Chapter 16 of A Select Collection of Old English Plays, Volume 12 is here in full — 360 sentences across 72 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter XVI
Chapter 16 of A Select Collection of Old English Plays, Volume 12 is here in full — 360 sentences across 72 reading sections, with audio for every sentence and word.
AND. What's that to you? I'd fain say something yet, But that I can't, my losses do so vex me. CRE. Come, think not on't, my boy; I'll furnish thee.
Chapter 16 of A Select Collection of Old English Plays, Volume 12 is here in full — 360 sentences across 72 reading sections, with audio for every sentence and word.
Reading 1/72 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
a youthful male person
From this reading “Come, think not on't, my boy; I'll furnish thee.”
having made preparations
From this reading “I'd fain say something yet, But that I can't, my losses do so vex me.”
give something useful or necessary to
From this reading “Come, think not on't, my boy; I'll furnish thee.”
something lost (especially money lost at gambling)
From this reading “I'd fain say something yet, But that I can't, my losses do so vex me.”
a thing, without saying which
From this reading “I'd fain say something yet, But that I can't, my losses do so vex me.”
an old word for “you”, as the object, speaking to one person
From this reading “Come, think not on't, my boy; I'll furnish thee.”
cause annoyance in; disturb, especially by minor irritations
From this reading “I'd fain say something yet, But that I can't, my losses do so vex me.”
but in spite of that
From this reading “I'd fain say something yet, But that I can't, my losses do so vex me.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used to join words or parts of a sentence that go together
From this reading AND.
a youthful male person
From this reading Come, think not on't, my boy; I'll furnish thee.
used to introduce something that contrasts with what came before
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
move toward, travel toward something or somebody or approach something or somebody
From this reading Come, think not on't, my boy; I'll furnish thee.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading CRE.
used to form questions and negatives, and to give emphasis
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
having made preparations
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
give something useful or necessary to
From this reading Come, think not on't, my boy; I'll furnish thee.
the person speaking or writing, as the subject of the verb
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Come, think not on't, my boy; I'll furnish thee.
something lost (especially money lost at gambling)
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
the person speaking, as the object of a verb or preposition
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
belonging to the person speaking
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
used to make a word, phrase, or sentence negative
From this reading Come, think not on't, my boy; I'll furnish thee.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Come, think not on't, my boy; I'll furnish thee.
express in words
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
for that reason; with the result that
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
a thing, without saying which
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
used to introduce what somebody said, thought, or felt
From this reading What's that to you?
an old word for “you”, as the object, speaking to one person
From this reading Come, think not on't, my boy; I'll furnish thee.
judge or regard; look upon; judge
From this reading Come, think not on't, my boy; I'll furnish thee.
used before the base form of a verb to make the infinitive
From this reading What's that to you?
cause annoyance in; disturb, especially by minor irritations
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading What's that to you?
but in spite of that
From this reading I'd fain say something yet, But that I can't, my losses do so vex me.
the person or people being spoken to
From this reading What's that to you?
Chapter 16 of A Select Collection of Old English Plays, Volume 12 by Robert Dodsley holds 360 sentences, grouped into 72 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 16 holds 360 sentences of A Select Collection of Old English Plays, Volume 12, unabridged, divided into 72 reading sections.
This page carries chapter 16 of A Select Collection of Old English Plays, Volume 12 by Robert Dodsley exactly as it stands in the source edition, without abridgement. It runs to 360 sentences, grouped into 72 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 72 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 72 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading A Select Collection of Old English Plays, Volume 12 by Robert Dodsley on this page, its source edition and its audio.
Yes. All 13539 sentences of Project Gutenberg eBook #46791 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #46791, unabridged. The Project Gutenberg header, footer and licence are removed.
About 600 minutes of reading across 2708 sections of 5 sentences each, at an unhurried pace.
How to work through A Select Collection of Old English Plays, Volume 12 section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 36 chapters of A Select Collection of Old English Plays, Volume 12 to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in A Select Collection of Old English Plays, Volume 12, each tappable for pronunciation and meaning.
