Chapter I

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

with competence; in a competent capable manner

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

touching and pressing; in opposition to

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

the form of “a” used before a word that begins with a vowel sound

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

an investigation of the component parts of a whole and their relations in making up the whole

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

used to join words or parts of a sentence that go together

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

Roman general under Julius Caesar in the Gallic wars; repudiated his wife for the Egyptian queen Cleopatra; they were defeated by Octavian at Actium (83-30 BC)

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

understanding of the nature or meaning or quality or magnitude of something

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

the form of “be” used with you, we, they, or a plural noun

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

plural of “argument” — a fact or assertion offered as evidence that something is true

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

an old form of “are”, used with “thou”

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

in or near a particular place or position

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

a hostile meeting of opposing military forces in the course of a war

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

French soldier said to be fearless and chivalrous (1473-1524)

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

plural of “bay” — an indentation of a shoreline larger than a cove but smaller than a gulf

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

the past participle of “be”

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

plural of “bell” — a hollow device made of metal that makes a ringing sound when struck

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

the supreme effort one can make

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

a partiality that prevents objective consideration of an issue or situation

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

a written work or composition that has been published (printed on pages bound together)

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

a division of some larger or more complex organization

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

used to introduce something that contrasts with what came before

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

showing who or what does the action

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

a degree on the centigrade scale of temperature

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

a tight-fitting headdress

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

plural of “child” — a young person of either sex

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

a team of professional baseball players who play and travel together

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

an institution created to conduct business

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

a courteous or respectful or considerate act

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

past form of “defend” — argue or speak in defense of

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

third-person singular of “depend” — be contingent upon (something that is elided)

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

plural of “diversion” — an activity that diverts or amuses or stimulates

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

to say again or imitate

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

a piece of information about circumstances that exist or events that have occurred

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

about to be mentioned or specified

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

intended to be given to, or used by, somebody

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

characterized by directness in manner or speech; without subtlety or evasion

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

showing where something starts, or who sent it

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

a plot of ground where plants are cultivated

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

according to legend she rode naked through Coventry in order to persuade her husband not to tax the townspeople so heavily

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

a nonmetallic univalent element that is normally a colorless and odorless highly flammable diatomic gas; the simplest and lightest and most abundant element in the universe

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

the form of “have” used with he, she, it, or a singular noun

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

the locus of feelings and intuitions

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

belonging to a woman, girl, or female animal already mentioned

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

belonging to a man, boy, or male animal already mentioned

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

where you live at a particular time

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

United States publisher who founded a printing shop that became an important book publisher (1823-1895)

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

the doctrine that representations of nature or human behavior should be accurate imitations

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

inside something, or within a place, period, or state

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

enclosed in the same envelope or package

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

being or characteristic of a single thing or person

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

the form of “be” used with he, she, it, or a singular noun

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

a thing, animal, or idea already mentioned

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

a room or building equipped with one or more toilets

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

full of or characterized by joy

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

young sheep

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

a narrow way or road

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

of marriages and offspring; recognized as lawful

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

any maneuver made as part of progress toward a goal

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

involving the mind or an intellectual process

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

plural of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

belonging to, or connected with, somebody or something

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

violating or tending to violate or offend against

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

United States jazz musician who influenced the style of Louis Armstrong (1885-1938)

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

inflected form of “overhear” — hear, usually without the knowledge of the speakers

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

Welsh industrialist and social reformer who founded cooperative communities (1771-1858)

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

plural of “parody” — a composition that imitates or misrepresents somebody's style, usually in a humorous way

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

a composition that imitates or misrepresents somebody's style, usually in a humorous way

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

approval to do something

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

third-person singular of “prove” — be shown or be found to be

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

prepared and printed for distribution and sale

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

plural of “rhyme” — correspondence in the sounds of two or more lines (especially final sounds)

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

United States poet (1849-1916)

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

a man who serves as a sailor

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

United States general who was commander of all Union troops in the West; he captured Atlanta and led a destructive march to the sea that cut the Confederacy in two (1820-1891)

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

give an exhibition of to an interested audience

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

a short musical composition with words

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

plural of “son” — a male human offspring

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

having or denoting the characteristic taste of sugar

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

United States composer and music critic (1885-1966)

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

used to introduce what somebody said, thought, or felt

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

the plural of “that”: the people or things further away, or already known

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

used before the base form of a verb to make the infinitive

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

consistent with fact or reality; not false

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

a formal word for “on”

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

plural of “viewpoint” — a mental position from which things are viewed

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.

the amount of 3-dimensional space occupied by an object

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

plural of “volume” — the amount of 3-dimensional space occupied by an object

From this reading By the courtesy of John Lane are included the parodies of Anthony C. Deane, from his volume “New Rhymes for Old;” and those of Owen Seaman, from volumes “In Cap and Bells” and “The Battle of the Bays.”

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The parodies from “Diversions of the Echo Club,” by Bayard Taylor, and Mary and Her Lamb, from “New Waggings of Old Tales,” by Frank Dempster Sherman, are published by permission of Messrs. Houghton, Mifflin & Company.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The following are published by Charles Scribner’s Sons: Song, from “The Book of Joyous Children,” by James Whitcomb Riley; Home Sweet Home, and Imitation, from “Poems” of H. C. Bunner; and Song of a Heart, and Godiva, from “Overheard in a Garden,” by Oliver Herford.

belonging to which person

From this reading But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.

possessive form of “world” — everything that exists anywhere

From this reading THE fact that parody has been ably defended by many of the world’s best minds proves that it is an offensive measure, at least from some viewpoints.