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American literary masters
American literary masters

Chapter VIII

Chapter 8 of American literary masters is here in full — 415 sentences across 83 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/83 · 5 lines
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In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.
The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.
The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.
Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.
One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

American literary masters

Chapter VIII

Chapter 8 of American literary masters is here in full — 415 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.
Line 2
The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.
Line 3
The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.
Line 4
Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.
Line 5
One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

beguile verb US /bɪˈɡaɪl/

influence by slyness

From this reading “In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.”

blithe adjective US /blaɪð/

lacking or showing a lack of due concern

From this reading “The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.”

lyric adjective US /ˈlɪrɪk/

expressing deep emotion

From this reading “The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.”

portfolio noun US /pɔːrtˈfoʊlioʊ/

a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading “In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.”

prelude noun US /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading “One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.”

publisher's noun US /ˈpʌblɪʃərz/

possessive form of “publisher” — a firm in the publishing business

slant verb US /slænt/

lie obliquely

From this reading “One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.”

uniformly adverb US /ˈjuːnəfɔːrmli/

in a uniform manner

From this reading “The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

on the Beach preposition + article + noun counted as “on … beach”

In this reading “In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.”

at the seaside preposition + article + noun counted as “at … seaside”

In this reading “In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

37

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

atprepositionUS /æt/

in or near a particular place or position

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

Attitash

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

BeachnounUS /biːtʃ/

an area of sand sloping down to the water of a sea or lake

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

beguileverbUS /bɪˈɡaɪl/

influence by slyness

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

bestnounUS /best/

the supreme effort one can make

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

blackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

blitheadjectiveUS /blaɪð/

lacking or showing a lack of due concern

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

closingnounUS /ˈkloʊzɪŋ/

the act of closing something

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

cloudverbUS /klaʊd/

make overcast or cloudy

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

contraryadjectiveUS /ˈkɑːntreri/

very opposed in nature or character or purpose

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

darkeningadjectiveUS /ˈdɑːrkənɪŋ/

becoming dark or darker as from waning light or clouding over

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

descriptionsnounUS /dɪˈskrɪpʃənz/

plural of “description” — a statement that represents something in words

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

displayedverbUS /dɪˈspleɪd/

past form of “display” — to show, make visible or apparent

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

elevenadjectiveUS /ɪˈlevən/

being one more than ten

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

forgetverbUS /fərˈɡet/

dismiss from the mind; stop remembering

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

graynounUS /ɡreɪ/

a neutral achromatic color midway between white and black

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

javelins

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

lyricadjectiveUS /ˈlɪrɪk/

expressing deep emotion

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

MaidsnounUS /meɪdz/

plural of “maid” — a female domestic

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

mainadjectiveUS /meɪn/

most important element

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

NaturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

neednounUS /niːd/

a condition requiring relief

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

numbernounUS /ˈnʌmbər/

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

PiercingadjectiveUS /ˈpɪrsɪŋ/

having or demonstrating ability to recognize or draw fine distinctions

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

portfolionounUS /pɔːrtˈfoʊlioʊ/

a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

preludenounUS /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

publishernounUS /ˈpʌblɪʃər/

a firm in the publishing business

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

publisher'snounUS /ˈpʌblɪʃərz/

possessive form of “publisher” — a firm in the publishing business

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

racenounUS /reɪs/

any competition

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

rainnounUS /reɪn/

water falling in drops from vapor condensed in the atmosphere

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

relatedadjectiveUS /rɪˈleɪtɪd/

being connected either logically or causally or by shared characteristics

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

reliefnounUS /rɪˈliːf/

the feeling that comes when something burdensome is removed or reduced

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

seanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

seasidenounUS /ˈsiːsaɪd/

the shore of a sea or ocean regarded as a resort

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

skynounUS /skaɪ/

the atmosphere and outer space as viewed from the earth

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

slantverbUS /slænt/

lie obliquely

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

sombreadjective

lacking brightness or color; dull

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

SometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

soonadverbUS /suːn/

in the near future

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

stanzanounUS /ˈstænzə/

a fixed number of lines of verse forming a unit of a poem

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

StoopedadjectiveUS /stuːpt/

having the back and shoulders rounded; not erect

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

talesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

TentnounUS /tent/

a portable shelter (usually of canvas stretched over supporting poles and fastened to the ground with ropes and pegs)

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

thunderverbUS /ˈθʌndər/

move fast, noisily, and heavily

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

tintsnounUS /tɪnts/

plural of “tint” — a quality of a given color that differs slightly from another color

From this reading The one called ‘The Maids of Attitash’ is blithe enough, but the gray tints need even more relief.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

tracknounUS /træk/

a line or route along which something travels or moves

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

traditionsnounUS /trəˈdɪʃənz/

plural of “tradition” — an inherited pattern of thought or action

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

travellernounUS /ˈtrævələr/

a person who changes location

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

uniformlyadverbUS /ˈjuːnəfɔːrmli/

in a uniform manner

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

versesnounUS /ˈvɜːrsəz/

plural of “verse” — literature in metrical form

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

wavesnounUS /weɪvz/

plural of “wave” — one of a series of ridges that moves across the surface of a liquid (especially across a large body of water)

From this reading One does not soon forget this stanza from the prelude:-- Sometimes a cloud, with thunder black, Stooped low upon the darkening main, Piercing the waves along its track With the slant javelins of rain.

Whittier's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Whittier’s power in descriptions of sea and sky is displayed at its best in this volume.

whopronounUS /huː/

which person or people

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

withprepositionUS /wɪð/

in the company of; together with

From this reading In _The Tent on the Beach_ it is related how a poet,[37] a publisher (who in this instance, contrary to the traditions of his race, is a friend of the poet), and a traveller beguile an evening at the seaside with the reading of manuscript verses from the publisher’s portfolio.

WorshipverbUS /ˈwɜːrʃəp/

love unquestioningly and uncritically or to excess; venerate as an idol

From this reading The tales, eleven in number, with a closing lyric on ‘The Worship of Nature,’ are too uniformly sombre.

Chapter 8 of American literary masters by Leon H. (Leon Henry) Vincent holds 415 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of American literary masters contain?

Chapter 8 holds 415 sentences of American literary masters, unabridged, divided into 83 reading sections.

This page carries chapter 8 of American literary masters by Leon H. (Leon Henry) Vincent exactly as it stands in the source edition, without abridgement. It runs to 415 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of American literary masters?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading American literary masters

Common questions about reading American literary masters by Leon H. (Leon Henry) Vincent on this page, its source edition and its audio.

Is this the complete text of American literary masters?

Yes. All 4991 sentences of Project Gutenberg eBook #68683 are kept, with a record of which sentences cover which part.

Which edition of American literary masters is used?

Project Gutenberg eBook #68683, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does American literary masters take to read?

About 415 minutes of reading across 999 sections of 5 sentences each, at an unhurried pace.

How to read American literary masters section by section

How to work through American literary masters section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in American literary masters

Words and structures a reader meets early in American literary masters, each tappable for pronunciation and meaning.

Italic
A word that appears in the opening chapter of American literary masters; the reader can tap it to hear it and see its dictionary entry.
Enclosed
A word that appears in the opening chapter of American literary masters; the reader can tap it to hear it and see its dictionary entry.
Underscores
A word that appears in the opening chapter of American literary masters; the reader can tap it to hear it and see its dictionary entry.
Boldface
A word that appears in the opening chapter of American literary masters; the reader can tap it to hear it and see its dictionary entry.