aboutprepositionUS /əˈbaʊt/
on the subject of; concerning
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
acceptedadjectiveUS /ækˈseptɪd/
generally approved or compelling recognition
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
accordingadjectiveUS /əˈkɔːrdɪŋ/
(followed by “to”) in agreement with or accordant with
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
alladjectiveUS /ɔːl/
(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
amusingadjectiveUS /əˈmjuːzɪŋ/
providing enjoyment; pleasantly entertaining
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
anotherdeterminerUS /əˈnʌðər/
one more of the same kind, or a different one
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
apparentlyadverbUS /əˈperəntli/
from appearances alone
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
appliesverbUS /əˈplaɪz/
third-person singular of “apply” — put into service; make work or employ for a particular purpose or for its inherent or natural purpose
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
artauxiliary verbUS /ɑːrt/
an old form of “are”, used with “thou”
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
atprepositionUS /æt/
in or near a particular place or position
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
attitudenounUS /ˈætətuːd/
a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
audiencesnounUS /ˈɑːdiənsəz/
plural of “audience” — a gathering of spectators or listeners at a (usually public) performance
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
BernardnounUS /bərˈnɑːrd/
French physiologist noted for research on secretions of the alimentary canal and the glycogenic function of the liver (1813-1878)
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
bombastnounUS /ˈbɑːmbæst/
pompous or pretentious talk or writing
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
bothdeterminerUS /boʊθ/
the two together, not just one
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
boundadjectiveUS /baʊnd/
confined by bonds
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
ButconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
canonsnounUS /ˈkænənz/
plural of “canon” — a rule or especially body of rules or principles generally established as valid and fundamental in a field of art or philosophy
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
charactersnounUS /ˈkærəktərz/
plural of “character” — an imaginary person represented in a work of fiction (play or film or story)
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
claimnounUS /kleɪm/
an assertion of a right (as to money or property)
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
classificationnounUS /ˌklæsəfəˈkeɪʃən/
the act of distributing things into classes or categories of the same type
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
comfortableadjectiveUS /ˈkʌmfərtəbəl/
providing or experiencing physical well-being or relief (“comfy” is informal)
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
consistverbUS /kənˈsɪst/
originate
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
criticismnounUS /ˈkrɪtɪsɪzəm/
disapproval expressed by pointing out faults or shortcomings
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
DestinynounUS /ˈdestəni/
an event (or a course of events) that will inevitably happen in the future
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
disregardsnounUS /ˌdɪsrɪˈɡɑːrdz/
plural of “disregard” — lack of attention and due care
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
doesauxiliary verbUS /dʌz/
the form of “do” used with he, she, it, or a singular noun
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
dramaticadjectiveUS /drəˈmætɪk/
suitable to or characteristic of drama
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
dramatistnounUS /ˈdrɑːmətɪst/
someone who writes plays
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
eachdeterminerUS /iːtʃ/
every one of two or more people or things, taken separately
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
embargonounUS /emˈbɑːrɡoʊ/
a government order imposing a trade barrier
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
entireadjectiveUS /ɪnˈtaɪər/
constituting the full quantity or extent; complete
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
everydeterminerUS /ˈevəri/
all the members of a group, with none left out
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
exemptionnounUS /ɪɡˈzempʃən/
immunity from an obligation or duty
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
formeradjectiveUS /ˈfɔːrmər/
referring to the first of two things or persons mentioned (or the earlier one or ones of several)
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
gainedverbUS /ɡeɪnd/
past form of “gain” — obtain
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
HepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
hisdeterminerUS /hɪz/
belonging to a man, boy, or male animal already mentioned
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
IndeedadverbUS /ˌɪnˈdiːd/
in truth (often tends to intensify)
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
irreverentadjectiveUS /ˌɪˈrevərənt/
showing lack of due respect or veneration
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
knewverbUS /nuː/
inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
knowverbUS /noʊ/
be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
knowsnounUS /noʊz/
plural of “know” — the fact of being aware of information that is known to few people
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
latteradjectiveUS /ˈlætər/
referring to the second of two things or persons mentioned (or the last one or ones of several)
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
longadjectiveUS /lɔːŋ/
primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
mainlyadverbUS /ˈmeɪnli/
for the most part
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
makeverbUS /meɪk/
engage in
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
MannounUS /mæn/
an adult person who is male (as opposed to a woman)
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
mennounUS /men/
the force of workers available
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
moreadjectiveUS /mɔːr/
(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
NapoleonnounUS /nəˈpoʊliən/
French general who became emperor of the French (1769-1821)
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
nodeterminerUS /noʊ/
not any; not one
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
obviouslyadverbUS /ˈɑːbviəsli/
unmistakably (“plain” is often used informally for “plainly”)
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
onepronounUS /wʌn/
used to mean any person in general, including the speaker
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
onlyadverbUS /ˈoʊnli/
and nothing more
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
orthodoxadjectiveUS /ˈɔːrθədɑːks/
of or pertaining to or characteristic of Judaism
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
otheradjectiveUS /ˈʌðər/
not the same one or ones already mentioned or implied
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
ownverbUS /oʊn/
have ownership or possession of
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
reallyadverbUS /ˈrɪli/
in accordance with truth or fact or reality
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
respectnounUS /rɪˈspekt/
(usually preceded by “in”) a detail or point
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
rhetoricnounUS /ˈretərɪk/
using language effectively to please or persuade
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
seriousadjectiveUS /ˈsɪriəs/
concerned with work or important matters rather than play or trivialities
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
ShawnounUS /ʃɔː/
United States clarinetist and leader of a swing band (1910-2004)
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
sinnounUS /sɪn/
estrangement from god
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
soconjunctionUS /soʊ/
for that reason; with the result that
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
somethingpronounUS /ˈsʌmθɪŋ/
a thing, without saying which
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
speechesnounUS /ˈspiːtʃəz/
plural of “speech” — the act of delivering a formal spoken communication to an audience
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
storynounUS /ˈstɔːri/
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
successesnounUS /səkˈsesəz/
plural of “success” — an event that accomplishes its intended purpose
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
Tavazzano
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
teethnounUS /tiːθ/
the kind and number and arrangement of teeth (collectively) in a person or animal
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
thanconjunctionUS /ðæn/
used to introduce the second part of a comparison
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
theatrenounUS /ˈθiːətər/
a building where theatrical performances or motion-picture shows can be presented
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
theoriesnounUS /ˈθɪriz/
plural of “theory” — a well-substantiated explanation of some aspect of the natural world; an organized system of accepted knowledge that applies in a variety of circumstances to explain a specific set of phenomena
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
thereadverbUS /ðer/
in or at that place or location
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
thingsnounUS /θɪŋz/
any movable possession (especially articles of clothing)
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
thinkingnounUS /ˈθɪŋkɪŋ/
the process of using your mind to consider something carefully
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
thisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
ToparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
towardprepositionUS /təˈwɔːrd/
in the direction of
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
unities
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
unpardonableadjective
not admitting of pardon
From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
unworthyadjectiveUS /ənˈwɜːrði/
lacking in value or merit
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
uspronounUS /ʌs/
the speaker and others, as the object of a verb or preposition
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
veryadjectiveUS /ˈveri/
precisely as stated
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
victoriesnounUS /ˈvɪktəriz/
plural of “victory” — a successful ending of a struggle or contest
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
WarnounUS /wɔːr/
the waging of armed conflict against an enemy
From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
waynounUS /weɪ/
how something is done or how it happens
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
well-bredadjective
of good upbringing
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
wereauxiliary verbUS /wɜːr/
the past form of “be” used with you, we, they, or a plural noun
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
whichpronounUS /wɪtʃ/
used to introduce a clause giving more about a thing just mentioned
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
willmodal verbUS /wɪl/
used to talk about the future, or about willingness
From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
wonnounUS /wʌn/
the basic unit of money in South Korea
From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
workverbUS /wɜːrk/
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).