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A Son of the Hills
A Son of the Hills

Chapter IV · Chapter 4

Chapter 4 of A Son of the Hills is here in full — 246 sentences across 50 reading sections, with audio for every sentence and word.

Cover illustration for A Son of the Hills
Context Illustration Reading 1/49 · 5 lines
English subtitles · tap any word to listen 1 / 5
Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.
It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.
There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.
"You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?
Then----" and the heavy blow dealt him carried Sandy to the floor by its force.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Son of the Hills

Chapter IV · Chapter 4

Chapter 4 of A Son of the Hills is here in full — 246 sentences across 50 reading sections, with audio for every sentence and word.

Reading 1/49 · 5 reading units · Lines 1–5

Line 1
Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.
/ˈsændi ˈmɔːrli keɪm aʊt ʌv hɪz ʃed ənd tɜːrnd hɪz bruːzd ənd ˈeɪkɪŋ feɪs tuː lɔːst ˈmaʊntən/
Line 2
It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.
/ɪt wɑːz ˈveri ˈɜːrli ənd ðə fɜːrst tʌtʃ ʌv ə red mɔːrn wɑːz ˈtɜːrnɪŋ ðə mɪsts ɑːn ðə ˈhaɪəst piːk tuː ˈfleɪmɪŋ fɪlmz ʌv ˈfeðəri ˈlaɪtnəs/
Line 3
There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.
/ðer hæd bɪn ə ˈdesprɪt ˈkwɔːrəl ɪn ðə ˈmɔːrli ˈkæbən ðə naɪt bɪˈfɔːr ənd ˈsændi dɪˈfendɪŋ hɪz ˈfɑːðər fɔːr ðə fɜːrst taɪm ɪn hɪz laɪf əˈɡenst ðə əˈsɔːlt ʌv ˈmeri hæd riːpt ðə rɪˈzʌlts ʌv ðə ˈwʊmənz ˈaʊtreɪdʒd sərˈpraɪz ənd rɪˈzentmənt/
Line 4
"You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?
Line 5
Then----" and the heavy blow dealt him carried Sandy to the floor by its force.
/ðen ənd ðə ˈhevi bloʊ delt hɪm ˈkærid ˈsændi tuː ðə flɔːr baɪ ɪts fɔːrs/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

defending adjective US /dɪˈfendɪŋ/

attempting to or designed to prevent an opponent from winning or scoring

From this reading “There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.”

feathery adjective US /ˈfeðəri/

resembling or suggesting a feather or feathers

From this reading “It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.”

films noun US /fɪlmz/

plural of “film” — a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading “It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.”

lightness noun US /ˈlaɪtnəs/

a feeling of joy and pride

From this reading “It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.”

mists noun US /mɪsts/

plural of “mist” — a thin fog with condensation near the ground

From this reading “It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.”

Morley noun US /ˈmɔːrli/

United States chemist and physicist who collaborated with Michelson in the Michelson-Morley experiment (1838-1923)

From this reading “Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.”

outraged adjective US /ˈaʊtreɪdʒd/

angered at something unjust or wrong

From this reading “There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.”

reaped verb US /riːpt/

past form of “reap” — gather, as of natural products

From this reading “There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

achingadjectiveUS /ˈeɪkɪŋ/

causing a dull and steady pain

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

assaultnounUS /əˈsɔːlt/

close fighting during the culmination of a military attack

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

atprepositionUS /æt/

in or near a particular place or position

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

blowverbUS /bloʊ/

exhale hard

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

bruisedverbUS /bruːzd/

past form of “bruise” — injure the underlying soft tissue or bone of

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

cabinnounUS /ˈkæbən/

small room on a ship or boat where people sleep

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

carriedverbUS /ˈkærid/

inflected form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

dealtverbUS /delt/

inflected form of “deal” — act on verbally or in some form of artistic expression

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

defendingadjectiveUS /dɪˈfendɪŋ/

attempting to or designed to prevent an opponent from winning or scoring

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

desperateadjectiveUS /ˈdesprɪt/

arising from or marked by despair or loss of hope

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

featheryadjectiveUS /ˈfeðəri/

resembling or suggesting a feather or feathers

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

filmsnounUS /fɪlmz/

plural of “film” — a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

flamingadjectiveUS /ˈfleɪmɪŋ/

informal intensifiers

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

highestadjectiveUS /ˈhaɪəst/

superlative of “high” — greater than normal in degree or intensity or amount

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

lightnessnounUS /ˈlaɪtnəs/

a feeling of joy and pride

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

LostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

man-trick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

mistsnounUS /mɪsts/

plural of “mist” — a thin fog with condensation near the ground

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

MorleynounUS /ˈmɔːrli/

United States chemist and physicist who collaborated with Michelson in the Michelson-Morley experiment (1838-1923)

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

mornnounUS /mɔːrn/

the time period between dawn and noon

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

MountainnounUS /ˈmaʊntən/

a land mass that projects well above its surroundings; higher than a hill

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

outragedadjectiveUS /ˈaʊtreɪdʒd/

angered at something unjust or wrong

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

peaknounUS /piːk/

the most extreme possible amount or value

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

quarrelnounUS /ˈkwɔːrəl/

an angry dispute

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

reapedverbUS /riːpt/

past form of “reap” — gather, as of natural products

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

rednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

resentmentnounUS /rɪˈzentmənt/

a feeling of deep and bitter anger and ill-will

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

resultsnounUS /rɪˈzʌlts/

plural of “result” — a phenomenon that follows and is caused by some previous phenomenon

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

rushingnounUS /ˈrʌʃɪŋ/

(American football) an attempt to advance the ball by running into the line

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

SandyadjectiveUS /ˈsændi/

of hair color; pale yellowish to yellowish brown

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

shedverbUS /ʃed/

get rid of

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

shriekedadjectiveUS /ʃriːkt/

uttered in a shrill scream as of pain or terror

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then----" and the heavy blow dealt him carried Sandy to the floor by its force.

ThereadverbUS /ðer/

in or at that place or location

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading Sandy Morley came out of his shed and turned his bruised and aching face to Lost Mountain.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was very early, and the first touch of a red morn was turning the mists on the highest peak to flaming films of feathery lightness.

woman'snounUS /ˈwʊmənz/

possessive form of “woman” — an adult female person (as opposed to a man)

From this reading There had been a desperate quarrel in the Morley cabin the night before, and Sandy, defending his father for the first time in his life against the assault of Mary, had reaped the results of the woman's outraged surprise and resentment.

YoupronounUS /juː/

the person or people being spoken to

From this reading "You!" she had shrieked, rushing at him; "you, taking on the man-trick, are you?

Chapter 4 of A Son of the Hills by Harriet T. (Harriet Theresa) Comstock holds 246 sentences, grouped into 50 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of A Son of the Hills contain?

Chapter 4 holds 246 sentences of A Son of the Hills, unabridged, divided into 50 reading sections.

This page carries chapter 4 of A Son of the Hills by Harriet T. (Harriet Theresa) Comstock exactly as it stands in the source edition, without abridgement. It runs to 246 sentences, grouped into 50 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of A Son of the Hills?

Work through the 50 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 50 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Son of the Hills

Common questions about reading A Son of the Hills by Harriet T. (Harriet Theresa) Comstock on this page, its source edition and its audio.

Is this the complete text of A Son of the Hills?

Yes. All 6036 sentences of Project Gutenberg eBook #20424 are kept, with a record of which sentences cover which part.

Which edition of A Son of the Hills is used?

Project Gutenberg eBook #20424, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A Son of the Hills take to read?

About 503 minutes of reading across 1208 sections of 5 sentences each, at an unhurried pace.

How to read A Son of the Hills section by section

How to work through A Son of the Hills section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 26 chapters of A Son of the Hills to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A Son of the Hills

Words and structures a reader meets early in A Son of the Hills, each tappable for pronunciation and meaning.

Hollow
A word that appears in the opening chapter of A Son of the Hills; the reader can tap it to hear it and see its dictionary entry.
Close
A word that appears in the opening chapter of A Son of the Hills; the reader can tap it to hear it and see its dictionary entry.
Mountain
A word that appears in the opening chapter of A Son of the Hills; the reader can tap it to hear it and see its dictionary entry.
Gives
A word that appears in the opening chapter of A Son of the Hills; the reader can tap it to hear it and see its dictionary entry.