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Books and Characters, French & English
Books and Characters, French & English

Chapter I · Chapter 1

Chapter 1 of Books and Characters, French & English is here in full — 425 sentences across 85 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/85 · 5 lines
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When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
Would Racine find a place in the picture at all?
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Books and Characters, French & English

Chapter I · Chapter 1

Chapter 1 of Books and Characters, French & English is here in full — 425 sentences across 85 reading sections, with audio for every sentence and word.

Reading 1/85 · 5 reading units · Lines 1–5

Line 1
When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
Line 2
After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
Line 3
French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
Line 4
But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
Line 5
Would Racine find a place in the picture at all?
/wʊd rəˈsiːn faɪnd ə pleɪs ɪn ðə ˈpɪktʃər æt ɔːl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Apotheosis noun US /əˌpɑːθiˈoʊsəs/

model of excellence or perfection of a kind; one having no equal

From this reading “When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.”

grouped adjective US /ɡruːpt/

arranged into groups

From this reading “When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.”

Lear noun US /lɪr/

British artist and writer of nonsense verse (1812-1888)

Louvre noun US /ˈluːvrə/

an art museum that is a famous tourist attraction in Paris

From this reading “After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.”

persuasion noun US /pərˈsweɪʒən/

the act of persuading (or attempting to persuade); communication intended to induce belief or action

From this reading “After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.”

Racine noun US /rəˈsiːn/

French advocate of Jansenism; tragedian who based his works on Greek and Roman themes (1639-1699)

From this reading “Would Racine find a place in the picture at all?”

relented verb US /rɪˈlentɪd/

past form of “relent” — give in, as to influence or pressure

From this reading “After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.”

truncated adjective US /ˈtrʌŋkeɪtɪd/

cut short in duration

From this reading “After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.”

All words in this reading · 112

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

acknowledgedadjectiveUS /ækˈnɑːlɪdʒd/

recognized or made known or admitted

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

advancedadjectiveUS /ədˈvænst/

farther along in physical or mental development

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

amusementnounUS /əˈmjuːzmənt/

a feeling of delight at being entertained

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

ApotheosisnounUS /əˌpɑːθiˈoʊsəs/

model of excellence or perfection of a kind; one having no equal

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

appearingnounUS /əˈpɪrɪŋ/

formal attendance (in court or at a hearing) of a party in an action

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

atprepositionUS /æt/

in or near a particular place or position

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

canvasnounUS /ˈkænvəs/

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

centraladjectiveUS /ˈsentrəl/

serving as an essential component

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

chieflyadverbUS /ˈtʃiːfli/

for the most part

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

chooseverbUS /tʃuːz/

pick out, select, or choose from a number of alternatives

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

daysnounUS /deɪz/

the time during which someone's life continues

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

disgustverbUS /dɪsˈɡʌst/

fill with distaste

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

dutynounUS /ˈduːti/

the social force that binds you to the courses of action demanded by that force

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

edgenounUS /edʒ/

the boundary of a surface

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

enormousadjectiveUS /ɪˈnɔːrməs/

extraordinarily large in size or extent or amount or power or degree

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

exceptionnounUS /ɪkˈsepʃən/

a deliberate act of omission

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

extremeadjectiveUS /ekˈstriːm/

of the greatest possible degree or extent or intensity

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading Would Racine find a place in the picture at all?

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

groupedadjectiveUS /ɡruːpt/

arranged into groups

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

HomernounUS /ˈhoʊmər/

a base hit on which the batter scores a run

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Would Racine find a place in the picture at all?

Ingresnoun

French classical painter (1780-1867)

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

introduceverbUS /ˌɪntrəˈduːs/

cause to come to know personally

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

justadverbUS /dʒʌst/

and nothing more

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

LearnounUS /lɪr/

British artist and writer of nonsense verse (1812-1888)

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

LouvrenounUS /ˈluːvrə/

an art museum that is a famous tourist attraction in Paris

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

mostadverbUS /moʊst/

used to form the superlative

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

offensiveadjectiveUS /əˈfensɪv/

violating or tending to violate or offend against

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

perhapsadverbUS /pərˈhæps/

by chance

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

personagenoun

another word for person; a person not meriting identification

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

persuasionnounUS /pərˈsweɪʒən/

the act of persuading (or attempting to persuade); communication intended to induce belief or action

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Would Racine find a place in the picture at all?

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

RacinenounUS /rəˈsiːn/

French advocate of Jansenism; tragedian who based his works on Greek and Roman themes (1639-1699)

From this reading Would Racine find a place in the picture at all?

ratheradverbUS /ˈræðər/

on the contrary

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

relentedverbUS /rɪˈlentɪd/

past form of “relent” — give in, as to influence or pressure

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

representativenounUS /ˌreprəˈzentətɪv/

a person who represents others

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

representedadjectiveUS /ˌreprɪˈzentɪd/

represented accurately or precisely

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

sensenounUS /sens/

a general conscious awareness

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

similaradjectiveUS /ˈsɪmələr/

marked by correspondence or resemblance

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

singleadjectiveUS /ˈsɪŋɡəl/

being or characteristic of a single thing or person

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

standsnounUS /stændz/

plural of “stand” — a support or foundation

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

stepsnounUS /steps/

a flight of stairs or a flight of steps

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

thronenounUS /θroʊn/

the chair of state for a monarch, bishop, etc.

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

treatverbUS /triːt/

interact in a certain way

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

truncatedadjectiveUS /ˈtrʌŋkeɪtɪd/

cut short in duration

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

visitorsnounUS /ˈvɪzɪtərz/

plural of “visitor” — someone who visits

From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

WhenconjunctionUS /wen/

at the time that

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

whopronounUS /huː/

which person or people

From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?

withprepositionUS /wɪð/

in the company of; together with

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

worldsnounUS /wɜːrldz/

plural of “world” — everything that exists anywhere

From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.

Chapter 1 of Books and Characters, French & English by Lytton Strachey holds 425 sentences, grouped into 85 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Books and Characters, French & English contain?

Chapter 1 holds 425 sentences of Books and Characters, French & English, unabridged, divided into 85 reading sections.

This page carries chapter 1 of Books and Characters, French & English by Lytton Strachey exactly as it stands in the source edition, without abridgement. It runs to 425 sentences, grouped into 85 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Books and Characters, French & English?

Work through the 85 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 85 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

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Yes. All 2926 sentences of Project Gutenberg eBook #12478 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #12478, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 243 minutes of reading across 586 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Books and Characters, French & English

Words and structures a reader meets early in Books and Characters, French & English, each tappable for pronunciation and meaning.

Ingres
A word that appears in the opening chapter of Books and Characters, French & English; the reader can tap it to hear it and see its dictionary entry.
Painted
A word that appears in the opening chapter of Books and Characters, French & English; the reader can tap it to hear it and see its dictionary entry.
Apotheosis
A word that appears in the opening chapter of Books and Characters, French & English; the reader can tap it to hear it and see its dictionary entry.
Homer
A word that appears in the opening chapter of Books and Characters, French & English; the reader can tap it to hear it and see its dictionary entry.