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Beyond These Voices
Beyond These Voices

Chapter IV

Chapter 4 of Beyond These Voices is here in full — 317 sentences across 64 reading sections, with audio for every sentence and word.

Cover illustration for Beyond These Voices
Context Illustration Reading 1/63 · 5 lines
English subtitles · tap any word to listen 1 / 5
Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.
The furniture is large and massive.
There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.
"I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.
Romantic was one of her pet words.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Beyond These Voices

Chapter IV

Chapter 4 of Beyond These Voices is here in full — 317 sentences across 64 reading sections, with audio for every sentence and word.

Reading 1/63 · 5 reading units · Lines 1–5

Line 1
Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.
Line 2
The furniture is large and massive.
/ðə ˈfɜːrnɪtʃər ɪz lɑːrdʒ ənd ˈmæsɪv/
Line 3
There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.
Line 4
"I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.
Line 5
Romantic was one of her pet words.
/roʊˈmæntɪk wɑːz wʌn ʌv hɜːr pet wɜːrdz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cabinets noun US /ˈkæbənəts/

plural of “cabinet” — a piece of furniture resembling a cupboard with doors and shelves and drawers; for storage or display

From this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

caprices noun US /kəˈpriːsəz/

plural of “caprice” — a sudden desire

From this reading “Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.”

cloistered adjective US /ˈklɔɪstərd/

of communal life sequestered from the world under religious vows

From this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

Florentine adjective US /ˈflɔːrəntiːn/

of or relating to or characteristic of the city of Florence, Italy

From this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

inlaid adjective US /ˈɪnleɪd/

adorned by inlays

From this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

mortuary adjective US /ˈmɔːrtʃuːeri/

of or relating to or characteristic of death

From this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

mosaic noun US /moʊˈzeɪɪk/

art consisting of a design made of small pieces of colored stone or glass

From this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

Portland noun US /ˈpɔːrtlənd/

freshwater port and largest city in Oregon; located in northwestern Oregon on the Willamette River which divides the city into east and west sections; renowned for its beautiful natural setting among the mountains

From this reading “Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

silver lamps noun + noun counted as “silver lamp”

In this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

three centuries noun + noun counted as “three century”

In this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

largest house adjective + noun counted as “large house”

In this reading “Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.”

for three preposition + noun

In this reading “There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.”

All words in this reading · 99

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

Amphlett

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

artsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

byprepositionUS /baɪ/

showing who or what does the action

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

cabinetsnounUS /ˈkæbənəts/

plural of “cabinet” — a piece of furniture resembling a cupboard with doors and shelves and drawers; for storage or display

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

capricesnounUS /kəˈpriːsəz/

plural of “caprice” — a sudden desire

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

centuriesnounUS /ˈsentʃəriz/

plural of “century” — a period of 100 years

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

chapels

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

cloisteredadjectiveUS /ˈklɔɪstərd/

of communal life sequestered from the world under religious vows

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

dower-chests

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

drawing-rooms

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

dustverbUS /dʌst/

remove the dust from

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

ebonynounUS /ˈebəni/

a very dark black

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

elegances

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

fingersnounUS /ˈfɪŋɡərz/

plural of “finger” — any of the terminal members of the hand (sometimes excepting the thumb)

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

FlorentineadjectiveUS /ˈflɔːrəntiːn/

of or relating to or characteristic of the city of Florence, Italy

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

furniturenounUS /ˈfɜːrnɪtʃər/

furnishings that make a room or other area ready for occupancy

From this reading The furniture is large and massive.

gatheringnounUS /ˈɡæðərɪŋ/

a group of persons together in one place

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

gloomyadjectiveUS /ˈɡluːmi/

depressingly dark

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

grandeurnounUS /ɡrænˈduːr/

the quality of being magnificent or splendid or grand

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

hatenounUS /heɪt/

the emotion of intense dislike; a feeling of dislike so strong that it demands action

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Romantic was one of her pet words.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

horrorsnounUS /ˈhɔːrərz/

plural of “horror” — intense and profound fear

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

hungverbUS /hʌŋ/

inflected form of “hang” — be suspended or hanging

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

inlaidadjectiveUS /ˈɪnleɪd/

adorned by inlays

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The furniture is large and massive.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

ivorynounUS /ˈaɪvəri/

a hard smooth ivory colored dentine that makes up most of the tusks of elephants and walruses

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

lampsnounUS /læmps/

plural of “lamp” — an artificial source of visible illumination

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading The furniture is large and massive.

largestadjectiveUS /ˈlɑːrdʒəst/

superlative of “large” — above average in size or number or quantity or magnitude or extent

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

lyingnounUS /ˈlaɪɪŋ/

the deliberate act of deviating from the truth

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

massiveadjectiveUS /ˈmæsɪv/

imposing in size or bulk or solidity

From this reading The furniture is large and massive.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

mortuaryadjectiveUS /ˈmɔːrtʃuːeri/

of or relating to or characteristic of death

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

mosaicnounUS /moʊˈzeɪɪk/

art consisting of a design made of small pieces of colored stone or glass

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

NovembernounUS /noʊˈvembər/

the month following October and preceding December

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

nunsnounUS /nʌnz/

plural of “nun” — a woman religious

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Romantic was one of her pet words.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

PaulnounUS /pɔːl/

United States feminist (1885-1977)

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

petnounUS /pet/

a domesticated animal kept for companionship or amusement

From this reading Romantic was one of her pet words.

PlacenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

PortlandnounUS /ˈpɔːrtlənd/

freshwater port and largest city in Oregon; located in northwestern Oregon on the Willamette River which divides the city into east and west sections; renowned for its beautiful natural setting among the mountains

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

Provana

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

pupilsnounUS /ˈpjuːpəlz/

plural of “pupil” — a learner who is enrolled in an educational institution

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

richnessnounUS /ˈrɪtʃnəs/

the property of being extremely abundant

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

roomsnounUS /ruːmz/

apartment consisting of a series of connected rooms used as a living unit (as in a hotel)

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

ShadowsnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

silvernounUS /ˈsɪlvər/

a soft white precious univalent metallic element having the highest electrical and thermal conductivity of any metal; occurs in argentite and in free form; used in coins and jewelry and tableware and photography

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

spacenounUS /speɪs/

the unlimited expanse in which everything is located

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

splendournoun

a quality that outshines the usual

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

suggestiveadjectiveUS /səˈdʒestɪv/

tending to suggest or imply

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

Susan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

tablesnounUS /ˈteɪbəlz/

plural of “table” — a set of data arranged in rows and columns

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

tapestrynounUS /ˈtæpəstri/

something that resembles a tapestry in its intricacy

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

ThereadverbUS /ðer/

in or at that place or location

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading "I love the Provana drawing-rooms because they are romantic, and I hate them because they give me the horrors," little Lady Susan Amphlett told people.

twilightnounUS /ˈtwaɪlaɪt/

the time of day immediately following sunset

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

Veronesenoun

Italian painter of the Venetian school (1528-1588)

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Romantic was one of her pet words.

whosedeterminerUS /huːz/

belonging to which person

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

withprepositionUS /wɪð/

in the company of; together with

From this reading Shadows of a November twilight are gathering in the two great drawing-rooms of the largest house in Portland Place, rooms that have the grandeur of space, and a certain gloomy splendour that has nothing in common with the caprices and elegances of a modern London drawing-room.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading Romantic was one of her pet words.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading There are tables in Florentine mosaic; cabinets of ebony inlaid with ivory; dower-chests painted by Paul Veronese or his pupils; the richness of arts that are dead; walls hung with Italian tapestry, the work of cloistered nuns whose fingers have been lying in the dust for three centuries; silver lamps suggestive of mortuary chapels.

Chapter 4 of Beyond These Voices by M. E. (Mary Elizabeth) Braddon holds 317 sentences, grouped into 64 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Beyond These Voices contain?

Chapter 4 holds 317 sentences of Beyond These Voices, unabridged, divided into 64 reading sections.

This page carries chapter 4 of Beyond These Voices by M. E. (Mary Elizabeth) Braddon exactly as it stands in the source edition, without abridgement. It runs to 317 sentences, grouped into 64 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Beyond These Voices?

Work through the 64 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 64 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Beyond These Voices

Common questions about reading Beyond These Voices by M. E. (Mary Elizabeth) Braddon on this page, its source edition and its audio.

Is this the complete text of Beyond These Voices?

Yes. All 6023 sentences of Project Gutenberg eBook #54247 are kept, with a record of which sentences cover which part.

Which edition of Beyond These Voices is used?

Project Gutenberg eBook #54247, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Beyond These Voices take to read?

About 501 minutes of reading across 1205 sections of 5 sentences each, at an unhurried pace.

How to read Beyond These Voices section by section

How to work through Beyond These Voices section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 32 chapters of Beyond These Voices to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Beyond These Voices

Words and structures a reader meets early in Beyond These Voices, each tappable for pronunciation and meaning.

Uniform
A word that appears in the opening chapter of Beyond These Voices; the reader can tap it to hear it and see its dictionary entry.
Volume
A word that appears in the opening chapter of Beyond These Voices; the reader can tap it to hear it and see its dictionary entry.
Felicia
A word that appears in the opening chapter of Beyond These Voices; the reader can tap it to hear it and see its dictionary entry.
Disbrowe
A word that appears in the opening chapter of Beyond These Voices; the reader can tap it to hear it and see its dictionary entry.