Chapter 12 of At the Sign of the Silver Flagon is here in full — 154 sentences across 31 reading sections, with audio for every sentence and word.
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Chapter XII
Chapter 12 of At the Sign of the Silver Flagon is here in full — 154 sentences across 31 reading sections, with audio for every sentence and word.
"I AM GOING TO SPEAK OUT," SAID PHILIP. When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought: "O, dear me! I'm wanted on the stage! Hold my baby, Mr. Rowe, till I come off again."
Chapter 12 of At the Sign of the Silver Flagon is here in full — 154 sentences across 31 reading sections, with audio for every sentence and word.
Reading 1/30 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
with planning and intention
From this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
a very young child (birth to 1 year) who has not yet begun to walk or talk
From this reading “Hold my baby, Mr. Rowe, till I come off again."”
an actor's line that immediately precedes and serves as a reminder for some action or speech
From this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
feeling a need to see others suffer
From this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
Englishman and husband of Elizabeth II (born 1921)
From this reading “"I AM GOING TO SPEAK OUT," SAID PHILIP.”
plural of “scene” — the place where some action occurs
From this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
in a statistically significant way
From this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
any distinct time period in a sequence of events
From this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
a woman who is old
In this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
In this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
In this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
continue a certain state, condition, or activity
In this reading “When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:”
express one's opinion openly and without fear or hesitation
In this reading “"I AM GOING TO SPEAK OUT," SAID PHILIP.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
with planning and intention
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
anew
From this reading Hold my baby, Mr. Rowe, till I come off again."
the form of “be” used with “I”
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
used to join words or parts of a sentence that go together
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
outward or visible aspect of a person or thing
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
in or near a particular place or position
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
a very young child (birth to 1 year) who has not yet begun to walk or talk
From this reading Hold my baby, Mr. Rowe, till I come off again."
at or toward the back of something
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
move toward, travel toward something or somebody or approach something or somebody
From this reading Hold my baby, Mr. Rowe, till I come off again."
inflected form of “cry” — utter a sudden loud cry
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
an actor's line that immediately precedes and serves as a reminder for some action or speech
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
dearly loved
From this reading "O, dear me!
the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
preceding all others in time or space or degree
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
acknowledged as a supposition
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
change location; move, travel, or proceed, also metaphorically
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
the act of departing
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
belonging to a woman, girl, or female animal already mentioned
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
the male already mentioned, as the object of a verb or preposition
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
belonging to a man, boy, or male animal already mentioned
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
cause to continue in a certain state, position, or activity; e.g., “keep clean”
From this reading Hold my baby, Mr. Rowe, till I come off again."
the person speaking or writing, as the subject of the verb
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading I'm wanted on the stage!
produced by a manufacturing process
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
feeling a need to see others suffer
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
the person speaking, as the object of a verb or preposition
From this reading "O, dear me!
a form of address for a man
From this reading Hold my baby, Mr. Rowe, till I come off again."
belonging to the person speaking
From this reading Hold my baby, Mr. Rowe, till I come off again."
a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust
From this reading "O, dear me!
belonging to, or connected with, somebody or something
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
from a particular thing or place or position (“forth” is obsolete)
From this reading Hold my baby, Mr. Rowe, till I come off again."
(used especially of persons) having lived for a relatively long time or attained a specific age
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
touching and supported by a surface
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
on one occasion
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
not allowed to continue to bat or run
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
Englishman and husband of Elizabeth II (born 1921)
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Hold my baby, Mr. Rowe, till I come off again."
being the one previously mentioned or spoken of
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
plural of “scene” — the place where some action occurs
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
a woman, girl, or female animal already mentioned, as the subject
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
in a statistically significant way
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
past form of “smile” — change one's facial expression by spreading the lips, often to signal pleasure
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
express in speech
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
any distinct time period in a sequence of events
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
used to introduce what somebody said, thought, or felt
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
up to a particular time
From this reading Hold my baby, Mr. Rowe, till I come off again."
used before the base form of a verb to make the infinitive
From this reading "I AM GOING TO SPEAK OUT," SAID PHILIP.
desired or wished for or sought
From this reading I'm wanted on the stage!
the past form of “be” used with I, he, she, it, or a singular noun
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
at the time that
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
an adult female person (as opposed to a man)
From this reading When Philip made his appearance that evening behind the scenes, the First Old Woman smiled significantly at him, and once, when her cue to go on the stage was given, she cried to him, of malice aforethought:
Chapter 12 of At the Sign of the Silver Flagon by B. L. (Benjamin Leopold) Farjeon holds 154 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 12 holds 154 sentences of At the Sign of the Silver Flagon, unabridged, divided into 31 reading sections.
This page carries chapter 12 of At the Sign of the Silver Flagon by B. L. (Benjamin Leopold) Farjeon exactly as it stands in the source edition, without abridgement. It runs to 154 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
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Project Gutenberg eBook #53062, unabridged. The Project Gutenberg header, footer and licence are removed.
About 465 minutes of reading across 1117 sections of 5 sentences each, at an unhurried pace.
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Words and structures a reader meets early in At the Sign of the Silver Flagon, each tappable for pronunciation and meaning.
