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Across the Plains, with Other Memories and
Across the Plains, with Other Memories and

Chapter XV · Chapter 15

Chapter 15 of Across the Plains, with Other Memories and is here in full — 129 sentences across 26 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/25 · 5 lines
English subtitles · tap any word to listen 1 / 5
KeatsJohn Keats, sirand Shelley were his favourite bards.
I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.
What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.
His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.
Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Across the Plains, with Other Memories and

Chapter XV · Chapter 15

Chapter 15 of Across the Plains, with Other Memories and is here in full — 129 sentences across 26 reading sections, with audio for every sentence and word.

Reading 1/25 · 5 reading units · Lines 1–5

Line 1
KeatsJohn Keats, sirand Shelley were his favourite bards.
Line 2
I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.
Line 3
What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.
/wʌt tʊk hɪm wɑːz ə ˈrɪtʃnəs ɪn ðə spiːtʃ hiː lʌvd ðə ɪɡˈzɑːtɪk ðə ˌʌnɪkˈspektɪd wɜːrd ðə ˈmuːvɪŋ ˈkeɪdəns ʌv ə freɪz ə veɪɡ sens ʌv ɪˈmoʊʃən əˈbaʊt ˈnʌθɪŋ ɪn ðə ˈveri ˈletərz ʌv ðə ˈælfəbet ðə roʊˈmæns ʌv ˈlæŋɡwədʒ/
Line 4
His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.
/hɪz ˈɑːnəst hed wɑːz ˈveri ˈnɪrli ˈempti hɪz ˈɪntəlekt laɪk ə tʃaɪldz ənd wen hiː red hɪz ˈfeɪvərɪt ˈɔːθərz hiː kæn ˈɔːlmoʊst ˈnevər hæv ˌʌndərˈstʊd wʌt hiː wɑːz ˈriːdɪŋ/
Line 5
Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.
/jet ðə teɪst wɑːz nɑːt ˈoʊnli ˈdʒenjəwən ɪt wɑːz ɪkˈskluːsɪv aɪ traɪd ɪn veɪn tuː ˈɔːfər hɪm ˈnɑːvəlz hiː wʊd nʌn ʌv ðem hiː kerd fɔːr ˈnʌθɪŋ bʌt roʊˈmæntɪk ˈlæŋɡwədʒ ðæt hiː kʊd nɑːt ˌʌndərˈstænd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

alphabet noun US /ˈælfəbet/

a character set that includes letters and is used to write a language

From this reading “What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.”

cadence noun US /ˈkeɪdəns/

(prosody) the accent in a metrical foot of verse

From this reading “What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.”

exclusive adjective US /ɪkˈskluːsɪv/

not divided or shared with others

From this reading “Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.”

exotic adjective US /ɪɡˈzɑːtɪk/

being or from or characteristic of another place or part of the world

From this reading “What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.”

Keats noun US /kiːts/

Englishman and romantic poet (1795-1821)

From this reading “Keats—John Keats, sir—and Shelley were his favourite bards.”

richness noun US /ˈrɪtʃnəs/

the property of being extremely abundant

From this reading “What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.”

Rossetti noun US /roʊˈseti/

English poet and painter who was a leader of the Pre-Raphaelites (1828-1882)

From this reading “I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.”

Shelley noun US /ˈʃeli/

English writer who created Frankenstein's monster and married Percy Bysshe Shelley (1797-1851)

From this reading “Keats—John Keats, sir—and Shelley were his favourite bards.”

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

alphabetnounUS /ˈælfəbet/

a character set that includes letters and is used to write a language

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

bards

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

cadencenounUS /ˈkeɪdəns/

(prosody) the accent in a metrical foot of verse

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

caredverbUS /kerd/

past form of “care” — feel concern or interest

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

child'snounUS /tʃaɪldz/

possessive form of “child” — a young person of either sex

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

doted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

emptyverbUS /ˈempti/

make void or empty of contents

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

everadverbUS /ˈevər/

at any time

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

exclusiveadjectiveUS /ɪkˈskluːsɪv/

not divided or shared with others

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

exoticadjectiveUS /ɪɡˈzɑːtɪk/

being or from or characteristic of another place or part of the world

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

favouritenounUS /ˈfeɪvərɪt/

a competitor thought likely to win

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

genuineadjectiveUS /ˈdʒenjəwən/

not fake or counterfeit

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

honestadjectiveUS /ˈɑːnəst/

not disposed to cheat or defraud; not deceptive or fraudulent

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

intellectnounUS /ˈɪntəlekt/

knowledge and intellectual ability

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

KeatsnounUS /kiːts/

Englishman and romantic poet (1795-1821)

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

lettersnounUS /ˈletərz/

the literary culture

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

likeverbUS /laɪk/

prefer or wish to do something

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

lovedadjectiveUS /lʌvd/

held dear

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

nonepronounUS /nʌn/

not one, and not any

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

offerverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

phrasenounUS /freɪz/

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

readverbUS /red/

interpret something that is written or printed

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

richnessnounUS /ˈrɪtʃnəs/

the property of being extremely abundant

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

RossettinounUS /roʊˈseti/

English poet and painter who was a leader of the Pre-Raphaelites (1828-1882)

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

sensenounUS /sens/

a general conscious awareness

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

ShelleynounUS /ˈʃeli/

English writer who created Frankenstein's monster and married Percy Bysshe Shelley (1797-1851)

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

sirnounUS /sɜːr/

term of address for a man

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

speechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

triedadjectiveUS /traɪd/

tested and proved useful or correct

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

understoodadjectiveUS /ˌʌndərˈstʊd/

fully apprehended as to purport or meaning or explanation

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

vagueadjectiveUS /veɪɡ/

not clearly expressed or understood

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

vainadjectiveUS /veɪn/

characteristic of false pride; having an exaggerated sense of self-importance

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Keats—John Keats, sir—and Shelley were his favourite bards.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

whenconjunctionUS /wen/

at the time that

From this reading His honest head was very nearly empty, his intellect like a child’s; and when he read his favourite authors, he can almost never have understood what he was reading.

withprepositionUS /wɪð/

in the company of; together with

From this reading I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand.

Chapter 15 of Across the Plains, with Other Memories and by Robert Louis Stevenson holds 129 sentences, grouped into 26 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 15 of Across the Plains, with Other Memories and contain?

Chapter 15 holds 129 sentences of Across the Plains, with Other Memories and, unabridged, divided into 26 reading sections.

This page carries chapter 15 of Across the Plains, with Other Memories and by Robert Louis Stevenson exactly as it stands in the public-domain source edition, without abridgement. It runs to 129 sentences, grouped into 26 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 15 of Across the Plains, with Other Memories and?

Work through the 26 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 26 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 15 be read aloud to me?

Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Across the Plains, with Other Memories and

Common questions about reading Across the Plains, with Other Memories and by Robert Louis Stevenson on this page, its source edition and its audio.

Is this the complete text of Across the Plains, with Other Memories and?

Yes. All 2155 sentences of Project Gutenberg eBook #614 are kept, with a record of which sentences cover which part.

Which edition of Across the Plains, with Other Memories and is used?

Project Gutenberg eBook #614, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Across the Plains, with Other Memories and take to read?

About 179 minutes of reading across 431 sections of 5 sentences each, at an unhurried pace.

How to read Across the Plains, with Other Memories and section by section

How to work through Across the Plains, with Other Memories and section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of Across the Plains, with Other Memories and to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Across the Plains, with Other Memories and

Words and structures a reader meets early in Across the Plains, with Other Memories and, each tappable for pronunciation and meaning.

Traveller
A word that appears in the opening chapter of Across the Plains, with Other Memories and; the reader can tap it to hear it and see its dictionary entry.
Student
A word that appears in the opening chapter of Across the Plains, with Other Memories and; the reader can tap it to hear it and see its dictionary entry.
Curious
A word that appears in the opening chapter of Across the Plains, with Other Memories and; the reader can tap it to hear it and see its dictionary entry.
Never
A word that appears in the opening chapter of Across the Plains, with Other Memories and; the reader can tap it to hear it and see its dictionary entry.