Chapter I

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From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

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From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

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From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

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From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

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From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a brief dramatic piece (usually comic) presented after a play

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

following the length of something from one end toward the other

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

prior to a specified or implied time

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the form of “a” used before a word that begins with a vowel sound

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

used to join words or parts of a sentence that go together

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

United States naturalist who contributed to paleontology and geology (1884-1960)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

the form of “be” used with you, we, they, or a plural noun

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

elected vice president and became 21st President of the United States when Garfield was assassinated (1830-1886)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

at the same time that; because; in the way that

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

relating to or characteristic of the times of the Roman Emperor Augustus

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

of or relating to or being biography

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

rigid connective tissue that makes up the skeleton of vertebrates

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

plural of “boy” — a youthful male person

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

showing who or what does the action

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a degree on the centigrade scale of temperature

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a state in the western United States on the Pacific; the 3rd largest state; known for earthquakes

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

largest city in Illinois; a bustling Great Lakes port that extends 26 miles along the southwestern shoreline of Lake Michigan

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

United States explorer who (with Meriwether Lewis) led an expedition from St. Louis to the mouth of the Columbia River; Clark was responsible for making maps of the area (1770-1838)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

several things grouped together or considered as a whole

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the body of faculty and students of a college

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a North American river; rises in southwestern Canada and flows southward across Washington to form the border between Washington and Oregon before emptying into the Pacific; known for its salmon runs in the spring

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

plural of “copy” — a reproduction of a written record (e.g. of a legal or school record)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _THE NEW PLAY CRITICIZ'D_, OR _The Plague of Envy_.

English navigator who explored the Arctic while searching for the Northwest Passage (1550-1605)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a British peer ranking below a marquess and above a viscount

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a feeling of grudging admiration and desire to have something that is possessed by another

From this reading _THE NEW PLAY CRITICIZ'D_, OR _The Plague of Envy_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

an exact copy or reproduction

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

preceding all others in time or space or degree

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

intended to be given to, or used by, somebody

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

United States economist noted as a proponent of monetarism and for his opposition to government intervention in the economy (born in 1912)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a plot of ground where plants are cultivated

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

applying to all or most members of a category or group

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

acknowledged as a supposition

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a nonmetallic univalent element that is normally a colorless and odorless highly flammable diatomic gas; the simplest and lightest and most abundant element in the universe

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

in or at this place; where the speaker or writer is

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

belonging to a man, boy, or male animal already mentioned

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

United States physician who first described Huntington's chorea

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

inside something, or within a place, period, or state

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

something that serves to indicate or suggest

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a message received and understood

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a sense of concern with and curiosity about someone or something

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the act of beginning something new

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a son who has the same first name as his father

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Roman martyr; supposedly Lawrence was ordered by the police to give up the church's treasure and when he responded by presenting the poor people of Rome he was roasted to death on a gridiron (died in 258)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

plural of “lawyer” — a professional person authorized to practice law; conducts lawsuits or gives legal advice

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

a room where books are kept

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

small in range or scope

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

United States prizefighter who was world heavyweight champion for 12 years (1914-1981)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

A book, document, or piece of music written by hand rather than typed or printed.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

march in a procession

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a recognition of meritorious service

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a midwestern state in north central United States in the Great Lakes region

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

laborer who works in a mine

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a midwestern state

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a male religious living in a cloister and devoting himself to contemplation and prayer and work

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

United States composer of works noted for their use of the American vernacular (1893-1969)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading _THE NEW PLAY CRITICIZ'D_, OR _The Plague of Envy_.

not any; not one

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

belonging to, or connected with, somebody or something

From this reading _THE NEW PLAY CRITICIZ'D_, OR _The Plague of Envy_.

touching and supported by a surface

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

used to mean any person in general, including the speaker

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

and nothing more

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

used to join alternatives or possibilities

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a dramatic or musical entertainment

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

cause to suffer a blight

From this reading _THE NEW PLAY CRITICIZ'D_, OR _The Plague of Envy_.

participate in games or sport

From this reading _THE NEW PLAY CRITICIZ'D_, OR _The Plague of Envy_.

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

United States general who was the first African American to serve as chief of staff; later served as Secretary of State under President George W. Bush (born 1937)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a university town in central New Jersey

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

past form of “produce” — bring forth or yield

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a publication (such as a book) that is reprinted without changes or editing and offered again for sale

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

past form of “reproduce” — make a copy or equivalent of

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

restored to consciousness or life or vigor

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

(Old Testament) Hebrew prophet and judge who anointed Saul as king

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

from a time in the past until now

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

an extended social group having a distinctive cultural and economic organization

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Australian operatic soprano (born in 1926)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a base found in DNA (but not in RNA) and derived from pyrimidine; pairs with adenine

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

a building where theatrical performances or motion-picture shows can be presented

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the plural of “this”: the people or things near, or just mentioned

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

one of three equal parts of a divisible whole

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

used for a person or thing that is near, or that has just been mentioned

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

a more or less definite period of time now or previously present

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

used before the base form of a verb to make the infinitive

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

the body of faculty and students at a university

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

marked by dissimilarity

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

being or moving higher in position or greater in some value; being above a former position or level

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

a state in the eastern United States; one of the original 13 colonies; one of the Confederate States in the American Civil War

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

the past form of “be” used with I, he, she, it, or a singular noun

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.

used to introduce a clause giving more about a thing just mentioned

From this reading A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (Larpent 58) was first produced in 1746 and revived many times up to March 29, 1756, unlike _The Covent Garden Theatre_ which was given only one performance in 1752.

used to talk about the future, or about willingness

From this reading _A WILL AND NO WILL_, OR _A Bone for the Lawyers_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California,

in the company of; together with

From this reading Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Edna C. Davis, _William Andrews Clark Memorial Library_ The manuscript copies of these two plays by Charles Macklin, A WILL AND NO WILL, OR A BONE FOR THE LAWYERS (1746) and THE NEW PLAY CRITICIZ'D, OR THE PLAGUE OF ENVY (1747), are in the Larpent Collection of the Huntington Library along with a third afterpiece _The Covent Garden Theatre, or Pasquin Turn'd Drawcansir_ (1752) already reproduced in facsimile as Number 116 of the Augustan Reprint Society.[1] Since the introduction to _Covent Garden Theatre_ (ARS 116) already gives general biographical information on this actor-playwright, Charles Macklin, as well as an indication of the revived interest in his plays, this introduction will be limited to the two afterpieces here reproduced.