentences cover which part.

Which edition of A Laodicean : A Story of To-day is used?

Project Gutenberg eBook #3258, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does A Laodicean : A Story of To-day take to read?

About 600 minutes of reading across 1450 sections of 5 sentences each, at an unhurried pace.

How to read A Laodicean : A Story of To-day section by section

How to work through A Laodicean : A Story of To-day section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in A Laodicean : A Story of To-day

Words and structures a reader meets early in A Laodicean : A Story of To-day, each tappable for pronunciation and meaning.

Changing
A word that appears in the opening chapter of A Laodicean : A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Order
A word that appears in the opening chapter of A Laodicean : A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Country
A word that appears in the opening chapter of A Laodicean : A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Manors
A word that appears in the opening chapter of A Laodicean : A Story of To-day; the reader can tap it to hear it and see its dictionary entry.