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Barchester Towers
Barchester Towers

Chapter XXXIX · Chapter 39

Chapter 39 of Barchester Towers is here in full — 253 sentences across 51 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/50 · 5 lines
English subtitles · tap any word to listen 1 / 5
MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.
These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.
What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?
Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.
The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Barchester Towers

Chapter XXXIX · Chapter 39

Chapter 39 of Barchester Towers is here in full — 253 sentences across 51 reading sections, with audio for every sentence and word.

Reading 1/50 · 5 reading units · Lines 1–5

Line 1
MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.
Line 2
These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.
Line 3
What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?
/wʌt ˈnɑːvələst wʌt ˈfiːldɪŋ wʌt skɑːt wʌt dʒɔːrdʒ sænd ɔːr suː ɔːr ˈdʌŋkən kæn ˌɪmˈpɑːrt æn ˈɪntrəst tuː ðə læst ˈtʃæptər ʌv hɪz fɪkˈtɪʃəs ˈhɪstəri/
Line 4
Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.
/ˈprɑːməsəz ʌv tuː ˈtʃɪldrən ənd ˌsuːpərˈhjuːmən ˈhæpinəs ɑːr ʌv noʊ əˈveɪl nɔːr əˈʃʊrəns ʌv ekˈstriːm riˌspektəˈbɪlɪti ˈkærid tuː æn eɪdʒ fɑːr ɪkˈsiːdɪŋ ðæt ˈjuːʒəwəli əˈlɑːtɪd tuː ˈmɔːrtəlz/
Line 5
The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.
/ðə ˈsɑːroʊz ʌv ˈaʊər ˈhɪroʊz ənd ˈheroʊənz ðeɪ ɑːr juː dɪˈlaɪt oʊ ˈpʌblɪk ðer ˈsɑːroʊz ɔːr ðer sɪnz ɔːr ðer əbˈsɜːrdətiz nɑːt ðer ˈvɜːrtʃuːz ɡʊd sens ənd ˈkɑːnsəkwənt rɪˈwɔːrdz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

absurdities noun US /əbˈsɜːrdətiz/

plural of “absurdity” — a message whose content is at variance with reason

From this reading “The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.”

consequent adjective US /ˈkɑːnsəkwənt/

occurring with or following as a consequence

From this reading “The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.”

fictitious adjective US /fɪkˈtɪʃəs/

formed or conceived by the imagination

From this reading “What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?”

Fielding noun US /ˈfiːldɪŋ/

(baseball) handling the ball while playing in the field

From this reading “What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?”

heroines noun US /ˈheroʊənz/

plural of “heroine” — the main good female character in a work of fiction

From this reading “The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.”

perplexing adjective US /pərˈpleksɪŋ/

lacking clarity of meaning; causing confusion or perplexity

From this reading “These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.”

rewards noun US /rɪˈwɔːrdz/

plural of “reward” — a recompense for worthy acts or retribution for wrongdoing

From this reading “The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.”

superhuman adjective US /ˌsuːpərˈhjuːmən/

above or beyond the human or demanding more than human power or endurance

From this reading “Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.”

All words in this reading · 96

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

absurditiesnounUS /əbˈsɜːrdətiz/

plural of “absurdity” — a message whose content is at variance with reason

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

agenounUS /eɪdʒ/

how long something has existed

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

allottedadjectiveUS /əˈlɑːtɪd/

given as a task

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

assurancenounUS /əˈʃʊrəns/

freedom from doubt; belief in yourself and your abilities

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

availverbUS /əˈveɪl/

use to one's advantage

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

BIDSnounUS /bɪdz/

plural of “bid” — an authoritative direction or instruction to do something

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

bishopnounUS /ˈbɪʃəp/

a senior member of the Christian clergy having spiritual and administrative authority; appointed in Christian churches to oversee priests or ministers; considered in some churches to be successors of the twelve Apostles of Christ

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

carriedverbUS /ˈkærid/

inflected form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

consequentadjectiveUS /ˈkɑːnsəkwənt/

occurring with or following as a consequence

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

delightverbUS /dɪˈlaɪt/

give pleasure to or be pleasing to

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

disagreeableadjectiveUS /ˌdɪsəˈɡriːəbəl/

not to your liking

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

DuncannounUS /ˈdʌŋkən/

United States dancer and pioneer of modern dance (1878-1927)

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

exceedingadjectiveUS /ɪkˈsiːdɪŋ/

far beyond what is usual in magnitude or degree

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

extremeadjectiveUS /ekˈstriːm/

of the greatest possible degree or extent or intensity

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

FAREWELLnounUS /ˌferˈwel/

an acknowledgment or expression of goodwill at parting

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

fictitiousadjectiveUS /fɪkˈtɪʃəs/

formed or conceived by the imagination

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

FieldingnounUS /ˈfiːldɪŋ/

(baseball) handling the ball while playing in the field

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

GeorgenounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

happinessnounUS /ˈhæpinəs/

state of well-being characterized by emotions ranging from contentment to intense joy

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

heroesnounUS /ˈhɪroʊz/

plural of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

heroinesnounUS /ˈheroʊənz/

plural of “heroine” — the main good female character in a work of fiction

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

impartverbUS /ˌɪmˈpɑːrt/

transmit (knowledge or skills)

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

INHABITANTSnounUS /ɪnˈhæbətənts/

plural of “inhabitant” — a person who inhabits a particular place

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

ITSdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

lastadjectiveUS /læst/

immediately past

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

leaveverbUS /liːv/

go away from a place

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

leave-takings

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

mortalsnounUS /ˈmɔːrtəlz/

plural of “mortal” — a human being

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

MRnounUS /ˈmɪstər/

a form of address for a man

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

nodeterminerUS /noʊ/

not any; not one

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

novelistnounUS /ˈnɑːvələst/

one who writes novels

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

ohnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

PALACEnounUS /ˈpæləs/

a large and stately mansion

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

perplexingadjectiveUS /pərˈpleksɪŋ/

lacking clarity of meaning; causing confusion or perplexity

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

PromisesnounUS /ˈprɑːməsəz/

plural of “promise” — a verbal commitment by one person to another agreeing to do (or not to do) something in the future

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

Proudie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

respectabilitynounUS /riˌspektəˈbɪlɪti/

honorableness by virtue of being respectable and having a good reputation

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

rewardsnounUS /rɪˈwɔːrdz/

plural of “reward” — a recompense for worthy acts or retribution for wrongdoing

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

sadnessnounUS /ˈsædnəs/

emotions experienced when not in a state of well-being

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

SandnounUS /sænd/

a loose material consisting of grains of rock or coral

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

satisfactoryadjectiveUS /ˌsætəˈsfæktri/

giving satisfaction

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

ScottnounUS /skɑːt/

award-winning United States film actor (1928-1999)

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

sensenounUS /sens/

a general conscious awareness

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

sinsnounUS /sɪnz/

plural of “sin” — estrangement from god

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

SLOPEnounUS /sloʊp/

an elevated geological formation

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

sorrowsnounUS /ˈsɑːroʊz/

plural of “sorrow” — an emotion of great sadness associated with loss or bereavement

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

SueverbUS /suː/

institute legal proceedings against; file a suit against

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

superhumanadjectiveUS /ˌsuːpərˈhjuːmən/

above or beyond the human or demanding more than human power or endurance

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

takeverbUS /teɪk/

carry out

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading Promises of two children and superhuman happiness are of no avail, nor assurance of extreme respectability carried to an age far exceeding that usually allotted to mortals.

virtuesnounUS /ˈvɜːrtʃuːz/

plural of “virtue” — the quality of doing what is right and avoiding what is wrong

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading These leave-takings in novels are as disagreeable as they are in real life; not so sad, indeed, for they want the reality of sadness; but quite as perplexing, and generally less satisfactory.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading MR SLOPE BIDS FAREWELL TO THE PALACE AND ITS INHABITANTS We must now take leave of Mr Slope, and of the bishop, and of Mrs Proudie.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What novelist, what Fielding, what Scott, what George Sand, or Sue, or Duncan, can impart an interest to the last chapter of his fictitious history?

youpronounUS /juː/

the person or people being spoken to

From this reading The sorrows of our heroes and heroines, they are you delight, oh public! their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards.

Chapter 39 of Barchester Towers by Anthony Trollope holds 253 sentences, grouped into 51 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 39 of Barchester Towers contain?

Chapter 39 holds 253 sentences of Barchester Towers, unabridged, divided into 51 reading sections.

This page carries chapter 39 of Barchester Towers by Anthony Trollope exactly as it stands in the public-domain source edition, without abridgement. It runs to 253 sentences, grouped into 51 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 39 of Barchester Towers?

Work through the 51 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 51 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 39 be read aloud to me?

Yes — every sentence and every individual word in chapter 39 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Barchester Towers

Common questions about reading Barchester Towers by Anthony Trollope on this page, its source edition and its audio.

Is this the complete text of Barchester Towers?

Yes. All 9517 sentences of Project Gutenberg eBook #2432 are kept, with a record of which sentences cover which part.

Which edition of Barchester Towers is used?

Project Gutenberg eBook #2432, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Barchester Towers take to read?

About 600 minutes of reading across 1904 sections of 5 sentences each, at an unhurried pace.

How to read Barchester Towers section by section

How to work through Barchester Towers section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Barchester Towers to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Barchester Towers

Words and structures a reader meets early in Barchester Towers, each tappable for pronunciation and meaning.

Bishop
A word that appears in the opening chapter of Barchester Towers; the reader can tap it to hear it and see its dictionary entry.
Latter
A word that appears in the opening chapter of Barchester Towers; the reader can tap it to hear it and see its dictionary entry.
Important
A word that appears in the opening chapter of Barchester Towers; the reader can tap it to hear it and see its dictionary entry.
Question
A word that appears in the opening chapter of Barchester Towers; the reader can tap it to hear it and see its dictionary entry.