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Aspasia
Aspasia

Chapter IX

Chapter 9 of Aspasia is here in full — 291 sentences across 59 reading sections, with audio for every sentence and word.

Cover illustration for Aspasia
Context Illustration Reading 1/58 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE SACRIFICE TO THE GRACES.
No one enters so thoroughly into his work as the sculptor.
Phidias’ only walk was between the Acropolis and his studio.
Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.
Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Aspasia

Chapter IX

Chapter 9 of Aspasia is here in full — 291 sentences across 59 reading sections, with audio for every sentence and word.

Reading 1/58 · 5 reading units · Lines 1–5

Line 1
THE SACRIFICE TO THE GRACES.
/ðə ˈsækrəfaɪs tuː ðə ˈɡreɪsɪz/
Line 2
No one enters so thoroughly into his work as the sculptor.
/noʊ wʌn ˈentərz soʊ ˈθɜːroʊli ˈɪntuː hɪz wɜːrk æz ðə ˈskʌlptər/
Line 3
Phidias’ only walk was between the Acropolis and his studio.
Line 4
Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.
/ˈiːvɪn ɪn hɪz driːmz hiː sɔː ˈnʌθɪŋ bʌt hɪz ˈstætʃuːz ʌv ðə ɡɑːdz hɪz ɡruːps hɪz friːz ənd æz hɪz ˈrestləs maɪnd wɑːz ˈæktɪv ɪn hɪz ˈsliːpɪŋ æz wel æz hɪz ˈweɪ.kɪŋ ˈaʊərz hiː ˈɔːfən tuː hɪz ɡreɪt sərˈpraɪz faʊnd hɪz plænz məˈtjʊrd ənd dɪˈveləpt wen hiː əˈwoʊk/
Line 5
Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.
/ˈmeni ʌv hɪz dɪˈzaɪnz hæd ərˈɪdʒənəli səˈdʒestɪd ðemˈselvz ɪn ə driːm ənd hiː kʊd seɪ ðæt ðə ɡɑːdz əˈpɪrd tuː hɪm ɪn ˈslʌmbər æz ðeɪ dɪd tuː ˈhoʊmərz ˈhɪroʊz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Acropolis noun US /əˈkrɑːpələs/

the citadel in ancient Greek towns

From this reading “Phidias’ only walk was between the Acropolis and his studio.”

enters verb US /ˈentərz/

third-person singular of “enter” — to come or go into

From this reading “No one enters so thoroughly into his work as the sculptor.”

frieze noun US /friːz/

an architectural ornament consisting of a horizontal sculptured band between the architrave and the cornice

From this reading “Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.”

graces noun US /ˈɡreɪsɪz/

plural of “grace” — (Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading “THE SACRIFICE TO THE GRACES.”

Homer's noun US /ˈhoʊmərz/

possessive form of “homer” — a base hit on which the batter scores a run

matured adjective US /məˈtjʊrd/

fully ripe; at the height of bloom

From this reading “Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.”

sculptor noun US /ˈskʌlptər/

an artist who creates sculptures

From this reading “No one enters so thoroughly into his work as the sculptor.”

statues noun US /ˈstætʃuːz/

plural of “statue” — a sculpture representing a human or animal

From this reading “Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

waking hours adjective + noun

In this reading “Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.”

great surprise adjective + noun

In this reading “Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

AcropolisnounUS /əˈkrɑːpələs/

the citadel in ancient Greek towns

From this reading Phidias’ only walk was between the Acropolis and his studio.

activeadjectiveUS /ˈæktɪv/

tending to become more severe or wider in scope

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Phidias’ only walk was between the Acropolis and his studio.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading No one enters so thoroughly into his work as the sculptor.

awokeverbUS /əˈwoʊk/

inflected form of “awake” — stop sleeping

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Phidias’ only walk was between the Acropolis and his studio.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

designsnounUS /dɪˈzaɪnz/

plural of “design” — the act of working out the form of something (as by making a sketch or outline or plan)

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

developedadjectiveUS /dɪˈveləpt/

being changed over time so as to be e.g. stronger or more complete or more useful

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

dreamsnounUS /driːmz/

plural of “dream” — a series of mental images and emotions occurring during sleep

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

entersverbUS /ˈentərz/

third-person singular of “enter” — to come or go into

From this reading No one enters so thoroughly into his work as the sculptor.

EvenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

foundverbUS /faʊnd/

set up or found

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

friezenounUS /friːz/

an architectural ornament consisting of a horizontal sculptured band between the architrave and the cornice

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

godsnounUS /ɡɑːdz/

plural of “god” — the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

GRACESnounUS /ˈɡreɪsɪz/

plural of “grace” — (Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading THE SACRIFICE TO THE GRACES.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

groupsnounUS /ɡruːps/

plural of “group” — any number of entities (members) considered as a unit

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

heroesnounUS /ˈhɪroʊz/

plural of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading No one enters so thoroughly into his work as the sculptor.

Homer'snounUS /ˈhoʊmərz/

possessive form of “homer” — a base hit on which the batter scores a run

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading No one enters so thoroughly into his work as the sculptor.

ManyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

maturedadjectiveUS /məˈtjʊrd/

fully ripe; at the height of bloom

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

NodeterminerUS /noʊ/

not any; not one

From this reading No one enters so thoroughly into his work as the sculptor.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading No one enters so thoroughly into his work as the sculptor.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Phidias’ only walk was between the Acropolis and his studio.

originallyadverbUS /ərˈɪdʒənəli/

in an original manner

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

Phidiasnoun

ancient Greek sculptor (circa 500-432 BC)

From this reading Phidias’ only walk was between the Acropolis and his studio.

plansnounUS /plænz/

plural of “plan” — a series of steps to be carried out or goals to be accomplished

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

restlessadjectiveUS /ˈrestləs/

worried and uneasy

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

SACRIFICEnounUS /ˈsækrəfaɪs/

the act of losing or surrendering something as a penalty for a mistake or fault or failure to perform etc.

From this reading THE SACRIFICE TO THE GRACES.

sawverbUS /sɔː/

cut with a saw

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

sayverbUS /seɪ/

express in words

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

sculptornounUS /ˈskʌlptər/

an artist who creates sculptures

From this reading No one enters so thoroughly into his work as the sculptor.

sleepingnounUS /ˈsliːpɪŋ/

the state of being asleep

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

slumbernounUS /ˈslʌmbər/

a natural and periodic state of rest during which consciousness of the world is suspended

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading No one enters so thoroughly into his work as the sculptor.

statuesnounUS /ˈstætʃuːz/

plural of “statue” — a sculpture representing a human or animal

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading Phidias’ only walk was between the Acropolis and his studio.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE SACRIFICE TO THE GRACES.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Many of his designs had originally suggested themselves in a dream, and he could say that the gods appeared to him in slumber, as they did to Homer’s heroes.

thoroughlyadverbUS /ˈθɜːroʊli/

in an exhaustive manner

From this reading No one enters so thoroughly into his work as the sculptor.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE SACRIFICE TO THE GRACES.

wakingadjectiveUS /ˈweɪ.kɪŋ/

Risen from sleep; conscious.

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

walknounUS /wɔːk/

the act of traveling by foot

From this reading Phidias’ only walk was between the Acropolis and his studio.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Phidias’ only walk was between the Acropolis and his studio.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

whenconjunctionUS /wen/

at the time that

From this reading Even in his dreams he saw nothing but his statues of the gods, his groups, his frieze; and as his restless mind was active in his sleeping as well as his waking hours, he often, to his great surprise, found his plans matured and developed when he awoke.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading No one enters so thoroughly into his work as the sculptor.

Chapter 9 of Aspasia by Robert Hamerling holds 291 sentences, grouped into 59 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Aspasia contain?

Chapter 9 holds 291 sentences of Aspasia, unabridged, divided into 59 reading sections.

This page carries chapter 9 of Aspasia by Robert Hamerling exactly as it stands in the source edition, without abridgement. It runs to 291 sentences, grouped into 59 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Aspasia?

Work through the 59 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 59 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Aspasia

Common questions about reading Aspasia by Robert Hamerling on this page, its source edition and its audio.

Is this the complete text of Aspasia?

Yes. All 8883 sentences of Project Gutenberg eBook #76058 are kept, with a record of which sentences cover which part.

Which edition of Aspasia is used?

Project Gutenberg eBook #76058, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Aspasia take to read?

About 600 minutes of reading across 1777 sections of 5 sentences each, at an unhurried pace.

How to read Aspasia section by section

How to work through Aspasia section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of Aspasia to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Aspasia

Words and structures a reader meets early in Aspasia, each tappable for pronunciation and meaning.

Volumes
A word that appears in the opening chapter of Aspasia; the reader can tap it to hear it and see its dictionary entry.
Preface
A word that appears in the opening chapter of Aspasia; the reader can tap it to hear it and see its dictionary entry.
Romance
A word that appears in the opening chapter of Aspasia; the reader can tap it to hear it and see its dictionary entry.
According
A word that appears in the opening chapter of Aspasia; the reader can tap it to hear it and see its dictionary entry.