Chapter 20 of A Roman Singer is here in full — 194 sentences across 39 reading sections, with audio for every sentence and word.
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Chapter 20 of A Roman Singer is here in full — 194 sentences across 39 reading sections, with audio for every sentence and word.
"Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms. "The hour is advancing, and it is damp here, my love. You will be cold," said Nino, protesting against delay as best he could. "No; and I must talk to you." She sat down, but Nino pulled off his cloak and threw it round her.
Chapter 20 of A Roman Singer is here in full — 194 sentences across 39 reading sections, with audio for every sentence and word.
Reading 1/38 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
moving forward
From this reading “"The hour is advancing, and it is damp here, my love.”
anything that covers or conceals
From this reading “She sat down, but Nino pulled off his cloak and threw it round her.”
slightly wet
From this reading “"The hour is advancing, and it is damp here, my love.”
cause to be slowed down or delayed
From this reading “You will be cold," said Nino, protesting against delay as best he could.”
-ing form of “disengage” — release from something that holds fast, connects, or entangles
From this reading “"Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.”
in a gradual manner
From this reading “"Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.”
-ing form of “protest” — utter words of protest
From this reading “You will be cold," said Nino, protesting against delay as best he could.”
past form of “pull” — cause to move by pulling
From this reading “She sat down, but Nino pulled off his cloak and threw it round her.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
moving forward
From this reading "The hour is advancing, and it is damp here, my love.
touching and pressing; in opposition to
From this reading You will be cold," said Nino, protesting against delay as best he could.
used to join words or parts of a sentence that go together
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
weapons considered collectively
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
at the same time that; because; in the way that
From this reading You will be cold," said Nino, protesting against delay as best he could.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading You will be cold," said Nino, protesting against delay as best he could.
the supreme effort one can make
From this reading You will be cold," said Nino, protesting against delay as best he could.
used to introduce something that contrasts with what came before
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
anything that covers or conceals
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration
From this reading You will be cold," said Nino, protesting against delay as best he could.
the past of “can”; used for possibility or polite requests
From this reading You will be cold," said Nino, protesting against delay as best he could.
slightly wet
From this reading "The hour is advancing, and it is damp here, my love.
cause to be slowed down or delayed
From this reading You will be cold," said Nino, protesting against delay as best he could.
-ing form of “disengage” — release from something that holds fast, connects, or entangles
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
being or moving lower in position or less in some value
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
showing where something starts, or who sent it
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
in a gradual manner
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
a man, boy, or male animal already mentioned, as the subject
From this reading You will be cold," said Nino, protesting against delay as best he could.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
belonging to a woman, girl, or female animal already mentioned
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
in or at this place; where the speaker or writer is
From this reading "The hour is advancing, and it is damp here, my love.
used when the woman or girl doing the action is also its object
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
belonging to a man, boy, or male animal already mentioned
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
a period of time equal to 1/24th of a day
From this reading "The hour is advancing, and it is damp here, my love.
the person speaking or writing, as the subject of the verb
From this reading "No; and I must talk to you."
the form of “be” used with he, she, it, or a singular noun
From this reading "The hour is advancing, and it is damp here, my love.
a thing, animal, or idea already mentioned
From this reading "The hour is advancing, and it is damp here, my love.
used to make a suggestion or a command including the speaker
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
a strong positive emotion of regard and affection
From this reading "The hour is advancing, and it is damp here, my love.
used to say something is necessary, or almost certainly true
From this reading "No; and I must talk to you."
belonging to the person speaking
From this reading "The hour is advancing, and it is damp here, my love.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading You will be cold," said Nino, protesting against delay as best he could.
not any; not one
From this reading "No; and I must talk to you."
from a particular thing or place or position (“forth” is obsolete)
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
-ing form of “protest” — utter words of protest
From this reading You will be cold," said Nino, protesting against delay as best he could.
past form of “pull” — cause to move by pulling
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
a charge of ammunition for a single shot
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
being the one previously mentioned or spoken of
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
the seventh and last day of the week; observed as the Sabbath by Jews and some Christians
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
a woman, girl, or female animal already mentioned, as the subject
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
be seated
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
any maneuver made as part of progress toward a goal
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
exchange thoughts; talk with
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
inflected form of “throw” — propel through the air
From this reading She sat down, but Nino pulled off his cloak and threw it round her.
used before the base form of a verb to make the infinitive
From this reading "No; and I must talk to you."
a formal word for “on”
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
the speaker and others, as the object of a verb or preposition
From this reading "Let us sit upon the step and talk," said Hedwig, gently disengaging herself from his arms.
used to talk about the future, or about willingness
From this reading You will be cold," said Nino, protesting against delay as best he could.
the person or people being spoken to
From this reading You will be cold," said Nino, protesting against delay as best he could.
Chapter 20 of A Roman Singer by F. Marion (Francis Marion) Crawford holds 194 sentences, grouped into 39 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 20 holds 194 sentences of A Roman Singer, unabridged, divided into 39 reading sections.
This page carries chapter 20 of A Roman Singer by F. Marion (Francis Marion) Crawford exactly as it stands in the source edition, without abridgement. It runs to 194 sentences, grouped into 39 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 39 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 39 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading A Roman Singer by F. Marion (Francis Marion) Crawford on this page, its source edition and its audio.
Yes. All 5261 sentences of Project Gutenberg eBook #12346 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #12346, unabridged. The Project Gutenberg header, footer and licence are removed.
About 438 minutes of reading across 1053 sections of 5 sentences each, at an unhurried pace.
How to work through A Roman Singer section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 23 chapters of A Roman Singer to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in A Roman Singer, each tappable for pronunciation and meaning.
