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Airy Fairy Lilian
Airy Fairy Lilian

Chapter IV

Chapter 4 of Airy Fairy Lilian is here in full — 92 sentences across 19 reading sections, with audio for every sentence and word.

Cover illustration for Airy Fairy Lilian
Context Illustration Reading 1/18 · 5 lines
English subtitles · tap any word to listen 1 / 5
"Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.
When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.
She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.
She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.
The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Airy Fairy Lilian

Chapter IV

Chapter 4 of Airy Fairy Lilian is here in full — 92 sentences across 19 reading sections, with audio for every sentence and word.

Reading 1/18 · 5 reading units · Lines 1–5

Line 1
"Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.
Line 2
When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.
Line 3
She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.
Line 4
She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.
/ʃiː hæz pʊt ɑːn wʌt ʃiː ˈfɑːndli hoʊps ɪz ə ˌpɑːrˈtɪkjələrli ˈɡreɪʃəs er bʌt wɪtʃ ɪz ɪn ˌriːˈælətiː ə ˈpælpəbəl ˈmɪkstʃər ʌv fɪr ənd ənˈsɜːrtənti/
Line 5
The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

byron noun US /ˈbaɪrən/

English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading “"Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.”

fondly adverb US /ˈfɑːndli/

with fondness; with love

From this reading “She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.”

inquiring adjective US /ˌɪnˈkwaɪərɪŋ/

given to inquiry

From this reading “She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.”

opens noun US /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading “The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.”

palpable adjective US /ˈpælpəbəl/

capable of being perceived; especially capable of being handled or touched or felt

From this reading “She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.”

prepares verb US /priˈperz/

third-person singular of “prepare” — make ready or suitable or equip in advance for a particular purpose or for some use, event, etc

From this reading “When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.”

straightens verb US /ˈstreɪtənz/

third-person singular of “straighten” — straighten up or out; make straight

From this reading “When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.”

uncertainty noun US /ənˈsɜːrtənti/

being unsettled or in doubt or dependent on chance

From this reading “She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

velvet gown noun + noun

In this reading “When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.”

black velvet adjective + noun

In this reading “When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.”

unpleasant surprise adjective + noun

In this reading “When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.”

slight pause noun + noun

In this reading “The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.”

compared with verb + particle counted as “compare with”

In this reading “"Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.”

upon the threshold preposition + article + noun counted as “upon … threshold”

In this reading “The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.”

prepares for verb + particle counted as “prepare for”

prepare mentally or emotionally for something unpleasant

In this reading “When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.”

in reality preposition + noun

used to imply that one would expect the fact to be the opposite of that stated; surprisingly

In this reading “She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

blackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

BYRONnounUS /ˈbaɪrən/

English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

carriagenounUS /ˈkærɪdʒ/

a railcar where passengers ride

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

chairnounUS /tʃer/

a seat for one person, with a support for the back

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

Chetwoode

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

childhoodnounUS /ˈtʃaɪldhʊd/

the time of person's life when they are a child

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

comparedverbUS /kəmˈperd/

past form of “compare” — examine and note the similarities or differences of

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

Cyril's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

drawverbUS /drɔː/

cause to move by pulling

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

Embitters

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

feetnounUS /fiːt/

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

fingersnounUS /ˈfɪŋɡərz/

plural of “finger” — any of the terminal members of the hand (sometimes excepting the thumb)

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

foldsnounUS /foʊldz/

plural of “fold” — an angular or rounded shape made by folding

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

fondlyadverbUS /ˈfɑːndli/

with fondness; with love

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

gownnounUS /ɡaʊn/

a woman's dress, usually with a close-fitting bodice and a long flared skirt, often worn on formal occasions

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

graciousadjectiveUS /ˈɡreɪʃəs/

characterized by charm, good taste, and generosity of spirit

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

hallnounUS /hɔːl/

an interior passage or corridor onto which rooms open

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

hearsverbUS /hiːrz/

third-person singular of “hear” — perceive (sound) via the auditory sense

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

hopesnounUS /hoʊps/

plural of “hope” — a specific instance of feeling hopeful

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

inquiringadjectiveUS /ˌɪnˈkwaɪərɪŋ/

given to inquiry

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

Lilian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

lovedadjectiveUS /lʌvd/

held dear

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

mixturenounUS /ˈmɪkstʃər/

(chemistry) a substance consisting of two or more substances mixed together (not in fixed proportions and not with chemical bonding)

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

nervousadjectiveUS /ˈnɜːrvəs/

easily agitated

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

opensnounUS /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

palpableadjectiveUS /ˈpælpəbəl/

capable of being perceived; especially capable of being handled or touched or felt

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

particularlyadverbUS /ˌpɑːrˈtɪkjələrli/

to a distinctly greater extent or degree than is common

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

pastnounUS /pæst/

the time that has elapsed

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

preparesverbUS /priˈperz/

third-person singular of “prepare” — make ready or suitable or equip in advance for a particular purpose or for some use, event, etc

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

prettyadjectiveUS /ˈprɪti/

pleasing by delicacy or grace; not imposing

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

ratheradverbUS /ˈræðər/

on the contrary

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

receiveverbUS /rəˈsiːv/

get something; come into possession of

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

recollectionnounUS /ˌrekəˈlekʃən/

the ability to recall past occurrences

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

risingadjectiveUS /ˈraɪzɪŋ/

advancing or becoming higher or greater in degree or value or status

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

slightnounUS /slaɪt/

a deliberate discourteous act (usually as an expression of anger or disapproval)

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

smoothes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

standsnounUS /stændz/

plural of “stand” — a support or foundation

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

straightensverbUS /ˈstreɪtənz/

third-person singular of “straighten” — straighten up or out; make straight

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

thereadverbUS /ðer/

in or at that place or location

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

thresholdnounUS /ˈθreʃoʊld/

the starting point for a new state or experience

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

uncertaintynounUS /ənˈsɜːrtənti/

being unsettled or in doubt or dependent on chance

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

unpleasantadjectiveUS /ənˈplezənt/

offensive or disagreeable; causing discomfort or unhappiness

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.

velvetnounUS /ˈvelvət/

a silky densely piled fabric with a plain back

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

wardnounUS /wɔːrd/

a person who is under the protection or in the custody of another

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

whatpronounUS /wʌt/

used to ask for information about something

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

WhenconjunctionUS /wen/

at the time that

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

whereconjunctionUS /wer/

in or at the place that

From this reading She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty.

whopronounUS /huː/

which person or people

From this reading When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise.

whosedeterminerUS /huːz/

belonging to which person

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

withprepositionUS /wɪð/

in the company of; together with

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

YepronounUS /jiː/

an old word for “you”, speaking to more than one person

From this reading "Ye scenes of my childhood, whose loved recollection Embitters the present, compared with the past."--BYRON.

Chapter 4 of Airy Fairy Lilian by Duchess holds 92 sentences, grouped into 19 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Airy Fairy Lilian contain?

Chapter 4 holds 92 sentences of Airy Fairy Lilian, unabridged, divided into 19 reading sections.

This page carries chapter 4 of Airy Fairy Lilian by Duchess exactly as it stands in the source edition, without abridgement. It runs to 92 sentences, grouped into 19 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Airy Fairy Lilian?

Work through the 19 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 19 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Airy Fairy Lilian

Common questions about reading Airy Fairy Lilian by Duchess on this page, its source edition and its audio.

Is this the complete text of Airy Fairy Lilian?

Yes. All 7953 sentences of Project Gutenberg eBook #35228 are kept, with a record of which sentences cover which part.

Which edition of Airy Fairy Lilian is used?

Project Gutenberg eBook #35228, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Airy Fairy Lilian take to read?

About 600 minutes of reading across 1591 sections of 5 sentences each, at an unhurried pace.

How to read Airy Fairy Lilian section by section

How to work through Airy Fairy Lilian section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 34 chapters of Airy Fairy Lilian to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Airy Fairy Lilian

Words and structures a reader meets early in Airy Fairy Lilian, each tappable for pronunciation and meaning.

Sweet
A word that appears in the opening chapter of Airy Fairy Lilian; the reader can tap it to hear it and see its dictionary entry.
English
A word that appears in the opening chapter of Airy Fairy Lilian; the reader can tap it to hear it and see its dictionary entry.
Broad
A word that appears in the opening chapter of Airy Fairy Lilian; the reader can tap it to hear it and see its dictionary entry.
Staircase--through
A word that appears in the opening chapter of Airy Fairy Lilian; the reader can tap it to hear it and see its dictionary entry.