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At Home and Abroad
At Home and Abroad

Chapter XVI · Chapter 16

Chapter 16 of At Home and Abroad is here in full — 113 sentences across 23 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/22 · 5 lines
English subtitles · tap any word to listen 1 / 5
WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.
Again I must begin to write late in the evening.
I am told it is the custom of the literati in these large cities to work in the night.
It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.
Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

At Home and Abroad

Chapter XVI · Chapter 16

Chapter 16 of At Home and Abroad is here in full — 113 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/22 · 5 reading units · Lines 1–5

Line 1
WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.
Line 2
Again I must begin to write late in the evening.
/əˈɡen aɪ mʌst bɪˈɡɪn tuː raɪt leɪt ɪn ðə ˈiːvnɪŋ/
Line 3
I am told it is the custom of the literati in these large cities to work in the night.
/aɪ æm toʊld ɪt ɪz ðə ˈkʌstəm ʌv ðə ˌlɪtərˈɑːti ɪn ðiːz lɑːrdʒ ˈsɪtiz tuː wɜːrk ɪn ðə naɪt/
Line 4
It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.
Line 5
Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.
/ɡɪv miː ə ˈloʊnli ˈtʃeɪmbər ə ˈwɪndoʊ frʌm wɪtʃ θruː ðə ˈfoʊlɪdʒ juː kæn kætʃ ˈɡlɪmpsɪz ʌv ə ˈbjuːtəfəl ˈprɑːspekt ənd ðə maɪnd faɪndz ˌɪtˈself tuːnd tuː ˈækʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arcadia noun US /ɑːrˈkeɪdiə/

a department of Greece in the central Peloponnese

From this reading “WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.”

cactus noun US /ˈkæktəs/

any succulent plant of the family Cactaceae native chiefly to arid regions of the New World and usually having spines

From this reading “WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.”

edmonton noun US /ˈedməntən/

the capital of the province of Alberta

From this reading “WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.”

literati noun US /ˌlɪtərˈɑːti/

the literary intelligentsia

From this reading “I am told it is the custom of the literati in these large cities to work in the night.”

murillo noun US /məˈrɪloʊ/

Spanish painter (1617-1682)

From this reading “WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.”

refugees noun US /ˈrefjuːdʒiz/

plural of “refugee” — an exile who flees for safety

From this reading “WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.”

slowness noun US /ˈsloʊnəs/

unskillfulness resulting from a lack of training

From this reading “WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.”

tuned verb US /tuːnd/

past form of “tune” — adjust for (better) functioning

From this reading “Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.”

All words in this reading · 139

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

ADDRESSESnounUS /ˈæˈdresɪz/

plural of “address” — (computer science) the code that identifies where a piece of information is stored

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

AgainadverbUS /əˈɡen/

anew

From this reading Again I must begin to write late in the evening.

agenounUS /eɪdʒ/

how long something has existed

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading I am told it is the custom of the literati in these large cities to work in the night.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

ANIMALSnounUS /ˈænəməlz/

plural of “animal” — a living organism characterized by voluntary movement

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

APPEARANCEnounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

ARCADIAnounUS /ɑːrˈkeɪdiə/

a department of Greece in the central Peloponnese

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

ATprepositionUS /æt/

in or near a particular place or position

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading Again I must begin to write late in the evening.

BELLnounUS /bel/

a hollow device made of metal that makes a ringing sound when struck

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

bringsverbUS /brɪŋz/

third-person singular of “bring” — take something or somebody with oneself somewhere

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

CnounUS /siː/

a degree on the centigrade scale of temperature

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

CACTUSnounUS /ˈkæktəs/

any succulent plant of the family Cactaceae native chiefly to arid regions of the New World and usually having spines

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

CARLYLEnounUS /ˈkɑːrlaɪl/

Scottish historian who wrote about the French Revolution (1795-1881)

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

catchverbUS /kætʃ/

discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

chambernounUS /ˈtʃeɪmbər/

a natural or artificial enclosed space

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

CHEAPSIDE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

citiesnounUS /ˈsɪtiz/

plural of “city” — a large and densely populated urban area; may include several independent administrative districts

From this reading I am told it is the custom of the literati in these large cities to work in the night.

CLUBnounUS /klʌb/

a team of professional baseball players who play and travel together

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

CONVERSATIONnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

COOKSnounUS /kʊks/

plural of “cook” — someone who cooks food

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

CORREGGIOnoun

Italian painter noted for his use of chiaroscuro and perspective (1494-1534)

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

COURTnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

customnounUS /ˈkʌstəm/

accepted or habitual practice

From this reading I am told it is the custom of the literati in these large cities to work in the night.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

EAGLESnounUS /ˈiːɡəlz/

plural of “eagle” — any of various large keen-sighted diurnal birds of prey noted for their broad wings and strong soaring flight

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

EDMONTONnounUS /ˈedməntən/

the capital of the province of Alberta

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

ENGLISHnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading Again I must begin to write late in the evening.

EXCURSIONnounUS /ɪkˈskɜːrʒən/

a journey taken for pleasure

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

findsnounUS /faɪndz/

plural of “find” — a productive insight

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

firmadjectiveUS /fɜːrm/

marked by firm determination or resolution; not shakable

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

FLOWERnounUS /ˈflaʊər/

a plant cultivated for its blooms or blossoms

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

foliagenounUS /ˈfoʊlɪdʒ/

the main organ of photosynthesis and transpiration in higher plants

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

FREILIGRATH

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

GALLERYnounUS /ˈɡæləri/

spectators at a golf or tennis match

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

GARDENSnounUS /ˈɡɑːrdənz/

plural of “garden” — a plot of ground where plants are cultivated

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

GILPIN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

GIRLnounUS /ɡɜːrl/

a young female

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

GiveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

glimpsesnounUS /ˈɡlɪmpsɪz/

plural of “glimpse” — a quick look

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

GREATadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

HAMPTONnounUS /ˈhæmptən/

United States musician who was the first to use the vibraphone as a jazz instrument (1913-2002)

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

healthnounUS /helθ/

a healthy state of wellbeing free from disease

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

HOPEnounUS /hoʊp/

a specific instance of feeling hopeful

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

HOUSEnounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

huenounUS /hjuː/

the quality of a color as determined by its dominant wavelength

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Again I must begin to write late in the evening.

impossibleadjectiveUS /ˌɪmˈpɑːsəbəl/

not capable of occurring or being accomplished or dealt with

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Again I must begin to write late in the evening.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading I am told it is the custom of the literati in these large cities to work in the night.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I am told it is the custom of the literati in these large cities to work in the night.

ITALIANnounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

ITALIANSnounUS /ˌɪˈtæljənz/

plural of “italian” — a native or inhabitant of Italy

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

ITALYnounUS /ˈɪtəli/

a republic in southern Europe on the Italian Peninsula; was the core of the Roman Republic and the Roman Empire between the 4th century BC and the 5th century AD

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

JOHNnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

KEW

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

KINGnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

KITCHENnounUS /ˈkɪtʃən/

a room equipped for preparing meals

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading I am told it is the custom of the literati in these large cities to work in the night.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading Again I must begin to write late in the evening.

literatinounUS /ˌlɪtərˈɑːti/

the literary intelligentsia

From this reading I am told it is the custom of the literati in these large cities to work in the night.

LONDONnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

lonelyadjectiveUS /ˈloʊnli/

lacking companions or companionship

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

MAZZINInoun

Italian nationalist whose writings spurred the movement for a unified and independent Italy (1805-1872)

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

MENnounUS /men/

the force of workers available

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

MURILLOnounUS /məˈrɪloʊ/

Spanish painter (1617-1682)

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

MUSEUMnounUS /mjuːˈziːəm/

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Again I must begin to write late in the evening.

NATIONALadjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

NIGHTnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

night-work

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

NURSERY-MAIDS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

OMNIBUSnounUS /ˈɑːmnəbəs/

an anthology of articles on a related subject or an anthology of the works of a single author

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

ORDERLYnounUS /ˈɔːrdərli/

a soldier who serves as an attendant to a superior officer

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

otherwiseadverbUS /ˈʌðərwaɪz/

in other respects or ways

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

PIETYnounUS /ˈpaɪəti/

righteousness by virtue of being pious

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

practicenounUS /ˈpræktəs/

a customary way of operation or behavior

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

prematureadjectiveUS /ˌpriːməˈtʃʊr/

born after a gestation period of less than the normal time

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

prospectnounUS /ˈprɑːspekt/

the possibility of future success

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

proveverbUS /pruːv/

be shown or be found to be

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

REFORMnounUS /rəˈfɔːrm/

a change for the better as a result of correcting abuses

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

REFUGEESnounUS /ˈrefjuːdʒiz/

plural of “refugee” — an exile who flees for safety

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

SCHOOLnounUS /skuːl/

an educational institution

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

SIRnounUS /sɜːr/

term of address for a man

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

SLOWNESSnounUS /ˈsloʊnəs/

unskillfulness resulting from a lack of training

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

SOANE'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

sunlightnounUS /ˈsʌnlaɪt/

the rays of the sun

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

SUPPERnounUS /ˈsʌpər/

a light evening meal; served in early evening if dinner is at midday or served late in the evening at bedtime

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

texturenounUS /ˈtekstʃər/

the feel of a surface or a fabric

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading I am told it is the custom of the literati in these large cities to work in the night.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Again I must begin to write late in the evening.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading I am told it is the custom of the literati in these large cities to work in the night.

tunedverbUS /tuːnd/

past form of “tune” — adjust for (better) functioning

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

whatpronounUS /wʌt/

used to ask for information about something

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

windownounUS /ˈwɪndoʊ/

a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading I am told it is the custom of the literati in these large cities to work in the night.

WORKING-MEN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

writeverbUS /raɪt/

produce a literary work

From this reading Again I must begin to write late in the evening.

WRITINGnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

yetconjunctionUS /jet/

but in spite of that

From this reading It is easy to see that it must be almost impossible to do otherwise; yet not only is the practice very bad for the health, and one that brings on premature old age, but I cannot think this night-work will prove as firm in texture and as fair of hue as what is done by sunlight.

youpronounUS /juː/

the person or people being spoken to

From this reading Give me a lonely chamber, a window from which through the foliage you can catch glimpses of a beautiful prospect, and the mind finds itself tuned to action.

ZOOeLOGICAL

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING AT NIGHT.--LONDON.--NATIONAL GALLERY.--MURILLO.--THE FLOWER GIRL.--NURSERY-MAIDS AND WORKING-MEN.--HAMPTON COURT.--ZOOeLOGICAL GARDENS.--KING OF ANIMALS.--ENGLISH PIETY.--EAGLES.--SIR JOHN SOANE'S MUSEUM.--KEW GARDENS.--THE GREAT CACTUS.--THE REFORM CLUB HOUSE.--MEN COOKS.--ORDERLY KITCHEN.--A GILPIN EXCURSION.--THE BELL AT EDMONTON.-- OMNIBUS.--CHEAPSIDE.--ENGLISH SLOWNESS.--FREILIGRATH.--ARCADIA.-- ITALIAN SCHOOL.--MAZZINI.--ITALY.--ITALIAN REFUGEES.--CORREGGIO.-- HOPE OF ITALIANS.--ADDRESSES.--SUPPER.--CARLYLE, HIS APPEARANCE, CONVERSATION, &C.

Chapter 16 of At Home and Abroad by Margaret Fuller holds 113 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of At Home and Abroad contain?

Chapter 16 holds 113 sentences of At Home and Abroad, unabridged, divided into 23 reading sections.

This page carries chapter 16 of At Home and Abroad by Margaret Fuller exactly as it stands in the source edition, without abridgement. It runs to 113 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of At Home and Abroad?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 23 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading At Home and Abroad

Common questions about reading At Home and Abroad by Margaret Fuller on this page, its source edition and its audio.

Is this the complete text of At Home and Abroad?

Yes. All 6206 sentences of Project Gutenberg eBook #16327 are kept, with a record of which sentences cover which part.

Which edition of At Home and Abroad is used?

Project Gutenberg eBook #16327, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does At Home and Abroad take to read?

About 517 minutes of reading across 1242 sections of 5 sentences each, at an unhurried pace.

How to read At Home and Abroad section by section

How to work through At Home and Abroad section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in At Home and Abroad

Words and structures a reader meets early in At Home and Abroad, each tappable for pronunciation and meaning.

Niagara
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.
Since
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.
Share
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.
Foot-notes
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.