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A Woman's War: A Novel
A Woman's War: A Novel

Chapter XIV

Chapter 14 of A Woman's War: A Novel is here in full — 128 sentences across 26 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/25 · 5 lines
English subtitles · tap any word to listen 1 / 5
There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.
As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.
The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.
Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.
Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Woman's War: A Novel

Chapter XIV

Chapter 14 of A Woman's War: A Novel is here in full — 128 sentences across 26 reading sections, with audio for every sentence and word.

Reading 1/25 · 5 reading units · Lines 1–5

Line 1
There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.
/ðer ɪz ˈlɪtəl ðæt ɪz ˈbjuːtəfəl ɪn deθ seɪv pərˈhæps ɪn ðə ˈfeɪsəz ʌv ˈtʃɪldrən ənd ðoʊz ˈteɪkən ɪn ðə ˈheɪdeɪ ʌv ðer juːθ/
Line 2
As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.
Line 3
The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.
/ðə ˈlɪli kɔːrps wɪð ðə ˌænˈdʒelɪk smaɪl ɪz ˈrerli siːn seɪv pərˈhæps baɪ ˌɪrəˈspɑːnsəbəl ˈpoʊəts/
Line 4
Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.
Line 5
Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.
/ˈbjuːti ʌv ˈaʊtlaɪn ɪz lɔːst tuː ðə lɪmz ðə boʊnz ʃoʊ æt ðə dʒɔɪnts ðə ˈmʌsəlz stænd aʊt ɪn stɪf ənd ənˈnætʃərəl rɪˈliːf/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

angelic adjective US /ˌænˈdʒelɪk/

marked by utter benignity; resembling or befitting an angel or saint

From this reading “The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.”

Blotched adjective US /blɑːttʃt/

marked with irregularly shaped spots or blots

From this reading “Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.”

heyday noun US /ˈheɪdeɪ/

the period of greatest prosperity or productivity

From this reading “There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.”

inflated adjective US /ˌɪnˈfleɪtɪd/

enlarged beyond truth or reasonableness

From this reading “Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.”

irresponsible adjective US /ˌɪrəˈspɑːnsəbəl/

showing lack of care for consequences

From this reading “The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.”

nears verb US /nɪrz/

third-person singular of “near” — move towards

From this reading “As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.”

shrunken adjective US /ˈʃrʌŋkən/

lean and wrinkled by shrinkage as from age or illness

From this reading “Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.”

welcomes noun US /ˈwelkəmz/

plural of “welcome” — the state of being welcome

From this reading “Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

stand out verb + adjective

be highly noticeable

In this reading “Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

angelicadjectiveUS /ˌænˈdʒelɪk/

marked by utter benignity; resembling or befitting an angel or saint

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

atprepositionUS /æt/

in or near a particular place or position

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

BeautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

BlotchedadjectiveUS /blɑːttʃt/

marked with irregularly shaped spots or blots

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

bonesnounUS /boʊnz/

(used in the plural) a percussion instrument consisting of a pair of hollow pieces of wood or bone (usually held between the thumb and fingers) that are made to click together (as by Spanish dancers) in rhythm with the dance

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

corpsenounUS /kɔːrps/

the dead body of a human being

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

deathnounUS /deθ/

the event of dying or departure from life

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

decaynounUS /dɪˈkeɪ/

the process of gradually becoming inferior

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

facesnounUS /ˈfeɪsəz/

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

gravenounUS /ɡreɪv/

death of a person

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

grotesqueadjectiveUS /ɡroʊˈtesk/

distorted and unnatural in shape or size; abnormal and hideous

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

growsverbUS /ɡroʊz/

third-person singular of “grow” — pass into a condition gradually, take on a specific property or attribute; become

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

heydaynounUS /ˈheɪdeɪ/

the period of greatest prosperity or productivity

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

inflatedadjectiveUS /ˌɪnˈfleɪtɪd/

enlarged beyond truth or reasonableness

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

irresponsibleadjectiveUS /ˌɪrəˈspɑːnsəbəl/

showing lack of care for consequences

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

jointsnounUS /dʒɔɪnts/

plural of “joint” — (anatomy) the point of connection between two bones or elements of a skeleton (especially if it allows motion)

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

lilynounUS /ˈlɪli/

any liliaceous plant of the genus Lilium having showy pendulous flowers

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

limbsnounUS /lɪmz/

plural of “limb” — one of the jointed appendages of an animal used for locomotion or grasping: arm; leg; wing; flipper

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

majoritynounUS /məˈdʒɔːrəti/

the property resulting from being or relating to the greater in number of two parts; the main part

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

mortalsnounUS /ˈmɔːrtəlz/

plural of “mortal” — a human being

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

musclesnounUS /ˈmʌsəlz/

plural of “muscle” — one of the contractile organs of the body

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

namelessadjectiveUS /ˈneɪm.ləs/

Having no name, or having a name that is kept secret or unknown.

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

nearsverbUS /nɪrz/

third-person singular of “near” — move towards

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

outlinenounUS /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

perhapsadverbUS /pərˈhæps/

by chance

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

putrefactionnoun

a state of decay usually accompanied by an offensive odor

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

rarelyadverbUS /ˈrerli/

not often

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

reliefnounUS /rɪˈliːf/

the feeling that comes when something burdensome is removed or reduced

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

repulsivenessnoun

the quality of being disgusting to the senses or emotions

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

saveprepositionUS /seɪv/

except for; apart from

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

shrunkenadjectiveUS /ˈʃrʌŋkən/

lean and wrinkled by shrinkage as from age or illness

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

standverbUS /stænd/

be standing; be upright

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

stiffadjectiveUS /stɪf/

not moving or operating freely

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

thingnounUS /θɪŋ/

a special situation

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

uglyadjectiveUS /ˈʌɡli/

displeasing to the senses

From this reading As in life the majority of mortals are ugly and grotesque, so in death the body grows in repulsiveness as it nears the grave.

unnaturaladjectiveUS /ənˈnætʃərəl/

not in accordance with or determined by nature; contrary to nature

From this reading Beauty of outline is lost to the limbs, the bones show at the joints, the muscles stand out in stiff and unnatural relief.

welcomesnounUS /ˈwelkəmz/

plural of “welcome” — the state of being welcome

From this reading Blotched and stiff, shrunken or inflated, the nameless thing welcomes putrefaction and decay.

withprepositionUS /wɪð/

in the company of; together with

From this reading The lily corpse with the angelic smile is rarely seen, save perhaps by irresponsible poets.

youthnounUS /juːθ/

a young person (especially a young man or boy)

From this reading There is little that is beautiful in death, save, perhaps, in the faces of children, and those taken in the heyday of their youth.

Chapter 14 of A Woman's War: A Novel by Warwick Deeping holds 128 sentences, grouped into 26 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 14 of A Woman's War: A Novel contain?

Chapter 14 holds 128 sentences of A Woman's War: A Novel, unabridged, divided into 26 reading sections.

This page carries chapter 14 of A Woman's War: A Novel by Warwick Deeping exactly as it stands in the source edition, without abridgement. It runs to 128 sentences, grouped into 26 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 14 of A Woman's War: A Novel?

Work through the 26 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 26 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 14 be read aloud to me?

Yes — every sentence and every individual word in chapter 14 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Woman's War: A Novel

Common questions about reading A Woman's War: A Novel by Warwick Deeping on this page, its source edition and its audio.

Is this the complete text of A Woman's War: A Novel?

Yes. All 6390 sentences of Project Gutenberg eBook #52715 are kept, with a record of which sentences cover which part.

Which edition of A Woman's War: A Novel is used?

Project Gutenberg eBook #52715, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A Woman's War: A Novel take to read?

About 532 minutes of reading across 1278 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in A Woman's War: A Novel

Words and structures a reader meets early in A Woman's War: A Novel, each tappable for pronunciation and meaning.

Ripple
A word that appears in the opening chapter of A Woman's War: A Novel; the reader can tap it to hear it and see its dictionary entry.
Chimes
A word that appears in the opening chapter of A Woman's War: A Novel; the reader can tap it to hear it and see its dictionary entry.
Through
A word that appears in the opening chapter of A Woman's War: A Novel; the reader can tap it to hear it and see its dictionary entry.
Frosty
A word that appears in the opening chapter of A Woman's War: A Novel; the reader can tap it to hear it and see its dictionary entry.