used before a singular noun to mean one of a group, when it is not a particular one
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
acknowledgedadjectiveUS /ækˈnɑːlɪdʒd/
recognized or made known or admitted
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
farther along in physical or mental development
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
AfterprepositionUS /ˈæftər/
later than; following
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
a feeling of delight at being entertained
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
the form of “a” used before a word that begins with a vowel sound
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
Belonging to the very distant past and no longer in existence or deeply revered.
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
used to join words or parts of a sentence that go together
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
ApotheosisnounUS /əˌpɑːθiˈoʊsəs/
model of excellence or perfection of a kind; one having no equal
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
appearingnounUS /əˈpɪrɪŋ/
formal attendance (in court or at a hearing) of a party in an action
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
at the same time that; because; in the way that
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
in or near a particular place or position
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
writes (books or stories or articles or the like) professionally (for pay)
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
used to introduce something that contrasts with what came before
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
to be able to, or to be allowed to
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
canvasnounUS /ˈkænvəs/
a heavy, closely woven fabric (used for clothing or chairs or sails or tents)
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
centraladjectiveUS /ˈsentrəl/
serving as an essential component
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
made or become different in nature or form
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
characteristicnounUS /ˌkerəktərˈɪstɪk/
a prominent attribute or aspect of something
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
for the most part
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
pick out, select, or choose from a number of alternatives
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
the time during which someone's life continues
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
disgustverbUS /dɪsˈɡʌst/
fill with distaste
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
without doubt; certainly
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
the social force that binds you to the courses of action demanded by that force
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
the boundary of a surface
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
extraordinarily large in size or extent or amount or power or degree
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
exceptionnounUS /ɪkˈsepʃən/
a deliberate act of omission
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
of the greatest possible degree or extent or intensity
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
to a considerable degree; very much
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
come upon, as if by accident; meet with
From this reading Would Racine find a place in the picture at all?
a republic in western Europe; the largest country wholly in Europe
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
the Romance language spoken in France and in countries colonized by France
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
showing where something starts, or who sent it
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
relatively large in size or number or extent; larger than others of its kind
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
groupedadjectiveUS /ɡruːpt/
arranged into groups
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
consisting of one of two equivalent parts in value or quantity
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
a man, boy, or male animal already mentioned, as the subject
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
belonging to a man, boy, or male animal already mentioned
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
HomernounUS /ˈhoʊmər/
a base hit on which the batter scores a run
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
a specific instance of feeling hopeful
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
how
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
on condition that; in the event that
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
an iconic mental representation
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
inside something, or within a place, period, or state
From this reading Would Racine find a place in the picture at all?
Ingresnoun
French classical painter (1780-1867)
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
introduceverbUS /ˌɪntrəˈduːs/
cause to come to know personally
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
and nothing more
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
a male sovereign; ruler of a kingdom
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
LearnounUS /lɪr/
British artist and writer of nonsense verse (1812-1888)
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
used to form the comparative of some adjectives and adverbs
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
letauxiliary verbUS /let/
used to make a suggestion or a command including the speaker
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
creative writing of recognized artistic value
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
LouvrenounUS /ˈluːvrə/
an art museum that is a famous tourist attraction in Paris
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
an artist of consummate skill
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
belonging to the modern era; since the Middle Ages
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
used to form the superlative
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
in the historical present; at this point in the narration of a series of past events
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
belonging to, or connected with, somebody or something
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
offensiveadjectiveUS /əˈfensɪv/
violating or tending to violate or offend against
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
used to join alternatives or possibilities
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
coated with paint
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
painternounUS /ˈpeɪntər/
an artist who paints
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
something determined in relation to something that includes it
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
by chance
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
personagenoun
another word for person; a person not meriting identification
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
persuasionnounUS /pərˈsweɪʒən/
the act of persuading (or attempting to persuade); communication intended to induce belief or action
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
a visual representation (of an object or scene or person or abstraction) produced on a surface
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
a point located with respect to surface features of some region
From this reading Would Racine find a place in the picture at all?
poetsnounUS /ˈpoʊəts/
plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
RacinenounUS /rəˈsiːn/
French advocate of Jansenism; tragedian who based his works on Greek and Roman themes (1639-1699)
From this reading Would Racine find a place in the picture at all?
on the contrary
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
relentedverbUS /rɪˈlentɪd/
past form of “relent” — give in, as to influence or pressure
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
representativenounUS /ˌreprəˈzentətɪv/
a person who represents others
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
represented accurately or precisely
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
a charge of ammunition for a single shot
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
perceive by sight or have the power to perceive by sight
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
a general conscious awareness
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
ShakespearenounUS /ˈʃeɪkspiːr/
English poet and dramatist considered one of the greatest English writers (1564-1616)
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
marked by correspondence or resemblance
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
sinceprepositionUS /sɪns/
from a time in the past until now
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
being or characteristic of a single thing or person
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
for that reason; with the result that
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
plural of “stand” — a support or foundation
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
a flight of stairs or a flight of steps
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
the subject matter of a conversation or discussion
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
To perceive flavor through the mouth.
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
used to introduce the second part of a comparison
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
used to introduce what somebody said, thought, or felt
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
belonging to the people or things already mentioned
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
in spite of the fact that
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
the chair of state for a monarch, bishop, etc.
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
used before the base form of a verb to make the infinitive
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
interact in a certain way
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
truncatedadjectiveUS /ˈtrʌŋkeɪtɪd/
cut short in duration
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
the speaker and others, as the object of a verb or preposition
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
unusually great in size or amount or degree or especially extent or scope
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
precisely as stated
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.
plural of “visitor” — someone who visits
From this reading After some persuasion, he relented so far as to introduce into his picture a _part_ of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their amusement, the truncated image of rather less than half of the author of _King Lear_ just appearing at the extreme edge of the enormous canvas.
wereauxiliary verbUS /wɜːr/
the past form of “be” used with you, we, they, or a plural noun
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
at the time that
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
which person or people
From this reading But if an English painter were to choose a similar subject, how would he treat the master who stands acknowledged as the most characteristic representative of the literature of France?
in the company of; together with
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
worldsnounUS /wɜːrldz/
plural of “world” — everything that exists anywhere
From this reading When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception--Shakespeare.
used for something imagined, polite, or habitual in the past
From this reading French taste, let us hope, has changed since the days of Ingres; Shakespeare would doubtless now be advanced--though perhaps chiefly from a sense of duty--to the very steps of the central throne.