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A Tramp Abroad — Volume 07
A Tramp Abroad — Volume 07

Chapter VII · Chapter 7

Chapter 7 of A Tramp Abroad — Volume 07 is here in full — 903 sentences across 181 reading sections, with audio for every sentence and word.

Cover illustration for A Tramp Abroad — Volume 07
Context Illustration Reading 1/180 · 5 lines
English subtitles · tap any word to listen 1 / 5
[Titian Bad and Titian Good] I wonder why some things are?
For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.
Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.
But not so with Art.
The brush may still deal freely with any subject, however revolting or indelicate.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Tramp Abroad — Volume 07

Chapter VII · Chapter 7

Chapter 7 of A Tramp Abroad — Volume 07 is here in full — 903 sentences across 181 reading sections, with audio for every sentence and word.

Reading 1/180 · 5 reading units · Lines 1–5

Line 1
[Titian Bad and Titian Good] I wonder why some things are?
/ˈtɪʃən bæd ənd ˈtɪʃən ɡʊd aɪ ˈwʌndər waɪ sʌm θɪŋz ɑːr/
Line 2
For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.
Line 3
Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.
Line 4
But not so with Art.
/bʌt nɑːt soʊ wɪð ɑːrt/
Line 5
The brush may still deal freely with any subject, however revolting or indelicate.
/ðə brʌʃ meɪ stɪl diːl ˈfriːli wɪð ˈeni səbˈdʒekt ˌhaʊˈevər riˈvoʊltɪŋ ɔːr ˌɪnˈdelɪkət/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

curtailed verb US /kərˈteɪld/

past form of “curtail” — place restrictions on

From this reading “For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.”

Fielding noun US /ˈfiːldɪŋ/

(baseball) handling the ball while playing in the field

From this reading “Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.”

indecent adjective US /ˌɪnˈdiːsənt/

not in keeping with accepted standards of what is right or proper in polite society

From this reading “For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.”

indelicate adjective US /ˌɪnˈdelɪkət/

in violation of good taste even verging on the indecent

From this reading “The brush may still deal freely with any subject, however revolting or indelicate.”

ninety adjective US /ˈnaɪnti/

being ten more than eighty

From this reading “For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.”

portray verb US /pɔːrˈtreɪ/

portray in words

From this reading “Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.”

revolting adjective US /riˈvoʊltɪŋ/

highly offensive; arousing aversion or disgust

From this reading “The brush may still deal freely with any subject, however revolting or indelicate.”

Titian noun US /ˈtɪʃən/

old master of the Venetian school (1490-1576)

From this reading “[Titian Bad and Titian Good] I wonder why some things are?”

All words in this reading · 77

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading [Titian Bad and Titian Good] I wonder why some things are?

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

approachverbUS /əˈproʊtʃ/

move towards

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading [Titian Bad and Titian Good] I wonder why some things are?

Artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

BadadjectiveUS /bæd/

having undesirable or negative qualities

From this reading [Titian Bad and Titian Good] I wonder why some things are?

beastliest

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

beastlinessnoun

the quality of being deliberately mean

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

brushverbUS /brʌʃ/

rub with a brush, or as if with a brush

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

curtailedverbUS /kərˈteɪld/

past form of “curtail” — place restrictions on

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

dealverbUS /diːl/

act on verbally or in some form of artistic expression

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

eightyadjectiveUS /ˈeɪti/

being ten more than seventy

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

FieldingnounUS /ˈfiːldɪŋ/

(baseball) handling the ball while playing in the field

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

fouladjectiveUS /faʊl/

highly offensive; arousing aversion or disgust

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

freelyadverbUS /ˈfriːli/

in a free manner

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

GoodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading [Titian Bad and Titian Good] I wonder why some things are?

guardedadjectiveUS /ˈɡɑːrdəd/

prudent

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading [Titian Bad and Titian Good] I wonder why some things are?

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

indecentadjectiveUS /ˌɪnˈdiːsənt/

not in keeping with accepted standards of what is right or proper in polite society

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

indelicateadjectiveUS /ˌɪnˈdelɪkət/

in violation of good taste even verging on the indecent

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

licensenounUS /ˈlaɪsəns/

a legal document giving official permission to do something

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

LiteraturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

niceadjectiveUS /naɪs/

pleasant or pleasing or agreeable in nature or appearance

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

ninetyadjectiveUS /ˈnaɪnti/

being ten more than eighty

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

pastnounUS /pæst/

the time that has elapsed

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

plentynounUS /ˈplenti/

a full supply

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

portrayverbUS /pɔːrˈtreɪ/

portray in words

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

privilegesnounUS /ˈprɪvlədʒəz/

plural of “privilege” — a special advantage or immunity or benefit not enjoyed by all

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

revoltingadjectiveUS /riˈvoʊltɪŋ/

highly offensive; arousing aversion or disgust

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

sharplyadverbUS /ˈʃɑːrpli/

in an aggressive manner

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

Smollettnoun

Scottish writer of adventure novels (1721-1771)

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But not so with Art.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading [Titian Bad and Titian Good] I wonder why some things are?

speechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading The brush may still deal freely with any subject, however revolting or indelicate.

subjectsnounUS /ˈsʌbdʒɪkts/

plural of “subject” — the subject matter of a conversation or discussion

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading [Titian Bad and Titian Good] I wonder why some things are?

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

TitiannounUS /ˈtɪʃən/

old master of the Venetian school (1490-1576)

From this reading [Titian Bad and Titian Good] I wonder why some things are?

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

todaynounUS /təˈdeɪ/

the present time or age

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading [Titian Bad and Titian Good] I wonder why some things are?

withprepositionUS /wɪð/

in the company of; together with

From this reading Fielding and Smollett could portray the beastliness of their day in the beastliest language; we have plenty of foul subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

wondernounUS /ˈwʌndər/

the feeling aroused by something strange and surprising

From this reading [Titian Bad and Titian Good] I wonder why some things are?

yearsnounUS /jɪrz/

a late time of life

From this reading For instance, Art is allowed as much indecent license today as in earlier times--but the privileges of Literature in this respect have been sharply curtailed within the past eighty or ninety years.

Chapter 7 of A Tramp Abroad — Volume 07 by Mark Twain holds 903 sentences, grouped into 181 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of A Tramp Abroad — Volume 07 contain?

Chapter 7 holds 903 sentences of A Tramp Abroad — Volume 07, unabridged, divided into 181 reading sections.

This page carries chapter 7 of A Tramp Abroad — Volume 07 by Mark Twain exactly as it stands in the source edition, without abridgement. It runs to 903 sentences, grouped into 181 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of A Tramp Abroad — Volume 07?

Work through the 181 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 181 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Tramp Abroad — Volume 07

Common questions about reading A Tramp Abroad — Volume 07 by Mark Twain on this page, its source edition and its audio.

Is this the complete text of A Tramp Abroad — Volume 07?

Yes. All 1709 sentences of Project Gutenberg eBook #5788 are kept, with a record of which sentences cover which part.

Which edition of A Tramp Abroad — Volume 07 is used?

Project Gutenberg eBook #5788, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A Tramp Abroad — Volume 07 take to read?

About 142 minutes of reading across 342 sections of 5 sentences each, at an unhurried pace.

How to read A Tramp Abroad — Volume 07 section by section

How to work through A Tramp Abroad — Volume 07 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of A Tramp Abroad — Volume 07 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A Tramp Abroad — Volume 07

Words and structures a reader meets early in A Tramp Abroad — Volume 07, each tappable for pronunciation and meaning.

Breakfast
A word that appears in the opening chapter of A Tramp Abroad — Volume 07; the reader can tap it to hear it and see its dictionary entry.
Morning
A word that appears in the opening chapter of A Tramp Abroad — Volume 07; the reader can tap it to hear it and see its dictionary entry.
Chamonix
A word that appears in the opening chapter of A Tramp Abroad — Volume 07; the reader can tap it to hear it and see its dictionary entry.
Watched
A word that appears in the opening chapter of A Tramp Abroad — Volume 07; the reader can tap it to hear it and see its dictionary entry.