Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Anna St. Ives
Anna St. Ives

Chapter XXXVII · Chapter 37

Chapter 37 of Anna St. Ives is here in full — 405 sentences across 81 reading sections, with audio for every sentence and word.

Cover illustration for Anna St. Ives
Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.
I know not why this should be necessary, but I feel that it is!
I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.
I would not have my victim suspect me to be here.
I would come upon her by surprise, and not when she was armed and prepared for repulse.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Anna St. Ives

Chapter XXXVII · Chapter 37

Chapter 37 of Anna St. Ives is here in full — 405 sentences across 81 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.
Line 2
I know not why this should be necessary, but I feel that it is!
/aɪ noʊ nɑːt waɪ ðɪs ʃʊd biː ˈnesəseri bʌt aɪ fiːl ðæt ɪt ɪz/
Line 3
I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.
Line 4
I would not have my victim suspect me to be here.
/aɪ wʊd nɑːt hæv maɪ ˈvɪktəm səˈspekt miː tuː biː hiːr/
Line 5
I would come upon her by surprise, and not when she was armed and prepared for repulse.
/aɪ wʊd kʌm əˈpɑːn hɜːr baɪ sərˈpraɪz ənd nɑːt wen ʃiː wɑːz ɑːrmd ənd priˈperd fɔːr riˈpʌls/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

assault noun US /əˈsɔːlt/

close fighting during the culmination of a military attack

From this reading “_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.”

Coke noun US /koʊk/

carbon fuel produced by distillation of coal

Guy noun US /ɡaɪ/

an informal term for a youth or man

From this reading “_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.”

nerves noun US /nɜːrvz/

an uneasy psychological state

From this reading “_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.”

reluctance noun US /rɪˈlʌktəns/

(physics) opposition to magnetic flux (analogous to electric resistance)

From this reading “_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.”

repulse verb US /riˈpʌls/

force or drive back

From this reading “I would come upon her by surprise, and not when she was armed and prepared for repulse.”

ridding verb US /ˈrɪdɪŋ/

inflected form of “rid” — relieve from

From this reading “_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.”

stringing verb US /ˈstrɪŋɪŋ/

-ing form of “string” — thread on or as if on a string

From this reading “_Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.”

All words in this reading · 63

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

armedadjectiveUS /ɑːrmd/

(used of persons or the military) characterized by having or bearing arms

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

assaultnounUS /əˈsɔːlt/

close fighting during the culmination of a military attack

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

AtprepositionUS /æt/

in or near a particular place or position

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I know not why this should be necessary, but I feel that it is!

Brompton-House

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I know not why this should be necessary, but I feel that it is!

byprepositionUS /baɪ/

showing who or what does the action

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

Clifton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

CokenounUS /koʊk/

carbon fuel produced by distillation of coal

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

Fairfax

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading I know not why this should be necessary, but I feel that it is!

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

GuynounUS /ɡaɪ/

an informal term for a youth or man

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

hastenounUS /heɪst/

overly eager speed (and possible carelessness)

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I would not have my victim suspect me to be here.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I know not why this should be necessary, but I feel that it is!

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading I know not why this should be necessary, but I feel that it is!

Laura

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading I know not why this should be necessary, but I feel that it is!

nervesnounUS /nɜːrvz/

an uneasy psychological state

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

nodeterminerUS /noʊ/

not any; not one

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I know not why this should be necessary, but I feel that it is!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

orderedadjectiveUS /ˈɔːrdərd/

having a systematic arrangement; especially having elements succeeding in order according to rule

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

preparedadjectiveUS /priˈperd/

made ready or fit or suitable beforehand

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

reluctancenounUS /rɪˈlʌktəns/

(physics) opposition to magnetic flux (analogous to electric resistance)

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

repulseverbUS /riˈpʌls/

force or drive back

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

riddingverbUS /ˈrɪdɪŋ/

inflected form of “rid” — relieve from

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

ringverbUS /rɪŋ/

sound loudly and sonorously

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

scenenounUS /siːn/

the place where some action occurs

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading I know not why this should be necessary, but I feel that it is!

stringingverbUS /ˈstrɪŋɪŋ/

-ing form of “string” — thread on or as if on a string

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

suspectverbUS /səˈspekt/

imagine to be the case or true or probable

From this reading I would not have my victim suspect me to be here.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I know not why this should be necessary, but I feel that it is!

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I know not why this should be necessary, but I feel that it is!

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _Coke Clifton to Guy Fairfax_ _Brompton-House_ I am here--At the scene of action--she is in the room above me, and I am ridding myself of reluctance; stringing my nerves for assault.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

victimnounUS /ˈvɪktəm/

an unfortunate person who suffers from some adverse circumstance

From this reading I would not have my victim suspect me to be here.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading I would come upon her by surprise, and not when she was armed and prepared for repulse.

whenconjunctionUS /wen/

at the time that

From this reading I am waiting to question Laura; but I ordered her to be in no haste to come down, when she heard me ring.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading I know not why this should be necessary, but I feel that it is!

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading I would not have my victim suspect me to be here.

Chapter 37 of Anna St. Ives by Thomas Holcroft holds 405 sentences, grouped into 81 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 37 of Anna St. Ives contain?

Chapter 37 holds 405 sentences of Anna St. Ives, unabridged, divided into 81 reading sections.

This page carries chapter 37 of Anna St. Ives by Thomas Holcroft exactly as it stands in the source edition, without abridgement. It runs to 405 sentences, grouped into 81 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 37 of Anna St. Ives?

Work through the 81 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 81 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 37 be read aloud to me?

Yes — every sentence and every individual word in chapter 37 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Anna St. Ives

Common questions about reading Anna St. Ives by Thomas Holcroft on this page, its source edition and its audio.

Is this the complete text of Anna St. Ives?

Yes. All 9630 sentences of Project Gutenberg eBook #9468 are kept, with a record of which sentences cover which part.

Which edition of Anna St. Ives is used?

Project Gutenberg eBook #9468, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Anna St. Ives take to read?

About 600 minutes of reading across 1926 sections of 5 sentences each, at an unhurried pace.

How to read Anna St. Ives section by section

How to work through Anna St. Ives section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Anna St. Ives to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Anna St. Ives

Words and structures a reader meets early in Anna St. Ives, each tappable for pronunciation and meaning.

Louisa
A word that appears in the opening chapter of Anna St. Ives; the reader can tap it to hear it and see its dictionary entry.
Clifton
A word that appears in the opening chapter of Anna St. Ives; the reader can tap it to hear it and see its dictionary entry.
Wenbourne
A word that appears in the opening chapter of Anna St. Ives; the reader can tap it to hear it and see its dictionary entry.
Health
A word that appears in the opening chapter of Anna St. Ives; the reader can tap it to hear it and see its dictionary entry.