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Arms and the Man
Arms and the Man

Chapter I · Chapter 1

Chapter 1 of Arms and the Man is here in full — 439 sentences across 88 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/87 · 5 lines
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To the irreverentand which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
Indeed he knows no more about the _dramatic art_ than, according to his own story in The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
But both men were successes each in his waythe latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Arms and the Man

Chapter I · Chapter 1

Chapter 1 of Arms and the Man is here in full — 439 sentences across 88 reading sections, with audio for every sentence and word.

Reading 1/87 · 5 reading units · Lines 1–5

Line 1
To the irreverentand which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.
Line 2
He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).
Line 3
Indeed he knows no more about the _dramatic art_ than, according to his own story inThe Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.
Line 4
But both men were successes each in his waythe latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.
Line 5
Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bombast noun US /ˈbɑːmbæst/

pompous or pretentious talk or writing

From this reading “Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.”

canons noun US /ˈkænənz/

plural of “canon” — a rule or especially body of rules or principles generally established as valid and fundamental in a field of art or philosophy

From this reading “He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).”

classification noun US /ˌklæsəfəˈkeɪʃən/

the act of distributing things into classes or categories of the same type

From this reading “To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.”

disregards noun US /ˌdɪsrɪˈɡɑːrdz/

plural of “disregard” — lack of attention and due care

From this reading “He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).”

dramatist noun US /ˈdrɑːmətɪst/

someone who writes plays

From this reading “He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).”

embargo noun US /emˈbɑːrɡoʊ/

a government order imposing a trade barrier

From this reading “Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.”

exemption noun US /ɪɡˈzempʃən/

immunity from an obligation or duty

From this reading “To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.”

irreverent adjective US /ˌɪˈrevərənt/

showing lack of due respect or veneration

From this reading “To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.”

All words in this reading · 104

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

acceptedadjectiveUS /ækˈseptɪd/

generally approved or compelling recognition

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

accordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

amusingadjectiveUS /əˈmjuːzɪŋ/

providing enjoyment; pleasantly entertaining

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

apparentlyadverbUS /əˈperəntli/

from appearances alone

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

appliesverbUS /əˈplaɪz/

third-person singular of “apply” — put into service; make work or employ for a particular purpose or for its inherent or natural purpose

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

atprepositionUS /æt/

in or near a particular place or position

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

audiencesnounUS /ˈɑːdiənsəz/

plural of “audience” — a gathering of spectators or listeners at a (usually public) performance

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

BernardnounUS /bərˈnɑːrd/

French physiologist noted for research on secretions of the alimentary canal and the glycogenic function of the liver (1813-1878)

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

bombastnounUS /ˈbɑːmbæst/

pompous or pretentious talk or writing

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

boundadjectiveUS /baʊnd/

confined by bonds

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

canonsnounUS /ˈkænənz/

plural of “canon” — a rule or especially body of rules or principles generally established as valid and fundamental in a field of art or philosophy

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

claimnounUS /kleɪm/

an assertion of a right (as to money or property)

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

classificationnounUS /ˌklæsəfəˈkeɪʃən/

the act of distributing things into classes or categories of the same type

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

comfortableadjectiveUS /ˈkʌmfərtəbəl/

providing or experiencing physical well-being or relief (“comfy” is informal)

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

consistverbUS /kənˈsɪst/

originate

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

criticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

DestinynounUS /ˈdestəni/

an event (or a course of events) that will inevitably happen in the future

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

disregardsnounUS /ˌdɪsrɪˈɡɑːrdz/

plural of “disregard” — lack of attention and due care

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

dramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

embargonounUS /emˈbɑːrɡoʊ/

a government order imposing a trade barrier

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

entireadjectiveUS /ɪnˈtaɪər/

constituting the full quantity or extent; complete

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

exemptionnounUS /ɪɡˈzempʃən/

immunity from an obligation or duty

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

formeradjectiveUS /ˈfɔːrmər/

referring to the first of two things or persons mentioned (or the earlier one or ones of several)

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

gainedverbUS /ɡeɪnd/

past form of “gain” — obtain

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

IndeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

irreverentadjectiveUS /ˌɪˈrevərənt/

showing lack of due respect or veneration

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

knowsnounUS /noʊz/

plural of “know” — the fact of being aware of information that is known to few people

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

mainlyadverbUS /ˈmeɪnli/

for the most part

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

makeverbUS /meɪk/

engage in

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

MannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

mennounUS /men/

the force of workers available

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

NapoleonnounUS /nəˈpoʊliən/

French general who became emperor of the French (1769-1821)

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

nodeterminerUS /noʊ/

not any; not one

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

obviouslyadverbUS /ˈɑːbviəsli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

orthodoxadjectiveUS /ˈɔːrθədɑːks/

of or pertaining to or characteristic of Judaism

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

ownverbUS /oʊn/

have ownership or possession of

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

rhetoricnounUS /ˈretərɪk/

using language effectively to please or persuade

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

ShawnounUS /ʃɔː/

United States clarinetist and leader of a swing band (1910-2004)

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

sinnounUS /sɪn/

estrangement from god

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

speechesnounUS /ˈspiːtʃəz/

plural of “speech” — the act of delivering a formal spoken communication to an audience

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

successesnounUS /səkˈsesəz/

plural of “success” — an event that accomplishes its intended purpose

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

Tavazzano

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

teethnounUS /tiːθ/

the kind and number and arrangement of teeth (collectively) in a person or animal

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

theoriesnounUS /ˈθɪriz/

plural of “theory” — a well-substantiated explanation of some aspect of the natural world; an organized system of accepted knowledge that applies in a variety of circumstances to explain a specific set of phenomena

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

thereadverbUS /ðer/

in or at that place or location

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

unities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

unpardonableadjective

not admitting of pardon

From this reading Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric.

unworthyadjectiveUS /ənˈwɜːrði/

lacking in value or merit

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

victoriesnounUS /ˈvɪktəriz/

plural of “victory” — a successful ending of a struggle or contest

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

WarnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading Indeed he knows no more about the _dramatic art_ than, according to his own story in “The Man of Destiny,” Napoleon at Tavazzano knew of the _Art of War_.

waynounUS /weɪ/

how something is done or how it happens

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

well-bredadjective

of good upbringing

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw.

wonnounUS /wʌn/

the basic unit of money in South Korea

From this reading But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).

Chapter 1 of Arms and the Man by Bernard Shaw holds 439 sentences, grouped into 88 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Arms and the Man contain?

Chapter 1 holds 439 sentences of Arms and the Man, unabridged, divided into 88 reading sections.

This page carries chapter 1 of Arms and the Man by Bernard Shaw exactly as it stands in the source edition, without abridgement. It runs to 439 sentences, grouped into 88 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Arms and the Man?

Work through the 88 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 88 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Arms and the Man

Common questions about reading Arms and the Man by Bernard Shaw on this page, its source edition and its audio.

Is this the complete text of Arms and the Man?

Yes. All 1304 sentences of Project Gutenberg eBook #3618 are kept, with a record of which sentences cover which part.

Which edition of Arms and the Man is used?

Project Gutenberg eBook #3618, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Arms and the Man take to read?

About 108 minutes of reading across 261 sections of 5 sentences each, at an unhurried pace.

How to read Arms and the Man section by section

How to work through Arms and the Man section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Arms and the Man

Words and structures a reader meets early in Arms and the Man, each tappable for pronunciation and meaning.

Irreverent
A word that appears in the opening chapter of Arms and the Man; the reader can tap it to hear it and see its dictionary entry.
Claim
A word that appears in the opening chapter of Arms and the Man; the reader can tap it to hear it and see its dictionary entry.
Entire
A word that appears in the opening chapter of Arms and the Man; the reader can tap it to hear it and see its dictionary entry.
Exemption
A word that appears in the opening chapter of Arms and the Man; the reader can tap it to hear it and see its dictionary entry.