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Anarchism and Other Essays
Anarchism and Other Essays

Chapter XXI · Chapter 21

Chapter 21 of Anarchism and Other Essays is here in full — 150 sentences across 30 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/30 · 5 lines
English subtitles · tap any word to listen 1 / 5
No wonder people cared little to read Mr. Shaw's Socialistic tracts.
In no other way but in the drama could he deliver such forcible, historic truths.
And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.
After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.
The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Anarchism and Other Essays

Chapter XXI · Chapter 21

Chapter 21 of Anarchism and Other Essays is here in full — 150 sentences across 30 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
No wonder people cared little to read Mr. Shaw's Socialistic tracts.
/noʊ ˈwʌndər ˈpiːpəl kerd ˈlɪtəl tuː red ˈmɪstər ʃɔːz ˌsoʊʃəˈlɪstɪk trækts/
Line 2
In no other way but in the drama could he deliver such forcible, historic truths.
/ɪn noʊ ˈʌðər weɪ bʌt ɪn ðə ˈdrɑːmə kʊd hiː dɪˈlɪvər sʌtʃ ˈfɔːrsəbəl hɪˈstɔːrɪk truːθs/
Line 3
And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.
/ənd ˈðerfɔːr ɪt ɪz ˈoʊnli θruː ðə ˈdrɑːmə ðæt ˈmɪstər ʃɔː ɪz ə ˌrevəˈluːʃəneri ˈfæktər ɪn ðə dɪˌseməˈneɪʃən ʌv ˈrædəkəl aɪˈdiːəz/
Line 4
After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.
Line 5
The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dissemination noun US /dɪˌseməˈneɪʃən/

the opening of a subject to widespread discussion and debate

From this reading “And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.”

factors noun US /ˈfæktərz/

plural of “factor” — anything that contributes causally to a result

From this reading “The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.”

Galsworthy noun US /ˈɡælzwɜːrði/

English novelist (1867-1933)

From this reading “After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.”

revolutionist noun US /ˌrevəˈluːʃənɪst/

a radical supporter of political or social revolution

From this reading “The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.”

Shaw's noun US /ʃɔːz/

possessive form of “shaw” — United States clarinetist and leader of a swing band (1910-2004)

From this reading “No wonder people cared little to read Mr. Shaw's Socialistic tracts.”

Socialistic adjective US /ˌsoʊʃəˈlɪstɪk/

advocating or following the socialist principles

From this reading “No wonder people cared little to read Mr. Shaw's Socialistic tracts.”

uncompromising adjective US /ənˈkɑːmprəmaɪzɪŋ/

not making concessions

From this reading “The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.”

weber noun US /ˈwebər/

a unit of magnetic flux equal to 100,000,000 maxwells

From this reading “After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

AnthonynounUS /ˈænθəni/

Roman general under Julius Caesar in the Gallic wars; repudiated his wife for the Egyptian queen Cleopatra; they were defeated by Octavian at Actium (83-30 BC)

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

atprepositionUS /æt/

in or near a particular place or position

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

byprepositionUS /baɪ/

showing who or what does the action

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

caredverbUS /kerd/

past form of “care” — feel concern or interest

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

causenounUS /kɑːz/

events that provide the generative force that is the origin of something

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

concessionnounUS /kənˈseʃən/

a contract granting the right to operate a subsidiary business

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

DavidnounUS /ˈdeɪvɪd/

patron saint of Wales (circa 520-600)

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

deliververbUS /dɪˈlɪvər/

deliver (a speech, oration, or idea)

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

devotionnounUS /dɪˈvoʊʃən/

feelings of ardent love

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

DIEverbUS /daɪ/

pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

disseminationnounUS /dɪˌseməˈneɪʃən/

the opening of a subject to widespread discussion and debate

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

dominantadjectiveUS /ˈdɑːmənənt/

exercising influence or control

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

factornounUS /ˈfæktər/

anything that contributes causally to a result

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

factorsnounUS /ˈfæktərz/

plural of “factor” — anything that contributes causally to a result

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

forcibleadjectiveUS /ˈfɔːrsəbəl/

impelled by physical force especially against resistance

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

freedomnounUS /ˈfriːdəm/

the condition of being free; the power to act or speak or think without externally imposed restraints

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

GalsworthynounUS /ˈɡælzwɜːrði/

English novelist (1867-1933)

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

Hauptmann's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

heatnounUS /hiːt/

a form of energy that is transferred by a difference in temperature

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

historicadjectiveUS /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

ideasnounUS /aɪˈdiːəz/

plural of “idea” — the content of cognition; the main thing you are thinking about

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

labornounUS /ˈleɪbər/

a social class comprising those who do manual labor or work for wages

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

makeverbUS /meɪk/

engage in

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

mennounUS /men/

the force of workers available

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

monthsnounUS /mʌnθs/

plural of “month” — one of the twelve divisions of the calendar year

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

mostadverbUS /moʊst/

used to form the superlative

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

NodeterminerUS /noʊ/

not any; not one

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

presidentnounUS /ˈprezədent/

an executive officer of a firm or corporation

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

radicalnounUS /ˈrædəkəl/

(chemistry) two or more atoms bound together as a single unit and forming part of a molecule

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

readverbUS /red/

interpret something that is written or printed

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

revolutionaryadjectiveUS /ˌrevəˈluːʃəneri/

markedly new or introducing radical change

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

revolutionistnounUS /ˌrevəˈluːʃənɪst/

a radical supporter of political or social revolution

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

rigidadjectiveUS /ˈrɪdʒəd/

incapable of or resistant to bending

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

RobertsnounUS /ˈrɑːbərts/

United States biochemist (born in England) honored for his discovery that some genes contain introns (born in 1943)

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

semi-starvation

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

ShawnounUS /ʃɔː/

United States clarinetist and leader of a swing band (1910-2004)

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

Shaw'snounUS /ʃɔːz/

possessive form of “shaw” — United States clarinetist and leader of a swing band (1910-2004)

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

slightestadjectiveUS /ˈslaɪtəst/

superlative of “slight” — (quantifier used with mass nouns) small in quantity or degree; not much or almost none or (with “a”) at least some

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

SocialisticadjectiveUS /ˌsoʊʃəˈlɪstɪk/

advocating or following the socialist principles

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

STRIFEnounUS /straɪf/

lack of agreement or harmony

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

strikeverbUS /straɪk/

deliver a sharp blow, as with the hand, fist, or weapon

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading And therefore it is only through the drama that Mr. Shaw is a revolutionary factor in the dissemination of radical ideas.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

tractsnounUS /trækts/

plural of “tract” — an extended area of land

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

truthsnounUS /truːθs/

plural of “truth” — a fact that has been verified

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

uncompromisingadjectiveUS /ənˈkɑːmprəmaɪzɪŋ/

not making concessions

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

unwillingadjectiveUS /ənˈwɪlɪŋ/

not disposed or inclined toward

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

waynounUS /weɪ/

how something is done or how it happens

From this reading In no other way but in the drama could he deliver such forcible, historic truths.

WEBERnounUS /ˈwebər/

a unit of magnetic flux equal to 100,000,000 maxwells

From this reading After Hauptmann's DIE WEBER, STRIFE, by Galsworthy, is the most important labor drama.

whitenounUS /waɪt/

a Caucasian

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

whosedeterminerUS /huːz/

belonging to which person

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

withprepositionUS /wɪð/

in the company of; together with

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

wondernounUS /ˈwʌndər/

the feeling aroused by something strange and surprising

From this reading No wonder people cared little to read Mr. Shaw's Socialistic tracts.

workingmannoun

an employee who performs manual or industrial labor

From this reading The theme of STRIFE is a strike with two dominant factors: Anthony, the president of the company, rigid, uncompromising, unwilling to make the slightest concession, although the men held out for months and are in a condition of semi-starvation; and David Roberts, an uncompromising revolutionist, whose devotion to the workingman and the cause of freedom is at white heat.

Chapter 21 of Anarchism and Other Essays by Emma Goldman holds 150 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of Anarchism and Other Essays contain?

Chapter 21 holds 150 sentences of Anarchism and Other Essays, unabridged, divided into 30 reading sections.

This page carries chapter 21 of Anarchism and Other Essays by Emma Goldman exactly as it stands in the public-domain source edition, without abridgement. It runs to 150 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of Anarchism and Other Essays?

Work through the 30 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 30 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Anarchism and Other Essays

Common questions about reading Anarchism and Other Essays by Emma Goldman on this page, its source edition and its audio.

Is this the complete text of Anarchism and Other Essays?

Yes. All 3126 sentences of Project Gutenberg eBook #2162 are kept, with a record of which sentences cover which part.

Which edition of Anarchism and Other Essays is used?

Project Gutenberg eBook #2162, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Anarchism and Other Essays take to read?

About 260 minutes of reading across 626 sections of 5 sentences each, at an unhurried pace.

How to read Anarchism and Other Essays section by section

How to work through Anarchism and Other Essays section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of Anarchism and Other Essays to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Anarchism and Other Essays

Words and structures a reader meets early in Anarchism and Other Essays, each tappable for pronunciation and meaning.

Biographic
A word that appears in the opening chapter of Anarchism and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Sketch
A word that appears in the opening chapter of Anarchism and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Hippolyte
A word that appears in the opening chapter of Anarchism and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Havel
A word that appears in the opening chapter of Anarchism and Other Essays; the reader can tap it to hear it and see its dictionary entry.