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At Home and Abroad
At Home and Abroad

Chapter XX · Chapter 20

Chapter 20 of At Home and Abroad is here in full — 203 sentences across 41 reading sections, with audio for every sentence and word.

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English subtitles · tap any word to listen 1 / 5
MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.
Naples.
In my last days at Paris I was fortunate in hearing some delightful music.
A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.
All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

At Home and Abroad

Chapter XX · Chapter 20

Chapter 20 of At Home and Abroad is here in full — 203 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/40 · 5 reading units · Lines 1–5

Line 1
MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.
Line 2
Naples.
/ˈneɪpəlz/
Line 3
In my last days at Paris I was fortunate in hearing some delightful music.
/ɪn maɪ læst deɪz æt ˈperɪs aɪ wɑːz ˈfɔːrtʃənət ɪn ˈhiːrɪŋ sʌm dɪˈlaɪtfəl ˈmjuːzɪk/
Line 4
A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.
Line 5
All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adequately adverb US /ˈædəkwətli/

in an adequate manner or to an adequate degree

From this reading “All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.”

amphitheatre noun US /ˈæmfəθiˈeɪtər/

a sloping gallery with seats for spectators (as in an operating room or theater)

From this reading “MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.”

chopin noun US /ˈʃoʊpæn/

the music of Chopin

From this reading “MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.”

imperfectly adverb US /ˌɪmˈpɜːrfɪktli/

in an imperfect or faulty way

From this reading “All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.”

leghorn noun US /ˈleɡhɔːrn/

a stiff hat made of straw with a flat crown

From this reading “MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.”

rhone noun US /roʊn/

a major French river; flows into the Mediterranean near Marseilles

From this reading “MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.”

vesuvius noun US /vəˈsuːviəs/

a volcano in southwestern Italy on the Mediterranean coast; a Plinian eruption in 79 AD buried Pompeii and killed Pliny the Elder; last erupted in 1944

From this reading “MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.”

weavers noun US /ˈwiːvərz/

plural of “weaver” — a craftsman who weaves cloth

From this reading “MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.”

All words in this reading · 119

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

adequatelyadverbUS /ˈædəkwətli/

in an adequate manner or to an adequate degree

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

ADIEUnounUS /əˈduː/

a farewell remark

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

AMPHITHEATREnounUS /ˈæmfəθiˈeɪtər/

a sloping gallery with seats for spectators (as in an operating room or theater)

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

ARLESnoun

money given by a buyer to a seller to bind a contract

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

ATprepositionUS /æt/

in or near a particular place or position

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

BAIAE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

BANKSnounUS /bæŋks/

English botanist who accompanied Captain Cook on his first voyage to the Pacific Ocean (1743-1820)

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

CHARACTERnounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

CHEVALIERnounUS /ˌʃevəˈlɪr/

French actor and cabaret singer (1888-1972)

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

CHILDRENnounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

CHOPINnounUS /ˈʃoʊpæn/

the music of Chopin

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

Chopin's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

CONFUSIONnounUS /kənˈfjuːʒən/

disorder resulting from a failure to behave predictably

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

DEGRADATIONnounUS /ˌdeɡrəˈdeɪʃən/

changing to a lower state (a less respected state)

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

delicacynounUS /ˈdeləkəsi/

the quality of being beautiful and delicate in appearance

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

delightfuladjectiveUS /dɪˈlaɪtfəl/

greatly pleasing or entertaining

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

DILIGENCEnounUS /ˈdɪlədʒəns/

conscientiousness in paying proper attention to a task; giving the degree of care required in a given situation

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

DREARYadjectiveUS /ˈdrɪri/

lacking in liveliness or charm or surprise

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

DRIVEverbUS /draɪv/

operate or control a vehicle

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

ESCAPEnounUS /ɪˈskeɪp/

the act of escaping physically

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

expressverbUS /ɪkˈspres/

give expression to

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

exquisitelyadverbUS /ˌekˈskwɪzɪtli/

in a delicate manner

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

FORprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

fortunateadjectiveUS /ˈfɔːrtʃənət/

having unexpected good fortune

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

FRANCEnounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

GENOAnounUS /ˈdʒenoʊə/

a seaport in northwestern Italy; provincial capital of Liguria

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

healthnounUS /helθ/

a healthy state of wellbeing free from disease

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

hearingnounUS /ˈhiːrɪŋ/

(law) a proceeding (usually by a court) where evidence is taken for the purpose of determining an issue of fact and reaching a decision based on that evidence

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

HOMEnounUS /hoʊm/

where you live at a particular time

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

imperfectlyadverbUS /ˌɪmˈpɜːrfɪktli/

in an imperfect or faulty way

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

impressionsnounUS /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

IrisnounUS /ˈaɪrəs/

plants with sword-shaped leaves and erect stalks bearing bright-colored flowers composed of three petals and three drooping sepals

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

ITALIANnounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

ITALYnounUS /ˈɪtəli/

a republic in southern Europe on the Italian Peninsula; was the core of the Roman Republic and the Roman Empire between the 4th century BC and the 5th century AD

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

ITSdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

justifiedadjectiveUS /ˈdʒʌstəfaɪd/

having words so spaced that lines have straight even margins

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

LANGUAGESnounUS /ˈlæŋɡwədʒəz/

plural of “language” — a systematic means of communicating by the use of sounds or conventional symbols

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

lastadjectiveUS /læst/

immediately past

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

LEGHORNnounUS /ˈleɡhɔːrn/

a stiff hat made of straw with a flat crown

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

LIFEnounUS /laɪf/

a characteristic state or mode of living

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

LYONSnounUS /ˈlaɪənz/

a city in east-central France on the Rhone River; a principal producer of silk and rayon

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

MANNERnounUS /ˈmænər/

how something is done or how it happens

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

markedadjectiveUS /mɑːrkt/

strongly marked; easily noticeable

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

MARSEILLESnounUS /mɑːrˈsaɪləs/

a port city in southeastern France on the Mediterranean

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

meritsnounUS /ˈmerəts/

plural of “merit” — any admirable quality or attribute

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

MIDNIGHTnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

MUSICnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

NAPLESnounUS /ˈneɪpəlz/

a port and tourist center in southwestern Italy; capital of the Campania region

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

NARROWverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

NEAPOLITANS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

NEUKOMM

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

OLDadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

organizedadjectiveUS /ˈɔːrɡənaɪzd/

formed into a structured or coherent whole, particularly on a large scale

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

PARISnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

PASSAGEnounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

performedverbUS /pərˈfɔːrmd/

past form of “perform” — carry out or perform an action

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

personnounUS /ˈpɜːrsən/

a human being

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

playverbUS /pleɪ/

participate in games or sport

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

rareadjectiveUS /rer/

not widely known; especially valued for its uncommonness

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

receivedadjectiveUS /rəˈsiːvd/

conforming to the established language usage of educated native speakers

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

RHONEnounUS /roʊn/

a major French river; flows into the Mediterranean near Marseilles

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

ROMANadjectiveUS /ˈroʊmən/

relating to or characteristic of people of Rome

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

secretsnounUS /ˈsiːkrəts/

plural of “secret” — something that should remain hidden from others (especially information that is not to be passed on)

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

SMALLadjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

SOUTHERNadjectiveUS /ˈsʌðərn/

in or characteristic of a region of the United States south of (approximately) the Mason-Dixon line

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

STEAMERnounUS /ˈstiːmər/

a clam that is usually steamed in the shell

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

subtile

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

THEIRdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

traitsnounUS /treɪts/

plural of “trait” — a distinguishing feature of your personal nature

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

travestied

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

veiledadjectiveUS /veɪld/

having or as if having a veil or concealing cover

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

VESUVIUSnounUS /vəˈsuːviəs/

a volcano in southwestern Italy on the Mediterranean coast; a Plinian eruption in 79 AD buried Pompeii and killed Pliny the Elder; last erupted in 1944

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In my last days at Paris I was fortunate in hearing some delightful music.

WEATHERnounUS /ˈweðər/

the atmospheric conditions that comprise the state of the atmosphere in terms of temperature and wind and clouds and precipitation

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

WEAVERSnounUS /ˈwiːvərz/

plural of “weaver” — a craftsman who weaves cloth

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading All the impressions I had received from hearing his music imperfectly performed were justified, for it has marked traits, which can be veiled, but not travestied; but to feel it as it merits, one must hear himself; only a person as exquisitely organized as he can adequately express these subtile secrets of the creative spirit.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A friend of Chopin's took me to see him, and I had the pleasure, which the delicacy of Iris health makes a rare one for the public, of hearing him play.

WIFEnounUS /waɪf/

a married woman; a man's partner in marriage

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

WOMENnounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

YOUNGadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading MUSIC IN PARIS.--CHOPIN AND THE CHEVALIER NEUKOMM.--ADIEU TO PARIS.--A MIDNIGHT DRIVE IN A DILIGENCE.--LYONS AND ITS WEAVERS.--THEIR MANNER OF LIFE.--A YOUNG WIFE.--THE WEAVERS' CHILDREN.--THE BANKS OF THE RHONE.--DREARY WEATHER FOR SOUTHERN FRANCE.--THE OLD ROMAN AMPHITHEATRE AT ARLES.--THE WOMEN OF ARLES.--MARSEILLES.--PASSAGE TO GENOA.--ITALY.--GENOA AND NAPLES.--BAIAE.--VESUVIUS.--THE ITALIAN CHARACTER AT HOME.--PASSAGE FROM LEGHORN IN A SMALL STEAMER.--NARROW ESCAPE.--A CONFUSION OF LANGUAGES.--DEGRADATION OF THE NEAPOLITANS.

Chapter 20 of At Home and Abroad by Margaret Fuller holds 203 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of At Home and Abroad contain?

Chapter 20 holds 203 sentences of At Home and Abroad, unabridged, divided into 41 reading sections.

This page carries chapter 20 of At Home and Abroad by Margaret Fuller exactly as it stands in the source edition, without abridgement. It runs to 203 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of At Home and Abroad?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading At Home and Abroad

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Is this the complete text of At Home and Abroad?

Yes. All 6206 sentences of Project Gutenberg eBook #16327 are kept, with a record of which sentences cover which part.

Which edition of At Home and Abroad is used?

Project Gutenberg eBook #16327, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does At Home and Abroad take to read?

About 517 minutes of reading across 1242 sections of 5 sentences each, at an unhurried pace.

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How to work through At Home and Abroad section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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Vocabulary met early in At Home and Abroad

Words and structures a reader meets early in At Home and Abroad, each tappable for pronunciation and meaning.

Niagara
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.
Since
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.
Share
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.
Foot-notes
A word that appears in the opening chapter of At Home and Abroad; the reader can tap it to hear it and see its dictionary entry.