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Antonina
Antonina

Chapter V · Chapter 5

Chapter 5 of Antonina is here in full — 336 sentences across 68 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/67 · 5 lines
English subtitles · tap any word to listen 1 / 5
AN APPRENTICESHIP TO THE TEMPLE.
The action of our characters during the night included in the last two chapters has now come to a pause.
Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.
All the immediate agents of our story are, for the present, in repose.
It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Antonina

Chapter V · Chapter 5

Chapter 5 of Antonina is here in full — 336 sentences across 68 reading sections, with audio for every sentence and word.

Reading 1/67 · 5 reading units · Lines 1–5

Line 1
AN APPRENTICESHIP TO THE TEMPLE.
/æn əˈprentəsʃɪp tuː ðə ˈtempəl/
Line 2
The action of our characters during the night included in the last two chapters has now come to a pause.
/ðə ˈækʃən ʌv ˈaʊər ˈkærəktərz ˈdʊrɪŋ ðə naɪt ˌɪnˈkluːdəd ɪn ðə læst tuː ˈtʃæptərz hæz naʊ kʌm tuː ə pɔːz/
Line 3
Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.
Line 4
All the immediate agents of our story are, for the present, in repose.
/ɔːl ðə ˌɪˈmiːdiːət ˈeɪdʒənts ʌv ˈaʊər ˈstɔːri ɑːr fɔːr ðə ˈprezənt ɪn riˈpoʊz/
Line 5
It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

apprenticeship noun US /əˈprentəsʃɪp/

the position of apprentice

From this reading “AN APPRENTICESHIP TO THE TEMPLE.”

chapters noun US /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading “The action of our characters during the night included in the last two chapters has now come to a pause.”

connect verb US /kəˈnekt/

connect, fasten, or put together two or more pieces

From this reading “It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.”

convert verb US /ˈkɑːnvərt/

change from one system to another or to a new plan or policy

From this reading “It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.”

inaction noun US /ˌɪˈnækʃən/

the state of being inactive

From this reading “It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.”

lute noun US /luːt/

a substance for packing a joint or coating a porous surface to make it impervious to gas or liquid

From this reading “Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.”

meditating verb US /ˈmedəteɪtɪŋ/

-ing form of “meditate” — reflect deeply on a subject

From this reading “Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.”

reader's noun US /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading “It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

advantagenounUS /ædˈvæntɪdʒ/

the quality of having a superior or more favorable position

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

agentsnounUS /ˈeɪdʒənts/

plural of “agent” — an active and efficient cause; capable of producing a certain effect

From this reading All the immediate agents of our story are, for the present, in repose.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All the immediate agents of our story are, for the present, in repose.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading AN APPRENTICESHIP TO THE TEMPLE.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

Antonina

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

APPRENTICESHIPnounUS /əˈprentəsʃɪp/

the position of apprentice

From this reading AN APPRENTICESHIP TO THE TEMPLE.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading All the immediate agents of our story are, for the present, in repose.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

awaitingverbUS /əˈweɪtɪŋ/

-ing form of “await” — look forward to the probable occurrence of

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

banquetnounUS /ˈbæŋkwət/

a ceremonial dinner party for many people

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

caressingnounUS /kərˈesɪŋ/

affectionate play (or foreplay without contact with the genital organs)

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

chapelnounUS /ˈtʃæpəl/

a place of worship that has its own altar

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

chaptersnounUS /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

connectverbUS /kəˈnekt/

connect, fasten, or put together two or more pieces

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

convertverbUS /ˈkɑːnvərt/

change from one system to another or to a new plan or policy

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

couchnounUS /kaʊtʃ/

an upholstered seat for more than one person

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

deliververbUS /dɪˈlɪvər/

deliver (a speech, oration, or idea)

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

directverbUS /dərˈekt/

command with authority

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

discoursenounUS /ˈdɪskɔːrs/

extended verbal expression in speech or writing

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

fragmentnounUS /ˈfræɡ.mənt/

A small part broken or separated off something larger.

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

guestsnounUS /ɡests/

plural of “guest” — a visitor to whom hospitality is extended

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

historicaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading All the immediate agents of our story are, for the present, in repose.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

inactionnounUS /ˌɪˈnækʃən/

the state of being inactive

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

includedadjectiveUS /ˌɪnˈkluːdəd/

enclosed in the same envelope or package

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

intervalnounUS /ˈɪntərvəl/

a definite length of time marked off by two instants

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

lastadjectiveUS /læst/

immediately past

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

lutenounUS /luːt/

a substance for packing a joint or coating a porous surface to make it impervious to gas or liquid

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

master'snounUS /ˈmæstərz/

possessive form of “master” — an artist of consummate skill

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

meditatingverbUS /ˈmedəteɪtɪŋ/

-ing form of “meditate” — reflect deeply on a subject

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

Numerian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

Numerian's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

pastnounUS /pæst/

the time that has elapsed

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

perfidiousadjective

tending to betray; especially having a treacherous character as attributed to the Carthaginians by the Romans

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

preciousadjectiveUS /ˈpreʃəs/

characterized by feeling or showing fond affection for

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

preparingverbUS /priˈperɪŋ/

-ing form of “prepare” — make ready or suitable or equip in advance for a particular purpose or for some use, event, etc

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading All the immediate agents of our story are, for the present, in repose.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

reader'snounUS /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

remarkablyadverbUS /rɪˈmɑːrkəbli/

to a remarkable degree or extent

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

reposeverbUS /riˈpoʊz/

put or confide something in a person or thing

From this reading All the immediate agents of our story are, for the present, in repose.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

ruinsnounUS /ˈruːənz/

plural of “ruin” — an irrecoverable state of devastation and destruction

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

savedadjectiveUS /seɪvd/

rescued; especially from the power and consequences of sin

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

scenenounUS /siːn/

the place where some action occurs

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

selectedadjectiveUS /səˈlektɪd/

chosen in preference to another

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading All the immediate agents of our story are, for the present, in repose.

stretchedadjectiveUS /stretʃt/

(of muscles) relieved of stiffness by stretching

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

takeverbUS /teɪk/

carry out

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

TEMPLEnounUS /ˈtempəl/

place of worship consisting of an edifice for the worship of a deity

From this reading AN APPRENTICESHIP TO THE TEMPLE.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AN APPRENTICESHIP TO THE TEMPLE.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading AN APPRENTICESHIP TO THE TEMPLE.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The action of our characters during the night included in the last two chapters has now come to a pause.

Ulpius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

Vetranio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Vetranio is awaiting his guests for the banquet; Numerian is in the chapel, preparing for the discourse that he is to deliver to his friends; Ulpius is meditating in his master's house; Antonina is stretched upon her couch, caressing the precious fragment that she had saved from the ruins of her lute.

withprepositionUS /wɪð/

in the company of; together with

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

yearsnounUS /jɪrz/

a late time of life

From this reading It is our purpose to take advantage of this interval of inaction, and direct the reader's attention to a different country from that selected as the scene of our romance, and to such historical events of past years as connect themselves remarkably with the early life of Numerian's perfidious convert.

Chapter 5 of Antonina by Wilkie Collins holds 336 sentences, grouped into 68 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Antonina contain?

Chapter 5 holds 336 sentences of Antonina, unabridged, divided into 68 reading sections.

This page carries chapter 5 of Antonina by Wilkie Collins exactly as it stands in the public-domain source edition, without abridgement. It runs to 336 sentences, grouped into 68 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Antonina?

Work through the 68 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 68 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Antonina

Common questions about reading Antonina by Wilkie Collins on this page, its source edition and its audio.

Is this the complete text of Antonina?

Yes. All 5625 sentences of Project Gutenberg eBook #3606 are kept, with a record of which sentences cover which part.

Which edition of Antonina is used?

Project Gutenberg eBook #3606, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Antonina take to read?

About 468 minutes of reading across 1125 sections of 5 sentences each, at an unhurried pace.

How to read Antonina section by section

How to work through Antonina section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 26 chapters of Antonina to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Antonina

Words and structures a reader meets early in Antonina, each tappable for pronunciation and meaning.

Court
A word that appears in the opening chapter of Antonina; the reader can tap it to hear it and see its dictionary entry.
Traveller
A word that appears in the opening chapter of Antonina; the reader can tap it to hear it and see its dictionary entry.
Departs
A word that appears in the opening chapter of Antonina; the reader can tap it to hear it and see its dictionary entry.
Ordinary
A word that appears in the opening chapter of Antonina; the reader can tap it to hear it and see its dictionary entry.