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Bill Nye and Boomerang
Bill Nye and Boomerang

Chapter X

Chapter 10 of Bill Nye and Boomerang is here in full — 11 sentences across 3 reading sections, with audio for every sentence and word.

Cover illustration for Bill Nye and Boomerang
Context Illustration Reading 1/2 · 5 lines
English subtitles · tap any word to listen 1 / 5
|The scene opens with a landscape.
In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.
The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.
That is the reason that these little adjuncts do not appear in the landscape.
But the scene is nevertheless worthy of a painter.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Bill Nye and Boomerang

Chapter X

Chapter 10 of Bill Nye and Boomerang is here in full — 11 sentences across 3 reading sections, with audio for every sentence and word.

Reading 1/2 · 5 reading units · Lines 1–5

Line 1
|The scene opens with a landscape.
/ðə siːn ˈoʊpənz wɪð ə ˈlændskeɪp/
Line 2
In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.
Line 3
The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.
Line 4
That is the reason that these little adjuncts do not appear in the landscape.
/ðæt ɪz ðə ˈriːzən ðæt ðiːz ˈlɪtəl ˈædʒʌŋkts duː nɑːt əˈpɪr ɪn ðə ˈlændskeɪp/
Line 5
But the scene is nevertheless worthy of a painter.
/bʌt ðə siːn ɪz ˌnevərðəˈles ˈwɜːr.ði ʌv ə ˈpeɪntər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adjuncts noun US /ˈædʒʌŋkts/

plural of “adjunct” — something added to another thing but not an essential part of it

From this reading “That is the reason that these little adjuncts do not appear in the landscape.”

Columbines noun US /ˈkɑːləmbaɪnz/

plural of “columbine” — a plant of the genus Aquilegia having irregular showy spurred flowers; north temperate regions especially mountains

From this reading “In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.”

eaves noun US /iːvz/

the overhang at the lower edge of a roof

From this reading “In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.”

foreground noun US /ˈfɔːrɡraʊnd/

the part of a scene that is near the viewer

From this reading “In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.”

honeysuckles noun US /ˈhʌnisʌkəlz/

plural of “honeysuckle” — shrub or vine of the genus Lonicera

From this reading “In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.”

irrigation noun US /ˌɪrəˈɡeɪʃən/

supplying dry land with water by means of ditches etc

From this reading “The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.”

locality noun US /loʊˈkæləti/

a surrounding or nearby region

From this reading “The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.”

lovingly adverb US /ˈlʌvɪŋli/

with fondness; with love

From this reading “In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

In the foreground preposition + article + noun counted as “in … foreground”

In this reading “In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.”

too early adverb + adjective

In this reading “The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.”

at the time preposition + article + noun counted as “at … time”

simultaneously

In this reading “The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.”

appear in verb + particle

In this reading “That is the reason that these little adjuncts do not appear in the landscape.”

All words in this reading · 62

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading |The scene opens with a landscape.

adjunctsnounUS /ˈædʒʌŋkts/

plural of “adjunct” — something added to another thing but not an essential part of it

From this reading That is the reason that these little adjuncts do not appear in the landscape.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

anywayadverbUS /ˈeniweɪ/

used to indicate that a statement explains or supports a previous statement

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading That is the reason that these little adjuncts do not appear in the landscape.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

atprepositionUS /æt/

in or near a particular place or position

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

bachelors-buttons

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

bitter-sweets

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

clambering

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

clingingverbUS /ˈklɪŋɪŋ/

-ing form of “cling” — come or be in close contact with; stick or hold together and resist separation

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

ColumbinesnounUS /ˈkɑːləmbaɪnz/

plural of “columbine” — a plant of the genus Aquilegia having irregular showy spurred flowers; north temperate regions especially mountains

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading That is the reason that these little adjuncts do not appear in the landscape.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

eavesnounUS /iːvz/

the overhang at the lower edge of a roof

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

fillingnounUS /ˈfɪlɪŋ/

any material that fills a space or container

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

foregroundnounUS /ˈfɔːrɡraʊnd/

the part of a scene that is near the viewer

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

fragrancenounUS /ˈfreɪɡrəns/

a distinctive odor that is pleasant

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

growverbUS /ɡroʊ/

pass into a condition gradually, take on a specific property or attribute; become

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

honeysucklesnounUS /ˈhʌnisʌkəlz/

plural of “honeysuckle” — shrub or vine of the genus Lonicera

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

irrigationnounUS /ˌɪrəˈɡeɪʃən/

supplying dry land with water by means of ditches etc

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

Johnny-jump-ups

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

landscapenounUS /ˈlændskeɪp/

an expanse of scenery that can be seen in a single view

From this reading |The scene opens with a landscape.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading That is the reason that these little adjuncts do not appear in the landscape.

localitynounUS /loʊˈkæləti/

a surrounding or nearby region

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

lovinglyadverbUS /ˈlʌvɪŋli/

with fondness; with love

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

neverthelessadverbUS /ˌnevərðəˈles/

in spite of what has just been said

From this reading But the scene is nevertheless worthy of a painter.

nodeterminerUS /noʊ/

not any; not one

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading That is the reason that these little adjuncts do not appear in the landscape.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading But the scene is nevertheless worthy of a painter.

opensnounUS /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading |The scene opens with a landscape.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading But the scene is nevertheless worthy of a painter.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

scenenounUS /siːn/

the place where some action occurs

From this reading |The scene opens with a landscape.

springnounUS /sprɪŋ/

the season of growth

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

standsnounUS /stændz/

plural of “stand” — a support or foundation

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading |The scene opens with a landscape.

thereadverbUS /ðer/

in or at that place or location

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading That is the reason that these little adjuncts do not appear in the landscape.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the foreground stands a house; but there are no honeysuckles or Johnny-jump-ups clambering over the door; there are no Columbines or bitter-sweets, or bachelors-buttons, clinging lovingly to the eaves, and filling the air with fragrance.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

whenconjunctionUS /wen/

at the time that

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

withprepositionUS /wɪð/

in the company of; together with

From this reading |The scene opens with a landscape.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

worthyadjectiveUS /ˈwɜːr.ði/

Having or showing the qualities or abilities that merit recognition in character or magic.

From this reading But the scene is nevertheless worthy of a painter.

wouldn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The reason for this is, that it is too early in the spring for Columbines and Johnny-jump-ups, at the time when our story opens, and they wouldn't grow in that locality without irrigation, anyway.

Chapter 10 of Bill Nye and Boomerang by Bill Nye holds 11 sentences, grouped into 3 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of Bill Nye and Boomerang contain?

Chapter 10 holds 11 sentences of Bill Nye and Boomerang, unabridged, divided into 3 reading sections.

This page carries chapter 10 of Bill Nye and Boomerang by Bill Nye exactly as it stands in the source edition, without abridgement. It runs to 11 sentences, grouped into 3 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of Bill Nye and Boomerang?

Work through the 3 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 3 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Bill Nye and Boomerang

Common questions about reading Bill Nye and Boomerang by Bill Nye on this page, its source edition and its audio.

Is this the complete text of Bill Nye and Boomerang?

Yes. All 3568 sentences of Project Gutenberg eBook #51959 are kept, with a record of which sentences cover which part.

Which edition of Bill Nye and Boomerang is used?

Project Gutenberg eBook #51959, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Bill Nye and Boomerang take to read?

About 297 minutes of reading across 714 sections of 5 sentences each, at an unhurried pace.

How to read Bill Nye and Boomerang section by section

How to work through Bill Nye and Boomerang section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Bill Nye and Boomerang to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Bill Nye and Boomerang

Words and structures a reader meets early in Bill Nye and Boomerang, each tappable for pronunciation and meaning.

Meek-eyed
A word that appears in the opening chapter of Bill Nye and Boomerang; the reader can tap it to hear it and see its dictionary entry.
Other
A word that appears in the opening chapter of Bill Nye and Boomerang; the reader can tap it to hear it and see its dictionary entry.
Literary
A word that appears in the opening chapter of Bill Nye and Boomerang; the reader can tap it to hear it and see its dictionary entry.
Chicago
A word that appears in the opening chapter of Bill Nye and Boomerang; the reader can tap it to hear it and see its dictionary entry.