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Books and Bookmen
Books and Bookmen

Chapter VIII · Chapter 8

Chapter 8 of Books and Bookmen is here in full — 147 sentences across 30 reading sections, with audio for every sentence and word.

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This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.
The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.
An excellent example is the title-page of Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.
There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.
[Picture: Les demandes tamours auec les refpôfesioyeufes.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Books and Bookmen

Chapter VIII · Chapter 8

Chapter 8 of Books and Bookmen is here in full — 147 sentences across 30 reading sections, with audio for every sentence and word.

Reading 1/29 · 5 reading units · Lines 1–5

Line 1
This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.
Line 2
The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.
Line 3
An excellent example is the title-page ofLes Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.
Line 4
There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.
Line 5
[Picture: Les demandes tamours auec les refpôfesioyeufes.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Amor noun US /ˈæmər/

(Roman mythology) god of love; counterpart of Greek Eros

From this reading “There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.”

illustrative adjective US /ˌɪˈlʌstrətɪv/

clarifying by use of examples

From this reading “This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.”

insertion noun US /ˌɪnˈsɜːrʃən/

a message (spoken or written) that is introduced or inserted

From this reading “This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.”

Moderne adjective US /moʊˈdern/

of or relating to a popularization of art deco that used bright colors and rectangular shapes

From this reading “An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.”

printer's noun US /ˈprɪntərz/

possessive form of “printer” — someone whose occupation is printing

Renaissance noun US /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading “The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.”

responses noun US /rɪˈspɑːnsɪz/

plural of “response” — a result

From this reading “An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.”

trademark noun US /ˈtreɪdmɑːrk/

a distinctive characteristic or attribute

From this reading “This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1510

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

1540

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

afterwardsadverbUS /ˈæftərwərdz/

happening at a time subsequent to a reference time

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

AmornounUS /ˈæmər/

(Roman mythology) god of love; counterpart of Greek Eros

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

atprepositionUS /æt/

in or near a particular place or position

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

auec

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [Picture: Les demandes tamours auec les refpôfesioyeufes.

avec

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

black-letter

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

booksnounUS /bʊks/

Bound written or printed works.

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

breadthnounUS /bredθ/

the capacity to understand a broad range of topics

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

byprepositionUS /baɪ/

showing who or what does the action

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

classicaladjectiveUS /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

d'amours

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

DantenounUS /ˈdɑːnteɪ/

an Italian poet famous for writing the Divine Comedy that describes a journey through Hell and purgatory and paradise guided by Virgil and his idealized Beatrice (1265-1321)

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

decaynounUS /dɪˈkeɪ/

the process of gradually becoming inferior

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

Demandes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

excellentadjectiveUS /ˈeksələnt/

very good; of the highest quality

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

extremeadjectiveUS /ekˈstriːm/

of the greatest possible degree or extent or intensity

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

hoodnounUS /hʊd/

an aggressive and violent young criminal

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

illustrativeadjectiveUS /ˌɪˈlʌstrətɪv/

clarifying by use of examples

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

insertionnounUS /ˌɪnˈsɜːrʃən/

a message (spoken or written) that is introduced or inserted

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

Jacques

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

joyeuses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

joyousnessnoun

the emotion of great happiness

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

LesnounUS /les/

plural of “le” — a chronic inflammatory collagen disease affecting connective tissue (skin or joints)

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

LyonnounUS /ˈlaɪən/

a city in east-central France on the Rhone River; a principal producer of silk and rayon

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

ModerneadjectiveUS /moʊˈdern/

of or relating to a popularization of art deco that used bright colors and rectangular shapes

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

occasionallyadverbUS /əˈkeɪʒənəli/

sporadically and infrequently

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

PagannounUS /ˈpeɪɡən/

a person who does not acknowledge your god

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

PicturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading [Picture: Les demandes tamours auec les refpôfesioyeufes.

portraitsnounUS /ˈpɔːrtrəts/

plural of “portrait” — a word picture of a person's appearance and character

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

printer'snounUS /ˈprɪntərz/

possessive form of “printer” — someone whose occupation is printing

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

refpôfesioyeufes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [Picture: Les demandes tamours auec les refpôfesioyeufes.

RenaissancenounUS /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

resemblesverbUS /rɪˈzembəlz/

third-person singular of “resemble” — appear like; be similar or bear a likeness to

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

responsesnounUS /rɪˈspɑːnsɪz/

plural of “response” — a result

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

roughadjectiveUS /rʌf/

having or caused by an irregular surface

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

rudeadjectiveUS /ruːd/

socially incorrect in behavior

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

sayverbUS /seɪ/

express in words

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

simplicitynounUS /sɪmˈplɪsəti/

the quality of being simple or uncompounded

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

survivingadjectiveUS /sərˈvaɪvɪŋ/

still in existence

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

tamours

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [Picture: Les demandes tamours auec les refpôfesioyeufes.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

title-page

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An excellent example is the title-page of ‘Les Demandes d’amours, avec les responses joyeuses,’ published by Jacques Moderne, at Lyon, 1540.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

trademarknounUS /ˈtreɪdmɑːrk/

a distinctive characteristic or attribute

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

traditionaladjectiveUS /trəˈdɪʃənəl/

consisting of or derived from tradition

From this reading There is a certain Pagan breadth and joyousness in the figure of Amor, and the man in the hood resembles traditional portraits of Dante.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

withprepositionUS /wɪð/

in the company of; together with

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

woodcutnoun

a print made from a woodcut

From this reading This early simplicity is succeeded, in French books, from, say, 1510, and afterwards, by the insertion either of the printer’s trademark, or, in black-letter books, of a rough woodcut, illustrative of the nature of the volume.

woodcuts

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The woodcuts have occasionally a rude kind of grace, with a touch of the classical taste of the early Renaissance surviving in extreme decay.

Chapter 8 of Books and Bookmen by Andrew Lang holds 147 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of Books and Bookmen contain?

Chapter 8 holds 147 sentences of Books and Bookmen, unabridged, divided into 30 reading sections.

This page carries chapter 8 of Books and Bookmen by Andrew Lang exactly as it stands in the public-domain source edition, without abridgement. It runs to 147 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of Books and Bookmen?

Work through the 30 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 30 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Is this the complete text of Books and Bookmen?

Yes. All 1515 sentences of Project Gutenberg eBook #1961 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #1961, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

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About 126 minutes of reading across 303 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Books and Bookmen

Words and structures a reader meets early in Books and Bookmen, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Books and Bookmen; the reader can tap it to hear it and see its dictionary entry.
Longmans
A word that appears in the opening chapter of Books and Bookmen; the reader can tap it to hear it and see its dictionary entry.
Green
A word that appears in the opening chapter of Books and Bookmen; the reader can tap it to hear it and see its dictionary entry.
Viscountess
A word that appears in the opening chapter of Books and Bookmen; the reader can tap it to hear it and see its dictionary entry.