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Beauty and the Beast, and Tales of Home
Beauty and the Beast, and Tales of Home

Chapter I · Chapter 1

Chapter 1 of Beauty and the Beast, and Tales of Home is here in full — 154 sentences across 31 reading sections, with audio for every sentence and word.

Cover illustration for Beauty and the Beast, and Tales of Home
Context Illustration Reading 1/30 · 5 lines
English subtitles · tap any word to listen 1 / 5
By Bayard Taylor.
We are about to relate a story of mingled fact and fancy.
The facts are borrowed from the Russian author, Petjerski; the fancy is our own.
Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.
We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Beauty and the Beast, and Tales of Home

Chapter I · Chapter 1

Chapter 1 of Beauty and the Beast, and Tales of Home is here in full — 154 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
By Bayard Taylor.
/baɪ ˈbeɪərd ˈteɪlər/
Line 2
We are about to relate a story of mingled fact and fancy.
/wiː ɑːr əˈbaʊt tuː rɪˈleɪt ə ˈstɔːri ʌv ˈmɪŋɡəld fækt ənd ˈfænsi/
Line 3
The facts are borrowed from the Russian author, Petjerski; the fancy is our own.
Line 4
Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.
/ˈaʊər tæsk wɪl ˈtʃiːfli biː tuː ˈsɑːfən ðə ˈaʊtlaɪnz ʌv ˈɪnsədənts ˈɔːlmoʊst tuː ʃɑːrp ənd ˈrʌɡəd fɔːr ˈlɪtəreri juːs tuː səˈplaɪ ðem wɪð ðə ˈnesəseri ˈkʌlərɪŋ ənd ˈsentəmənt ənd tuː ɡɪv ə koʊˈhɪrənt ənd prəˈpɔːrʃənd ʃeɪp tuː ðə ˌɪˈreɡjələr ˈfræɡmənts ʌv æn oʊld ˈkrɑː.nɪ.kəl/
Line 5
We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.
/wiː noʊ ˈsʌmθɪŋ frʌm ˈʌðər ˈsɔːrsəz ʌv ðə ˈkʌstəmz dɪˈskraɪbd ˈsʌmθɪŋ ʌv ðə ˈkerɪktər ʌv ðə ˈpiːpəl frʌm ˈpɜːrsɪnəl ˌɑːbzərˈveɪʃən ənd meɪ ˈðerfɔːr ðə mɔːr ˈfriːli teɪk sʌtʃ ˈlɪbərtiːz æz wiː tʃuːz wɪð ðə ruːd ˈvɪɡərəs ˈsketʃəz ʌv ðə ˈrʌʃən ərˈɪdʒənəl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Bayard noun US /ˈbeɪərd/

French soldier said to be fearless and chivalrous (1473-1524)

From this reading “By Bayard Taylor.”

chronicle noun US /ˈkrɑː.nɪ.kəl/

A detailed written record of historical events in order. (Sử ký, biên niên sử lịch sử.)

From this reading “Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.”

coherent adjective US /koʊˈhɪrənt/

marked by an orderly, logical, and aesthetically consistent relation of parts

From this reading “Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.”

coloring noun US /ˈkʌlərɪŋ/

a digestible substance used to give color to food

From this reading “Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.”

liberties noun US /ˈlɪbərtiːz/

plural of “liberty” — immunity from arbitrary exercise of authority: political independence

From this reading “We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.”

proportioned verb US /prəˈpɔːrʃənd/

past form of “proportion” — give pleasant proportions to

From this reading “Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.”

sketches noun US /ˈsketʃəz/

plural of “sketch” — preliminary drawing for later elaboration

From this reading “We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.”

soften verb US /ˈsɑːfən/

make (images or sounds) soft or softer

From this reading “Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.”

All words in this reading · 77

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading We are about to relate a story of mingled fact and fancy.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading We are about to relate a story of mingled fact and fancy.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading We are about to relate a story of mingled fact and fancy.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading We are about to relate a story of mingled fact and fancy.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

BayardnounUS /ˈbeɪərd/

French soldier said to be fearless and chivalrous (1473-1524)

From this reading By Bayard Taylor.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

borrowedverbUS /ˈbɑːroʊd/

past form of “borrow” — get temporarily

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading By Bayard Taylor.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

chieflyadverbUS /ˈtʃiːfli/

for the most part

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

chooseverbUS /tʃuːz/

pick out, select, or choose from a number of alternatives

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

chroniclenounUS /ˈkrɑː.nɪ.kəl/

A detailed written record of historical events in order. (Sử ký, biên niên sử lịch sử.)

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

coherentadjectiveUS /koʊˈhɪrənt/

marked by an orderly, logical, and aesthetically consistent relation of parts

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

coloringnounUS /ˈkʌlərɪŋ/

a digestible substance used to give color to food

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

customsnounUS /ˈkʌstəmz/

money collected under a tariff

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

describedadjectiveUS /dɪˈskraɪbd/

represented in words especially with sharpness and detail

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading We are about to relate a story of mingled fact and fancy.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading We are about to relate a story of mingled fact and fancy.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

fragmentsnounUS /ˈfræɡmənts/

plural of “fragment” — a piece broken off or cut off of something else

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

freelyadverbUS /ˈfriːli/

in a free manner

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

irregularadjectiveUS /ˌɪˈreɡjələr/

contrary to rule or accepted order or general practice

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

libertiesnounUS /ˈlɪbərtiːz/

plural of “liberty” — immunity from arbitrary exercise of authority: political independence

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

mingledverbUS /ˈmɪŋɡəld/

past form of “mingle” — to bring or combine together or with something else

From this reading We are about to relate a story of mingled fact and fancy.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

observationnounUS /ˌɑːbzərˈveɪʃən/

the act of making and recording a measurement

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading We are about to relate a story of mingled fact and fancy.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

outlinesnounUS /ˈaʊtlaɪnz/

plural of “outline” — the line that appears to bound an object

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

ownverbUS /oʊn/

have ownership or possession of

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

personaladjectiveUS /ˈpɜːrsɪnəl/

concerning or affecting a particular person or his or her private life and personality

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

Petjerski

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

proportionedverbUS /prəˈpɔːrʃənd/

past form of “proportion” — give pleasant proportions to

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

relateverbUS /rɪˈleɪt/

make a logical or causal connection

From this reading We are about to relate a story of mingled fact and fancy.

rudeadjectiveUS /ruːd/

socially incorrect in behavior

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

ruggedadjectiveUS /ˈrʌɡəd/

sturdy and strong in constitution or construction; enduring

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

RussiannounUS /ˈrʌʃən/

a native or inhabitant of Russia

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

sentimentnounUS /ˈsentəmənt/

tender, romantic, or nostalgic feeling or emotion

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

shapenounUS /ʃeɪp/

any spatial attributes (especially as defined by outline)

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

sharpadjectiveUS /ʃɑːrp/

(of something seen or heard) clearly defined

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

sketchesnounUS /ˈsketʃəz/

plural of “sketch” — preliminary drawing for later elaboration

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

softenverbUS /ˈsɑːfən/

make (images or sounds) soft or softer

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

sourcesnounUS /ˈsɔːrsəz/

plural of “source” — the place where something begins, where it springs into being

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading We are about to relate a story of mingled fact and fancy.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

supplyverbUS /səˈplaɪ/

give something useful or necessary to

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

takeverbUS /teɪk/

carry out

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

tasknounUS /tæsk/

any piece of work that is undertaken or attempted

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

TaylornounUS /ˈteɪlər/

United States composer and music critic (1885-1966)

From this reading By Bayard Taylor.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The facts are borrowed from the Russian author, Petjerski; the fancy is our own.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We are about to relate a story of mingled fact and fancy.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

usenounUS /juːs/

the act of using

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

vigorousadjectiveUS /ˈvɪɡərəs/

characterized by forceful and energetic action or activity

From this reading We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We are about to relate a story of mingled fact and fancy.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

withprepositionUS /wɪð/

in the company of; together with

From this reading Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle.

Chapter 1 of Beauty and the Beast, and Tales of Home by Bayard Taylor holds 154 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Beauty and the Beast, and Tales of Home contain?

Chapter 1 holds 154 sentences of Beauty and the Beast, and Tales of Home, unabridged, divided into 31 reading sections.

This page carries chapter 1 of Beauty and the Beast, and Tales of Home by Bayard Taylor exactly as it stands in the public-domain source edition, without abridgement. It runs to 154 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Beauty and the Beast, and Tales of Home?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading Beauty and the Beast, and Tales of Home by Bayard Taylor on this page, its source edition and its audio.

Is this the complete text of Beauty and the Beast, and Tales of Home?

Yes. All 4210 sentences of Project Gutenberg eBook #292 are kept, with a record of which sentences cover which part.

Which edition of Beauty and the Beast, and Tales of Home is used?

Project Gutenberg eBook #292, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Beauty and the Beast, and Tales of Home take to read?

About 350 minutes of reading across 842 sections of 5 sentences each, at an unhurried pace.

How to read Beauty and the Beast, and Tales of Home section by section

How to work through Beauty and the Beast, and Tales of Home section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 26 chapters of Beauty and the Beast, and Tales of Home to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Beauty and the Beast, and Tales of Home

Words and structures a reader meets early in Beauty and the Beast, and Tales of Home, each tappable for pronunciation and meaning.

Bayard
A word that appears in the opening chapter of Beauty and the Beast, and Tales of Home; the reader can tap it to hear it and see its dictionary entry.
Taylor
A word that appears in the opening chapter of Beauty and the Beast, and Tales of Home; the reader can tap it to hear it and see its dictionary entry.
Relate
A word that appears in the opening chapter of Beauty and the Beast, and Tales of Home; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of Beauty and the Beast, and Tales of Home; the reader can tap it to hear it and see its dictionary entry.