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An outline of humor
An outline of humor

Chapter V

Chapter 5 of An outline of humor is here in full — 4975 sentences across 995 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/995 · 5 lines
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MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.
It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.
In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.
Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.
Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

An outline of humor

Chapter V

Chapter 5 of An outline of humor is here in full — 4975 sentences across 995 reading sections, with audio for every sentence and word.

Reading 1/995 · 5 reading units · Lines 1–5

Line 1
MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.
Line 2
It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.
Line 3
In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.
Line 4
Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.
Line 5
Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

chisels noun US /ˈtʃɪzəlz/

plural of “chisel” — an edge tool with a flat steel blade with a cutting edge

From this reading “It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.”

Collections noun US /kəˈlekʃənz/

plural of “collection” — several things grouped together or considered as a whole

From this reading “Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.”

Indo-European noun US /ˌɪndoʊjʊrəˈpiːən/

a member of the prehistoric people who spoke Proto-Indo European

From this reading “Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.”

Jingles noun US /ˈdʒɪŋɡəlz/

plural of “jingle” — a metallic sound

From this reading “Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.”

Lore noun US /lɔːr/

knowledge gained through tradition or anecdote

From this reading “Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.”

pencils noun US /ˈpensəlz/

plural of “pencil” — a thin cylindrical pointed writing implement; a rod of marking substance encased in wood

From this reading “It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.”

supplemented verb US /sʌpləmentɪd/

past form of “supplement” — add as a supplement to what seems insufficient

From this reading “It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.”

tracing noun US /ˈtreɪsɪŋ/

the act of drawing a plan or diagram or outline

From this reading “Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

Fairy Tales noun + noun counted as “fairy tale”

a story about fairies; told to amuse children

In this reading “Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.”

most important adverb + adjective

In this reading “Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.”

Folk Tales noun + noun counted as “folk tale”

a tale circulated by word of mouth among the common folk

In this reading “In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.”

hark back verb + particle

go back to something earlier

In this reading “Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.”

with reference preposition + noun

In this reading “It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.”

came from verb + particle counted as “come from”

In this reading “It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.”

In the East preposition + article + noun counted as “in … east”

In this reading “In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.”

All words in this reading · 87

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

absoluteadjectiveUS /ˈæbsəluːt/

perfect or complete or pure

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

abundantadjectiveUS /əˈbʌndənt/

present in great quantity

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

AGESnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

AnecdotesnounUS /ˈænəkdoʊts/

plural of “anecdote” — short account of an incident (especially a biographical one)

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

backadverbUS /bæk/

in or to or toward a former location

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

Bidpai

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

blanknessnoun

the state of being blank; void; emptiness

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

caricaturists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

catalogueverbUS /ˈkætəlɔːɡ/

make an itemized list or catalog of; classify

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

chiselsnounUS /ˈtʃɪzəlz/

plural of “chisel” — an edge tool with a flat steel blade with a cutting edge

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

CollectionsnounUS /kəˈlekʃənz/

plural of “collection” — several things grouped together or considered as a whole

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

darknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

EastnounUS /iːst/

the cardinal compass point that is at 90 degrees

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

EuropenounUS /ˈjʊrəp/

the 2nd smallest continent (actually a vast peninsula of Eurasia); the British use “Europe” to refer to all of the continent except the British Isles

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

FablesnounUS /ˈfeɪbəlz/

plural of “fable” — a deliberately false or improbable account

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

FairynounUS /ˈferi/

a small being, human in form, playful and having magical powers

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

FolknounUS /foʊk/

people in general (often used in the plural)

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

foundverbUS /faʊnd/

set up or found

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

givesnounUS /ɡɪvz/

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

GoosenounUS /ɡuːs/

web-footed long-necked typically gregarious migratory aquatic birds usually larger and less aquatic than ducks

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

harkverbUS /hɑːrk/

listen; used mostly in the imperative

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

humorousadjectiveUS /ˈhjuːmərəs/

full of or characterized by humor

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

Indo-EuropeannounUS /ˌɪndoʊjʊrəˈpiːən/

a member of the prehistoric people who spoke Proto-Indo European

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

jestingadjective

characterized by jokes and good humor

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

JinglesnounUS /ˈdʒɪŋɡəlz/

plural of “jingle” — a metallic sound

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

linkverbUS /lɪŋk/

make a logical or causal connection

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

LorenounUS /lɔːr/

knowledge gained through tradition or anecdote

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

massnounUS /mæs/

the property of a body that causes it to have weight in a gravitational field

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

MEDIÆVAL

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

mostadverbUS /moʊst/

used to form the superlative

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

MothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

mouthsnounUS /maʊðz/

plural of “mouth” — the opening through which food is taken in and vocalizations emerge

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

nodeterminerUS /noʊ/

not any; not one

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

oldestadjectiveUS /ˈoʊldəst/

superlative of “old” — (used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

Orientals

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

pencilsnounUS /ˈpensəlz/

plural of “pencil” — a thin cylindrical pointed writing implement; a rod of marking substance encased in wood

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

Pilpay

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

ProbablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

referencenounUS /ˈrefərəns/

a remark that calls attention to something or someone

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

scatters

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

seedsnounUS /siːdz/

plural of “seed” — a small hard fruit

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

SHAKESPEARE'SnounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

Song-singers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

strongeradjectiveUS /ˈstrɔːŋər/

comparative of “strong” — having strength or power greater than average or expected

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

supplementedverbUS /sʌpləmentɪd/

past form of “supplement” — add as a supplement to what seems insufficient

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

Tale-tellers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

TalesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Fables, Fairy Tales, Mother Goose Jingles, Collections of Anecdotes, all hark back to these jesting stories of the ancient Orientals.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

tracingnounUS /ˈtreɪsɪŋ/

the act of drawing a plan or diagram or outline

From this reading Probably the oldest and most important link in the tracing of Indo-European Folk Lore is found in the Fables of Pilpay, or Bidpai.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading MEDIÆVAL AGES SHAKESPEARE’S line, “In the vast deep and middle of the night,” gives no stronger or more absolute effect of darkness and blankness than the state of humorous literature during the vast deep and middle of the Mediæval Ages.

vegetationnounUS /ˌvedʒəˈteɪʃən/

all the plant life in a particular region or period

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading In the East, Folk Tales were abundant and they were brought to Europe as the wind scatters the seeds of vegetation.

withprepositionUS /wɪð/

in the company of; together with

From this reading It is not possible to catalogue it with reference to time or place, for the mass of it came from the mouths of Tale-tellers or Song-singers, supplemented by the pencils or chisels of the caricaturists.

Chapter 5 of An outline of humor by Carolyn [Editor] Wells holds 4975 sentences, grouped into 995 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of An outline of humor contain?

Chapter 5 holds 4975 sentences of An outline of humor, unabridged, divided into 995 reading sections.

This page carries chapter 5 of An outline of humor by Carolyn [Editor] Wells exactly as it stands in the source edition, without abridgement. It runs to 4975 sentences, grouped into 995 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of An outline of humor?

Work through the 995 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 995 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading An outline of humor

Common questions about reading An outline of humor by Carolyn [Editor] Wells on this page, its source edition and its audio.

Is this the complete text of An outline of humor?

Yes. All 10062 sentences of Project Gutenberg eBook #68163 are kept, with a record of which sentences cover which part.

Which edition of An outline of humor is used?

Project Gutenberg eBook #68163, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does An outline of humor take to read?

About 600 minutes of reading across 2013 sections of 5 sentences each, at an unhurried pace.

How to read An outline of humor section by section

How to work through An outline of humor section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Each section holds 5 sentences; read it once through.

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in An outline of humor

Words and structures a reader meets early in An outline of humor, each tappable for pronunciation and meaning.

Being
A word that appears in the opening chapter of An outline of humor; the reader can tap it to hear it and see its dictionary entry.
Chronicle
A word that appears in the opening chapter of An outline of humor; the reader can tap it to hear it and see its dictionary entry.
Prehistoric
A word that appears in the opening chapter of An outline of humor; the reader can tap it to hear it and see its dictionary entry.
Twentieth
A word that appears in the opening chapter of An outline of humor; the reader can tap it to hear it and see its dictionary entry.