Chapter VI

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a record or narrative description of past events

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

personal knowledge or information about someone or something

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

presently existing in fact and not merely potential or possible

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

take a risk in the hope of a favorable outcome

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a friendly nation

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

following the length of something from one end toward the other

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

the form of “a” used before a word that begins with a vowel sound

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

used to join words or parts of a sentence that go together

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

one more of the same kind, or a different one

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

clothing in general

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the form of “be” used with you, we, they, or a plural noun

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an old form of “are”, used with “thou”

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an upward slope or grade (as in a road)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

marked by assurance; exhibiting confidence

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

in or near a particular place or position

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

(military) an offensive against an enemy (using weapons)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

earnest and conscientious activity intended to do or accomplish something

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

third-person singular of “become” — enter or assume a certain state or condition

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the event consisting of the start of something

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

at or to a lower level than something

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

overtaken by night or darkness

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

in the space, time, or range separating two things

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

(of a surface) not written or printed on

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used to introduce something that contrasts with what came before

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a race between candidates for elective office

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

to be able to, or to be allowed to

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

one of the four pointed conical teeth (two in each jaw) located between the incisors and the premolars

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a railcar where passengers ride

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

a series of things depending on each other as if linked together

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

cause to change; make different; cause a transformation

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a condition that accompanies or influences some event or activity

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

the highest point of anything conceived of as growing or developing or unfolding

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

plural of “climber” — a vine or climbing plant that readily grows up a support or over other plants

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “close” — the temporal end; the concluding time

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a pass between mountain peaks

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a position or opinion or judgment reached after consideration

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

direct the course of; manage or control

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “dance” — an artistic form of nonverbal communication

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a Mid-Atlantic state; one of the original 13 colonies

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

provided with something intended to increase its beauty or distinction

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

An action of moving downward, dropping, or falling into a deeper place.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

serving to describe or inform or characterized by description

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “disadvantage” — the quality of having an inferior or less favorable position

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the property created by the space between two objects or points

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a feeling of great liking for something wonderful and unusual

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the act of escaping physically

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

have an existence, be extant

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

a military campaign designed to achieve a specific objective in a foreign country

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “expedition” — a military campaign designed to achieve a specific objective in a foreign country

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the point or degree to which something extends

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

fail to do something; leave something undone

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an act that fails

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

offering fun and gaiety

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a rise in the temperature of the body; frequently a symptom of infection

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

occurring at or forming an end or termination

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

come or bring to a finish or an end

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an armed adversary (especially a member of an opposing military force)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

intended to be given to, or used by, somebody

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

well in the past; former

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

showing where something starts, or who sent it

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

change location; move, travel, or proceed, also metaphorically

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the state of affairs that a plan is intended to achieve and that (when achieved) terminates behavior intended to achieve it

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

the act of departing

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

in a gracious or graceful manner

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “gross” — twelve dozen

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “guide” — someone employed to conduct others

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

deep ditch cut by running water (especially after a prolonged downpour)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used with a past participle to form the perfect tenses

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

advanced in complexity or elaboration

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

kindness in welcoming guests or strangers

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

inside something, or within a place, period, or state

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

in such a manner as could not be otherwise

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

the form of “be” used with he, she, it, or a singular noun

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a thing, animal, or idea already mentioned

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

plural of “join” — the shape or manner in which things come together and a connection is made

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

undertake a journey or trip

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

apprehended with certainty

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

immediately past

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a person who rules or guides or inspires others

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

third-person singular of “lend” — bestow a quality on

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used to form the comparative of some adjectives and adverbs

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

a golf course that is built on sandy ground near a shore

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an adult person who is male (as opposed to a woman)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

resembling a labyrinth in form or complexity

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

an instance of misfortune

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the light of the Moon

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a land mass that projects well above its surroundings; higher than a hill

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the activity of climbing a mountain

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “narrative” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

make or become more narrow or restricted

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

coming next after the eighteenth in position

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

not any; not one

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

in or characteristic of a region of the United States north of (approximately) the Mason-Dixon line

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an announcement containing information about an event

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

a notice of someone's death; usually includes a short biography

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

belonging to, or connected with, somebody or something

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

many times at short intervals

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

touching and supported by a surface

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used to mean any person in general, including the speaker

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

and nothing more

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a possibility due to a favorable combination of circumstances

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used to join alternatives or possibilities

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

not the same one or ones already mentioned or implied

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

belonging to the speaker and others

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the time at which something is supposed to begin

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

(golf) the standard number of strokes set for each hole on a golf course, or for the entire course

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an organization to gain political power

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a person who passes by casually or by chance

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “pastime” — a diversion that occupies one's time and thoughts (usually pleasantly)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a course of conduct

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

a perceptual structure

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

the most extreme possible amount or value

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “peak” — the most extreme possible amount or value

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the next to last syllable in a word

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a dramatic or musical entertainment

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

concerning or affecting a particular person or his or her private life and personality

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a geometric element that has position but no extension

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

almost; nearly

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

a high standing achieved through success or influence or wealth etc.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

third-person singular of “proclaim” — declare formally; declare someone to be something; of titles

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a person who enjoys reading

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

conforming to the established language usage of educated native speakers

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

recurring again and again

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a phenomenon that follows and is caused by some previous phenomenon

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

go or come back to place, condition, or activity where one has been before

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a long narrow natural elevation or striation

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “rock” — a lump or mass of hard consolidated mineral matter

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

giving satisfaction

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

the place where some action occurs

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

to move hurriedly

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

an area that includes places where several people can sit

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the display of a motion picture

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “show” — the act of publicly exhibiting or entertaining

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a place within a region identified relative to a center or reference location

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

as a signal

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

coming next after the fifteenth in position

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

affected by involuntary jerky muscular contractions; resembling a spasm

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “sport” — an active diversion requiring physical exertion and competition

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

take the first step or steps in carrying out an action

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the branch of military science dealing with detailed maneuvers to achieve objectives set by strategy

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

carry out

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

used to introduce the second part of a comparison

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used to introduce what somebody said, thought, or felt

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

in or at that place or location

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

used before the base form of a verb to make the infinitive

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

in contact with each other or in proximity

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

make an effort or attempt

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the act of changing or reversing the direction of the course

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a subdivision of a particular kind of thing

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

being unsettled or in doubt or dependent on chance

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

below or beneath something; less than

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

not favored by fortune; marked or accompanied by or resulting in ill fortune

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

characterized by unity; being or joined into a single entity

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

being or moving higher in position or greater in some value; being above a former position or level

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

past form of “vanquish” — come out better in a competition, race, or conflict

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

a collection containing a variety of sorts of things

From this reading There is certainly one other variety, but that takes the less satisfactory form of an obituary notice.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

precisely as stated

From this reading It is to some extent an unfortunate circumstance that in a personal narrative of adventure the result is practically known from the very beginning.

a way of regarding situations or topics etc.

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

the speaker together with one or more other people

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.

used to introduce a clause giving more about a thing just mentioned

From this reading The only uncertainty that can exist is the actual pattern on which the links of the chain are united together, for the climax is from the outset a foregone conclusion.

used to talk about the future, or about willingness

From this reading The descriptive account will inevitably conduct the reader along a more or less mazy path to an assured goal.

in the company of; together with

From this reading ASCENT OF THE AIGUILLE DU DRU “_Decies repetita placebit_” Disadvantages of narratives of personal adventure—Expeditions on the Aiguille du Dru in 1874—The ridge between the Aiguilles du Dru and Verte—“Défendu de passer par là”—Distance lends enchantment—Other climbers attack the peak—View of the mountain from the Col de Balme—We try the northern side, and fail more signally than usual—Showing that mountain fever is of the recurrent type—We take seats below, but have no opportunity of going up higher—The campaign opens—We go under canvas—A spasmodic start, and another failure—A change of tactics and a new leader—Our sixteenth attempt—Sports and pastimes at Chamouni—The art of cray-fishing—The apparel oft proclaims the man—A canine acquaintance—A new ally—The turning point of the expedition—A rehearsal for the final performance—A difficult descent—A blank in the narrative—A carriage misadventure—A penultimate failure—We start with two guides and finish with one—The rocks of the Dru—Maurer joins the party—Our nineteenth attempt—A narrow escape in the gully—The arête at last—The final scramble—Our foe is vanquished and decorated—The return journey—Benighted—A moonlight descent—We are graciously received—On “fair” mountaineering—The prestige of new peaks—Chamouni becomes festive—“Heut’ Abend grosses Feuerwerkfest”—Chamouni dances and shows hospitality—The scene closes in.