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Bohemians of the Latin Quarter
Bohemians of the Latin Quarter

Chapter XVI · Chapter 16

Chapter 16 of Bohemians of the Latin Quarter is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

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The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.
In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.
Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.
He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.
Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Bohemians of the Latin Quarter

Chapter XVI · Chapter 16

Chapter 16 of Bohemians of the Latin Quarter is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/34 · 5 reading units · Lines 1–5

Line 1
The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.
Line 2
In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.
/ɪn fækt baɪ dɪnt ʌv ˈɡoʊɪŋ ənd rɪˈtɜːrnɪŋ soʊ ˈmeni taɪmz frʌm ðə ˈɑːrtəsts ˈstʌdi tuː ðə ˌeksəˈbɪʃən ənd frʌm ðə ˌeksəˈbɪʃən tuː ðə ˈstʌdi ðə ˈpɪktʃər nuː ðə roʊd tuː ðə ˈluːvrə wel ɪˈnʌf tuː hæv ɡɔːn ˈðɪθɜːr ʌv ˌɪtˈself ɪf ɪt hæd bɪn pʊt ɑːn wiːlz/
Line 3
Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.
/mɑːrˈsel huː hæd riˈpeɪntɪd ðə ˈkænvəs ten taɪmz ˈoʊvər frʌm tɑːp tuː ˈbɑːtəm əˈtrɪbjətɪd tuː ˈpɜːrsɪnəl hɑːˈstɪləti ɑːn ðə pɑːrt ʌv ðə ˈdʒʊri ðə ˈɔːstrəsɪzəm wɪtʃ ˈænjuːəli riˈpʌlst hɪm frʌm ðə lɑːrdʒ səˈluːn ˌnevərðəˈles hiː wɑːz nɑːt ˈtoʊtəli dɪˈskɜːrədʒd baɪ ðə ˈɑːbstənət rɪˈdʒekʃən wɪtʃ ˈɡriːtəd hɪm æt ˈevəri ˌeksəˈbɪʃən/
Line 4
He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.
Line 5
Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.
/əˈkɔːrdɪŋli ˈevəri jɪr æt ðə ˈepək ʌv ðə ˌeksəˈbɪʃən mɑːrˈsel sent hɪz ɡreɪt wɜːrk tuː ðə ˈdʒʊri ʌv ɪɡˈzæmɪnərz ˈoʊnli tuː dɪˈsiːv ðem hiː wʊd tʃeɪndʒ sʌm dɪˈteɪlz ʌv hɪz ˈpɪktʃər ənd ðə ˈtaɪtəl ʌv ɪt wɪˈθaʊt dɪˈstɜːrbɪŋ ðə ˈdʒenərəl ˌkɑːmpəˈzɪʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

annually adverb US /ˈænjuːəli/

without missing a year

From this reading “Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.”

artist's noun US /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading “In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.”

examiners noun US /ɪɡˈzæmɪnərz/

plural of “examiner” — someone who administers a test to determine your qualifications

From this reading “Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.”

Marcel noun US /mɑːrˈsel/

a hairdo characterized by deep regular waves that are made by a heated curling iron

From this reading “The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.”

ostracism noun US /ˈɔːstrəsɪzəm/

the state of being banished or ostracized (excluded from society by general consent)

From this reading “Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.”

pendant noun US /ˈpendənt/

an adornment that hangs from a piece of jewelry (necklace or earring)

From this reading “He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.”

repainted verb US /riˈpeɪntɪd/

past form of “repaint” — paint again

From this reading “Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.”

tarnish verb US /ˈtɑːrnɪʃ/

make dirty or spotty, as by exposure to air; also used metaphorically

From this reading “He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.”

All words in this reading · 125

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

AccordinglyadverbUS /əˈkɔːrdɪŋli/

(sentence connectors) because of the reason given

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

annuallyadverbUS /ˈænjuːəli/

without missing a year

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

artist'snounUS /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

astonishingadjectiveUS /əˈstɑːnɪʃɪŋ/

surprising greatly

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

atprepositionUS /æt/

in or near a particular place or position

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

attributedverbUS /əˈtrɪbjətɪd/

past form of “attribute” — attribute or credit to

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

bottomnounUS /ˈbɑːtəm/

the lower side of anything

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

brilliancynoun

a quality that outshines the usual

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

Cana

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

canvasnounUS /ˈkænvəs/

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

centuriesnounUS /ˈsentʃəriz/

plural of “century” — a period of 100 years

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

colornounUS /ˈkʌlər/

a visual attribute of things that results from the light they emit or transmit or reflect

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

comfortablyadverbUS /ˈkʌmfərtəbli/

in mental comfort; without stress

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

deceiveverbUS /dɪˈsiːv/

be false to; be dishonest with

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

detailsnounUS /dɪˈteɪlz/

true confidential information

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

dintnounUS /dɪnt/

interchangeable with “means” in the expression “by means of”

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

discouragedadjectiveUS /dɪˈskɜːrədʒd/

made less hopeful or enthusiastic

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

disturbingadjectiveUS /dɪˈstɜːrbɪŋ/

causing distress or worry or anxiety

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

dustverbUS /dʌst/

remove the dust from

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

epochnounUS /ˈepək/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

establishedadjectiveUS /ɪˈstæblɪʃt/

brought about or set up or accepted; especially long established

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

examinersnounUS /ɪɡˈzæmɪnərz/

plural of “examiner” — someone who administers a test to determine your qualifications

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

ExhibitionnounUS /ˌeksəˈbɪʃən/

the act of exhibiting

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

giganticadjectiveUS /dʒaɪˈɡæntɪk/

so exceedingly large or extensive as to suggest a giant or mammoth

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

greetedverbUS /ˈɡriːtəd/

past form of “greet” — express greetings upon meeting someone

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

hostilitynounUS /hɑːˈstɪləti/

a hostile (very unfriendly) disposition

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

jurynounUS /ˈdʒʊri/

a body of citizens sworn to give a true verdict according to the evidence presented in a court of law

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

LouvrenounUS /ˈluːvrə/

an art museum that is a famous tourist attraction in Paris

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

MarcelnounUS /mɑːrˈsel/

a hairdo characterized by deep regular waves that are made by a heated curling iron

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

MarriagenounUS /ˈmerɪdʒ/

the state of being a married couple voluntarily joined for life (or until divorce)

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

masterpiecenounUS /ˈmæstərpiːs/

the most outstanding work of a creative artist or craftsman

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

neverthelessadverbUS /ˌnevərðəˈles/

in spite of what has just been said

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

obstinateadjectiveUS /ˈɑːbstənət/

tenaciously unwilling or marked by tenacious unwillingness to yield

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

obstinatelyadverb

in a stubborn unregenerate manner

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

ostracismnounUS /ˈɔːstrəsɪzəm/

the state of being banished or ostracized (excluded from society by general consent)

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

PassagenounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

pendantnounUS /ˈpendənt/

an adornment that hangs from a piece of jewelry (necklace or earring)

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

personaladjectiveUS /ˈpɜːrsɪnəl/

concerning or affecting a particular person or his or her private life and personality

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

persuasionnounUS /pərˈsweɪʒən/

the act of persuading (or attempting to persuade); communication intended to induce belief or action

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

RednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

refusedverbUS /rəˈfjuːzd/

past form of “refuse” — show unwillingness towards

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

rejectionnounUS /rɪˈdʒekʃən/

the act of rejecting something

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

repaintedverbUS /riˈpeɪntɪd/

past form of “repaint” — paint again

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

representedadjectiveUS /ˌreprɪˈzentɪd/

represented accurately or precisely

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

repulsedverbUS /riˈpʌlst/

past form of “repulse” — force or drive back

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

requiredadjectiveUS /riˈkwaɪərd/

necessary for relief or supply

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

returningadjectiveUS /rɪˈtɜːrnɪŋ/

tending to return to an earlier state

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

roadnounUS /roʊd/

an open way (generally public) for travel or transportation

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

saloonnounUS /səˈluːn/

a room or establishment where alcoholic drinks are served over a counter

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

scalenounUS /skeɪl/

an ordered reference standard

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

SeanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

sixnounUS /sɪks/

the cardinal number that is the sum of five and one

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

smalleradjectiveUS /ˈsmɔːlər/

small or little relative to something else

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

tarnishverbUS /ˈtɑːrnɪʃ/

make dirty or spotty, as by exposure to air; also used metaphorically

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

tennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

thitheradverbUS /ˈðɪθɜːr/

an old word meaning “to that place”

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

titlenounUS /ˈtaɪtəl/

a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

topnounUS /tɑːp/

the upper part of anything

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

totallyadverbUS /ˈtoʊtəli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

wheelsnounUS /wiːlz/

plural of “wheel” — a simple machine consisting of a circular frame with spokes (or a solid disc) that can rotate on a shaft or axle (as in vehicles or other machines)

From this reading In fact, by dint of going and returning so many times from the artist's study to the Exhibition, and from the Exhibition to the study, the picture knew the road to the Louvre well enough to have gone thither of itself, if it had been put on wheels.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

whopronounUS /huː/

which person or people

From this reading Marcel, who had repainted the canvas ten times over, from top to bottom, attributed to personal hostility on the part of the jury the ostracism which annually repulsed him from the large saloon; nevertheless he was not totally discouraged by the obstinate rejection which greeted him at every Exhibition.

whosedeterminerUS /huːz/

belonging to which person

From this reading He was comfortably established in the persuasion that his picture was, on a somewhat smaller scale, the pendant required by "The Marriage of Cana," that gigantic masterpiece whose astonishing brilliancy the dust of three centuries has not been able to tarnish.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading Accordingly, every year at the epoch of the Exhibition, Marcel sent his great work to the jury of examiners; only, to deceive them, he would change some details of his picture, and the title of it, without disturbing the general composition.

yearsnounUS /jɪrz/

a late time of life

From this reading The Passage of the Red Sea For five or six years Marcel had worked at the famous painting which (he said) represented the Passage of the Red Sea; and for five or six years, this masterpiece of color had been obstinately refused by the jury.

Chapter 16 of Bohemians of the Latin Quarter by Henri Murger holds 174 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of Bohemians of the Latin Quarter contain?

Chapter 16 holds 174 sentences of Bohemians of the Latin Quarter, unabridged, divided into 35 reading sections.

This page carries chapter 16 of Bohemians of the Latin Quarter by Henri Murger exactly as it stands in the source edition, without abridgement. It runs to 174 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Vocabulary met early in Bohemians of the Latin Quarter

Words and structures a reader meets early in Bohemians of the Latin Quarter, each tappable for pronunciation and meaning.

Morning--it
A word that appears in the opening chapter of Bohemians of the Latin Quarter; the reader can tap it to hear it and see its dictionary entry.
Eighth
A word that appears in the opening chapter of Bohemians of the Latin Quarter; the reader can tap it to hear it and see its dictionary entry.
April--alexander
A word that appears in the opening chapter of Bohemians of the Latin Quarter; the reader can tap it to hear it and see its dictionary entry.
Schaunard
A word that appears in the opening chapter of Bohemians of the Latin Quarter; the reader can tap it to hear it and see its dictionary entry.