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A Word, Only a Word — Complete
A Word, Only a Word — Complete

Chapter XIX · Chapter 19

Chapter 19 of A Word, Only a Word — Complete is here in full — 161 sentences across 33 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/32 · 5 lines
English subtitles · tap any word to listen 1 / 5
Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.
The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.
The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"
They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.
So they went forward; at first rapidly, then at a pace easy for the horses.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

A Word, Only a Word — Complete

Chapter XIX · Chapter 19

Chapter 19 of A Word, Only a Word — Complete is here in full — 161 sentences across 33 reading sections, with audio for every sentence and word.

Reading 1/32 · 5 reading units · Lines 1–5

Line 1
Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.
Line 2
The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.
Line 3
The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"
Line 4
They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.
Line 5
So they went forward; at first rapidly, then at a pace easy for the horses.
/soʊ ðeɪ went ˈfɔːrwərd æt fɜːrst ˈræpədli ðen æt ə peɪs ˈiːzi fɔːr ðə ˈhɔːrsəz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Andalusian adjective US /ˌændəˈluːʃən/

in or relating to Andalusia

From this reading “Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.”

Flanders noun US /ˈflændərz/

a medieval country in northern Europe that included regions now parts of northern France and Belgium and southwestern Netherlands

From this reading “The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.”

instruction noun US /ˌɪnˈstrʌkʃən/

a message describing how something is to be done

From this reading “The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.”

Moor verb US /mʊr/

secure in or as if in a berth or dock

From this reading “Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.”

noisily adverb US /ˈnɔɪzəli/

with much noise or loud and unpleasant sound

From this reading “The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"”

partition noun US /pɑːrˈtɪʃən/

a vertical structure that divides or separates (as a wall divides one room from another)

From this reading “The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"”

protege noun US /ˈproʊtəʒeɪ/

a person who receives support and protection from an influential patron who furthers the protege's career

From this reading “The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.”

unexpectedly adverb US /ˌʌnɪkˈspektɪdli/

in a way that was not expected

From this reading “The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"”

All words in this reading · 104

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

afterprepositionUS /ˈæftər/

later than; following

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

agitatedadjectiveUS /ˈædʒəteɪtɪd/

troubled emotionally and usually deeply

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

aheadadverbUS /əˈhed/

at or in the front

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

alighted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

AndalusianadjectiveUS /ˌændəˈluːʃən/

in or relating to Andalusia

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

atprepositionUS /æt/

in or near a particular place or position

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

calashnoun

a woman's large folded hooped hood; worn in the 18th century

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

coachmannounUS /ˈkoʊtʃmən/

a man who drives a coach (or carriage)

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

deeplyadverbUS /ˈdiːpli/

to a great depth psychologically or emotionally

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

DonnounUS /dɑːn/

a Spanish gentleman or nobleman

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

drivenadjectiveUS /ˈdrɪvən/

compelled forcibly by an outside agency

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

escortnounUS /eˈskɔːrt/

someone who escorts and protects a prominent person

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

Fabrizio's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

fair-hairedadjective

favorite

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

favorite's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

FlandersnounUS /ˈflændərz/

a medieval country in northern Europe that included regions now parts of northern France and Belgium and southwestern Netherlands

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

forwardadverbUS /ˈfɔːrwərd/

at or to or toward the front

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

gatenounUS /ɡeɪt/

a movable barrier in a fence or wall

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

GoverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

goldnounUS /ɡoʊld/

coins made of gold

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

grantedadjectiveUS /ˈɡræntəd/

acknowledged as a supposition

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

guardsnounUS /ɡɑːrdz/

plural of “guard” — a person who keeps watch over something or someone

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

HalfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

homenounUS /hoʊm/

where you live at a particular time

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

horsesnounUS /ˈhɔːrsəz/

plural of “horse” — solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

instructionnounUS /ˌɪnˈstrʌkʃən/

a message describing how something is to be done

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

king'snounUS /kɪŋz/

possessive form of “king” — a male sovereign; ruler of a kingdom

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

leathernounUS /ˈleðər/

an animal skin made smooth and flexible by removing the hair and then tanning

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

leaveverbUS /liːv/

go away from a place

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

midnightnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

MoorverbUS /mʊr/

secure in or as if in a berth or dock

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

mountedadjectiveUS /ˈmaʊntəd/

assembled for use; especially by being attached to a support

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

Navarrete

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

noisilyadverbUS /ˈnɔɪzəli/

with much noise or loud and unpleasant sound

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

pacenounUS /peɪs/

the rate of moving (especially walking or running)

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

palacenounUS /ˈpæləs/

a large and stately mansion

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

partitionnounUS /pɑːrˈtɪʃən/

a vertical structure that divides or separates (as a wall divides one room from another)

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

pleasure-palaces

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

protegenounUS /ˈproʊtəʒeɪ/

a person who receives support and protection from an influential patron who furthers the protege's career

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

pupilnounUS /ˈpjuːpəl/

a learner who is enrolled in an educational institution

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

pursenounUS /pɜːrs/

a container used for carrying money and small personal items or accessories (especially by women)

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

rapidlyadverbUS /ˈræpədli/

with speed

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

stoppedadjectiveUS /stɑːpt/

(of a nose) blocked

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

summonedverbUS /ˈsʌmənd/

past form of “summon” — call in an official matter, such as to attend court

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

travelling-expenses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

Ulrich

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

unexpectedlyadverbUS /ˌʌnɪkˈspektɪdli/

in a way that was not expected

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

wantsnounUS /wɑːnts/

plural of “want” — a state of extreme poverty

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading So they went forward; at first rapidly, then at a pace easy for the horses.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master.

whenconjunctionUS /wen/

at the time that

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

whitenounUS /waɪt/

a Caucasian

From this reading Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

whopronounUS /huː/

which person or people

From this reading The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

withprepositionUS /wɪð/

in the company of; together with

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

Chapter 19 of A Word, Only a Word — Complete by Georg Ebers holds 161 sentences, grouped into 33 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 19 of A Word, Only a Word — Complete contain?

Chapter 19 holds 161 sentences of A Word, Only a Word — Complete, unabridged, divided into 33 reading sections.

This page carries chapter 19 of A Word, Only a Word — Complete by Georg Ebers exactly as it stands in the source edition, without abridgement. It runs to 161 sentences, grouped into 33 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 19 of A Word, Only a Word — Complete?

Work through the 33 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 33 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 19 be read aloud to me?

Yes — every sentence and every individual word in chapter 19 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading A Word, Only a Word — Complete

Common questions about reading A Word, Only a Word — Complete by Georg Ebers on this page, its source edition and its audio.

Is this the complete text of A Word, Only a Word — Complete?

Yes. All 5123 sentences of Project Gutenberg eBook #5577 are kept, with a record of which sentences cover which part.

Which edition of A Word, Only a Word — Complete is used?

Project Gutenberg eBook #5577, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does A Word, Only a Word — Complete take to read?

About 426 minutes of reading across 1025 sections of 5 sentences each, at an unhurried pace.

How to read A Word, Only a Word — Complete section by section

How to work through A Word, Only a Word — Complete section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of A Word, Only a Word — Complete to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in A Word, Only a Word — Complete

Words and structures a reader meets early in A Word, Only a Word — Complete, each tappable for pronunciation and meaning.

Cried
A word that appears in the opening chapter of A Word, Only a Word — Complete; the reader can tap it to hear it and see its dictionary entry.
Fresh
A word that appears in the opening chapter of A Word, Only a Word — Complete; the reader can tap it to hear it and see its dictionary entry.
Boyish
A word that appears in the opening chapter of A Word, Only a Word — Complete; the reader can tap it to hear it and see its dictionary entry.
Voice
A word that appears in the opening chapter of A Word, Only a Word — Complete; the reader can tap it to hear it and see its dictionary entry.