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Biographia Epistolaris, Volume 1
Biographia Epistolaris, Volume 1

Chapter CXXXVI · Chapter 136

Chapter 136 of Biographia Epistolaris, Volume 1 is here in full — 40 sentences across 8 reading sections, with audio for every sentence and word.

Cover illustration for Biographia Epistolaris, Volume 1
Context Illustration Reading 1/8 · 5 lines
English subtitles · tap any word to listen 1 / 5
Keswick, September 16, 1803.
My dear Wedgwood, I reached home on yesterday noon.
William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.
He has no imaginative memory; so much for his intellectuals.
His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Biographia Epistolaris, Volume 1

Chapter CXXXVI · Chapter 136

Chapter 136 of Biographia Epistolaris, Volume 1 is here in full — 40 sentences across 8 reading sections, with audio for every sentence and word.

Reading 1/8 · 5 reading units · Lines 1–5

Line 1
Keswick, September 16, 1803.
Line 2
My dear Wedgwood, I reached home on yesterday noon.
/maɪ dɪr ˈwedʒwʊd aɪ riːtʃt hoʊm ɑːn ˈjestərdeɪ nuːn/
Line 3
William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.
Line 4
He has no imaginative memory; so much for his intellectuals.
/hiː hæz noʊ ˌɪˈmædʒənətɪv ˈmem.ər.i soʊ mʌtʃ fɔːr hɪz ˌɪntəˈlektʃuːəlz/
Line 5
His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

imaginative adjective US /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading “He has no imaginative memory; so much for his intellectuals.”

intellectuals noun US /ˌɪntəˈlektʃuːəlz/

plural of “intellectual” — a person who uses the mind creatively

From this reading “He has no imaginative memory; so much for his intellectuals.”

observant adjective US /əbˈzɜːrvənt/

paying close attention especially to details

From this reading “William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.”

painter noun US /ˈpeɪntər/

an artist who paints

From this reading “William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.”

painters noun US /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading “William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.”

repulsive adjective US /riˈpʌlsɪv/

offensive to the mind

From this reading “His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.”

singularly adverb US /ˈsɪŋɡjələrli/

in a singular manner or to a singular degree

From this reading “His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.”

Wedgwood noun US /ˈwedʒwʊd/

English potter (1730-1795)

From this reading “My dear Wedgwood, I reached home on yesterday noon.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

16

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Keswick, September 16, 1803.

1803

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Keswick, September 16, 1803.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

brow-hanging

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

character-portraits

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

dearadjectiveUS /dɪr/

dearly loved

From this reading My dear Wedgwood, I reached home on yesterday noon.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He has no imaginative memory; so much for his intellectuals.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading He has no imaginative memory; so much for his intellectuals.

Hazlittnoun

English essayist and literary critic (1778-1830)

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He has no imaginative memory; so much for his intellectuals.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He has no imaginative memory; so much for his intellectuals.

homenounUS /hoʊm/

where you live at a particular time

From this reading My dear Wedgwood, I reached home on yesterday noon.

hundrednounUS /ˈhʌndrəd/

ten 10s

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading My dear Wedgwood, I reached home on yesterday noon.

imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading He has no imaginative memory; so much for his intellectuals.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

intellectualsnounUS /ˌɪntəˈlektʃuːəlz/

plural of “intellectual” — a person who uses the mind creatively

From this reading He has no imaginative memory; so much for his intellectuals.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

Keswick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Keswick, September 16, 1803.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

mannersnounUS /ˈmænərz/

social deportment

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

memorynounUS /ˈmem.ər.i/

The faculty by which the mind stores and remembers information and knowledge.

From this reading He has no imaginative memory; so much for his intellectuals.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading He has no imaginative memory; so much for his intellectuals.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

MydeterminerUS /maɪ/

belonging to the person speaking

From this reading My dear Wedgwood, I reached home on yesterday noon.

ninety-nineadjective

being one less than one hundred and nine more than ninety

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

nodeterminerUS /noʊ/

not any; not one

From this reading He has no imaginative memory; so much for his intellectuals.

noonnounUS /nuːn/

the middle of the day

From this reading My dear Wedgwood, I reached home on yesterday noon.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

observantadjectiveUS /əbˈzɜːrvənt/

paying close attention especially to details

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading My dear Wedgwood, I reached home on yesterday noon.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

paintersnounUS /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

reachedverbUS /riːtʃt/

past form of “reach” — reach a destination, either real or abstract

From this reading My dear Wedgwood, I reached home on yesterday noon.

repulsiveadjectiveUS /riˈpʌlsɪv/

offensive to the mind

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

SeptembernounUS /sepˈtembər/

the month following August and preceding October

From this reading Keswick, September 16, 1803.

shoe-contemplating

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

singularlyadverbUS /ˈsɪŋɡjələrli/

in a singular manner or to a singular degree

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading He has no imaginative memory; so much for his intellectuals.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading His manners are to ninety-nine in one hundred singularly repulsive; brow-hanging; shoe-contemplating--strange.

WedgwoodnounUS /ˈwedʒwʊd/

English potter (1730-1795)

From this reading My dear Wedgwood, I reached home on yesterday noon.

William

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading William Hazlitt, is a thinking, observant, original man; of great power as a painter of character-portraits, and far more in the manner of the old painters than any living artist, but the objects must be before him.

yesterdaynounUS /ˈjestərdeɪ/

the day immediately before today

From this reading My dear Wedgwood, I reached home on yesterday noon.

Chapter 136 of Biographia Epistolaris, Volume 1 by Samuel Taylor Coleridge holds 40 sentences, grouped into 8 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 136 of Biographia Epistolaris, Volume 1 contain?

Chapter 136 holds 40 sentences of Biographia Epistolaris, Volume 1, unabridged, divided into 8 reading sections.

This page carries chapter 136 of Biographia Epistolaris, Volume 1 by Samuel Taylor Coleridge exactly as it stands in the source edition, without abridgement. It runs to 40 sentences, grouped into 8 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 136 of Biographia Epistolaris, Volume 1?

Work through the 8 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 8 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 136 be read aloud to me?

Yes — every sentence and every individual word in chapter 136 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading Biographia Epistolaris, Volume 1 by Samuel Taylor Coleridge on this page, its source edition and its audio.

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Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Biographia Epistolaris, Volume 1

Words and structures a reader meets early in Biographia Epistolaris, Volume 1, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Biographia Epistolaris, Volume 1, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
One of the 0 chapters of Biographia Epistolaris, Volume 1, divided into 5-sentence reading sections.