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A Star for a Night: A Story of Stage Life
A Star for a Night: A Story of Stage Life

Chapter X

Chapter 10 of A Star for a Night: A Story of Stage Life is here in full — 71 sentences across 15 reading sections, with audio for every sentence and word.

Cover illustration for A Star for a Night: A Story of Stage Life
Context Illustration Reading 1/14 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:
VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.
The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.
On one side two long benches served as havens of rest for weary stage-folk in search of engagements.
Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Star for a Night: A Story of Stage Life

Chapter X

Chapter 10 of A Star for a Night: A Story of Stage Life is here in full — 71 sentences across 15 reading sections, with audio for every sentence and word.

Reading 1/14 · 5 reading units · Lines 1–5

Line 1
THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:
Line 2
VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.
Line 3
The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.
Line 4
On one side two long benches served as havens of rest for weary stage-folk in search of engagements.
Line 5
Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

engagements noun US /enˈɡeɪdʒmənts/

plural of “engagement” — a hostile meeting of opposing military forces in the course of a war

From this reading “On one side two long benches served as havens of rest for weary stage-folk in search of engagements.”

havens noun US /ˈheɪvənz/

plural of “haven” — a shelter serving as a place of safety or sanctuary

From this reading “On one side two long benches served as havens of rest for weary stage-folk in search of engagements.”

hurl verb US /hɜːrl/

throw forcefully

From this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

invading adjective US /ˌɪnˈveɪdɪŋ/

involving invasion or aggressive attack

From this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

precincts noun US /ˈpriːsɪŋkts/

plural of “precinct” — a district of a city or town marked out for administrative purposes

From this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

presumption noun US /prɪˈzʌmpʃən/

an assumption that is taken for granted

From this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

simmered verb US /ˈsɪmərd/

past form of “simmer” — boil slowly at low temperature

From this reading “The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.”

stenographer noun US /steˈnʌɡrəfər/

someone skilled in the transcription of speech (especially dictation)

From this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sacred precincts adjective + noun counted as “sacred precinct”

In this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

Theatrical Manager adjective + noun

In this reading “VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.”

outer office adjective + noun

In this reading “The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.”

inner office adjective + noun

In this reading “VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.”

other side adjective + noun

In this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

look around verb + particle

look about oneself

In this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

chorus girls noun + noun counted as “chorus girl”

a woman who dances in a chorus line

In this reading “Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:”

two parts noun + noun

In this reading “The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.”

All words in this reading · 101

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1239

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

anonadverbUS /ˌæˈnɔːn/

at another time

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

atprepositionUS /æt/

in or near a particular place or position

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

belowprepositionUS /bɪˈloʊ/

at or to a lower level than something

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

benchesnounUS /ˈbentʃɪz/

plural of “bench” — a long seat for more than one person

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

blackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

boreverbUS /bɔːr/

cause to be bored

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

BroadwaynounUS /ˈbrɔːdweɪ/

a street in Manhattan that passes through Times Square; famous for its theaters

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

BuildingnounUS /ˈbɪldɪŋ/

a structure that has a roof and walls and stands more or less permanently in one place

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

busyadjectiveUS /ˈbɪzi/

actively or fully engaged or occupied

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

chorusnounUS /ˈkɔːrəs/

any utterance produced simultaneously by a group

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

crowdsnounUS /kraʊdz/

plural of “crowd” — a large number of things or people considered together

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

dividedadjectiveUS /dɪˈvaɪdɪd/

separated into parts or pieces

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

engagementsnounUS /enˈɡeɪdʒmənts/

plural of “engagement” — a hostile meeting of opposing military forces in the course of a war

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

enterverbUS /ˈentər/

to come or go into

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

EveradverbUS /ˈevər/

at any time

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

expectingverbUS /ɪkˈspektɪŋ/

-ing form of “expect” — regard something as probable or likely

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

girlsnounUS /ɡɜːrlz/

plural of “girl” — a young female

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

havensnounUS /ˈheɪvənz/

plural of “haven” — a shelter serving as a place of safety or sanctuary

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

hurlverbUS /hɜːrl/

throw forcefully

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

hurryingadjectiveUS /ˈhɜːriɪŋ/

moving with great haste

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

imperialadjectiveUS /ˌɪmˈpɪriəl/

relating to or associated with an empire

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

inneradjectiveUS /ˈɪnər/

located inward

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

invadingadjectiveUS /ˌɪnˈveɪdɪŋ/

involving invasion or aggressive attack

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

Jovenoun

(Roman mythology) supreme god of Romans; counterpart of Greek Zeus

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

Knickerbocker

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

legendnounUS /ˈledʒənd/

a story about mythical or supernatural beings or events

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

lettersnounUS /ˈletərz/

the literary culture

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

ManagernounUS /ˈmænədʒər/

someone who controls resources and expenditures

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

officenounUS /ˈɔːfɪs/

place of business where professional or clerical duties are performed

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

outeradjectiveUS /ˈaʊtər/

being on the outside or further from a center

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

overlookingadjectiveUS /ˈoʊvərlʊkɪŋ/

used of a height or viewpoint

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

partsnounUS /pɑːrts/

the local environment

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

perhapsadverbUS /pərˈhæps/

by chance

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

plainadjectiveUS /pleɪn/

clearly revealed to the mind or the senses or judgment

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

playersnounUS /ˈpleɪərz/

plural of “player” — a person who participates in or is skilled at some game

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

precinctsnounUS /ˈpriːsɪŋkts/

plural of “precinct” — a district of a city or town marked out for administrative purposes

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

presumptionnounUS /prɪˈzʌmpʃən/

an assumption that is taken for granted

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

railnounUS /reɪl/

a barrier consisting of a horizontal bar and supports

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

railingnounUS /ˈreɪlɪŋ/

a barrier consisting of a horizontal bar and supports

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

red-haired

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

restverbUS /rest/

not move; be in a resting position

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

roomsnounUS /ruːmz/

apartment consisting of a series of connected rooms used as a living unit (as in a hotel)

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

sacredadjectiveUS /ˈseɪkrəd/

concerned with religion or religious purposes

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

searchverbUS /sɜːrtʃ/

try to locate or discover, or try to establish the existence of

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

seethed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

servedverbUS /sɜːrvd/

past form of “serve” — serve a purpose, role, or function

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

signnounUS /saɪn/

a perceptible indication of something not immediately apparent (as a visible clue that something has happened)

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

simmeredverbUS /ˈsɪmərd/

past form of “simmer” — boil slowly at low temperature

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

stage-folk

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

stenographernounUS /steˈnʌɡrəfər/

someone skilled in the transcription of speech (especially dictation)

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

SuitenounUS /swiːt/

a musical composition of several movements only loosely connected

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

TheaternounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

TheatricaladjectiveUS /θiˈætrɪkəl/

of or relating to the theater

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

thunderbolts

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

timidlyadverbUS /ˈtɪmədli/

in a shy or timid or bashful manner

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

tremblingly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

UNDERGROUNDadjectiveUS /ˈʌndərɡraʊnd/

under the level of the ground

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

VICTORnounUS /ˈvɪktər/

a combatant who is able to defeat rivals

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

wearyverbUS /ˈwɪri/

exhaust or get tired through overuse or great strain or stress

From this reading On one side two long benches served as havens of rest for weary stage-folk in search of engagements.

WELDON

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading VICTOR WELDON Theatrical Manager Suite 1239 was really two small rooms, an outer and an inner office.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The outer office, overlooking busy Broadway, which seethed and simmered its hurrying crowds far below, was divided into two parts by a railing.

WIRESnounUS /ˈwaɪərz/

plural of “wire” — ligament made of metal and used to fasten things or make cages or fences etc

From this reading THE UNDERGROUND WIRES The sign on the door of Suite 1239 in the Knickerbocker Theater Building bore the legend, in plain black letters:

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Ever and anon one, two, or even three players, perhaps chorus girls, perhaps actors, perhaps character women, would enter timidly, look around the office as though expecting the imperial Jove to hurl thunderbolts at them for their presumption in thus invading the sacred precincts, and then tremblingly ask the red-haired stenographer on the other side of the rail:

Chapter 10 of A Star for a Night: A Story of Stage Life by Elsie Janis holds 71 sentences, grouped into 15 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of A Star for a Night: A Story of Stage Life contain?

Chapter 10 holds 71 sentences of A Star for a Night: A Story of Stage Life, unabridged, divided into 15 reading sections.

This page carries chapter 10 of A Star for a Night: A Story of Stage Life by Elsie Janis exactly as it stands in the source edition, without abridgement. It runs to 71 sentences, grouped into 15 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of A Star for a Night: A Story of Stage Life?

Work through the 15 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 15 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Star for a Night: A Story of Stage Life

Common questions about reading A Star for a Night: A Story of Stage Life by Elsie Janis on this page, its source edition and its audio.

Is this the complete text of A Star for a Night: A Story of Stage Life?

Yes. All 2140 sentences of Project Gutenberg eBook #33785 are kept, with a record of which sentences cover which part.

Which edition of A Star for a Night: A Story of Stage Life is used?

Project Gutenberg eBook #33785, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A Star for a Night: A Story of Stage Life take to read?

About 178 minutes of reading across 428 sections of 5 sentences each, at an unhurried pace.

How to read A Star for a Night: A Story of Stage Life section by section

How to work through A Star for a Night: A Story of Stage Life section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of A Star for a Night: A Story of Stage Life to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A Star for a Night: A Story of Stage Life

Words and structures a reader meets early in A Star for a Night: A Story of Stage Life, each tappable for pronunciation and meaning.

Zinsheimer
A word that appears in the opening chapter of A Star for a Night: A Story of Stage Life; the reader can tap it to hear it and see its dictionary entry.
Stick
A word that appears in the opening chapter of A Star for a Night: A Story of Stage Life; the reader can tap it to hear it and see its dictionary entry.
Southern
A word that appears in the opening chapter of A Star for a Night: A Story of Stage Life; the reader can tap it to hear it and see its dictionary entry.
Indiana
A word that appears in the opening chapter of A Star for a Night: A Story of Stage Life; the reader can tap it to hear it and see its dictionary entry.