Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Bouvard and Pécuchet — Part 2
Bouvard and Pécuchet — Part 2

Chapter VII

Chapter 7 of Bouvard and Pécuchet — Part 2 is here in full — 410 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for Bouvard and Pécuchet — Part 2
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.
If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!
His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."
Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.
When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Bouvard and Pécuchet — Part 2

Chapter VII

Chapter 7 of Bouvard and Pécuchet — Part 2 is here in full — 410 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.
/ə truː ˈɑːrtəst fɔːr hɪm ˈnevər kʊd biː ˈwɪkəd fɔːr æn ˈɑːrtəst ɪz bɪˈfɔːr ɔːl æn əbˈzɜːrvər ðə fɜːrst ˈkwɑːləti fɔːr æn əbˈzɜːrvər ɪz tuː pəˈzes ɡʊd aɪz/
Line 2
If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!
/ɪf ðeɪ ɑːr blɜːrd wɪð ˈpæʃən ɔːr ˈpɜːrsɪnəl ˈɪntrəst θɪŋz ɪˈskeɪp ðem ə ɡʊd hɑːrt meɪks ə ɡʊd maɪnd/
Line 3
His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."
Line 4
Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.
Line 5
When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.
/wen hiː met ə ˈpɜːrsən ʌv ðɪs kaɪnd ðer wɑːz æn ɪkˈsploʊʒən ʌv skɔːrn wɪtʃ ʃoʊd ˌɪtˈself pərˈhæps θruː ˈkʌtɪŋ ˈænsərz hiː wʊd priˈtend ðæt hiː hæd noʊ ˌɪmædʒəˈneɪʃən ˈnevər ˈfænsid ˈeniθɪŋ nɔːr nuː ˈeniθɪŋ ɔːr θruː ə ˈsaɪ.ləns stɪl mɔːr ˈhɔːti/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

believes verb US /bɪˈliːvz/

third-person singular of “believe” — accept as true; take to be true

From this reading “Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.”

blurred adjective US /blɜːrd/

indistinct or hazy in outline

From this reading “If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!”

critic noun US /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading “Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.”

explosion noun US /ɪkˈsploʊʒən/

a violent release of energy caused by a chemical or nuclear reaction

From this reading “When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.”

haughty adjective US /ˈhɔːti/

having or showing arrogant superiority to and disdain of those one views as unworthy

From this reading “When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.”

judges noun US /ˈdʒʌdʒɪz/

a book of the Old Testament that tells the history of Israel under the leaders known as judges

From this reading “Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.”

observer noun US /əbˈzɜːrvər/

a person who becomes aware (of things or events) through the senses

From this reading “A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.”

Venice noun US /ˈvenəs/

the provincial capital of Veneto; built on 118 islands within a lagoon in the Gulf of Venice; has canals instead of streets; one of Italy's major ports and a famous tourist attraction

From this reading “Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

personal interest adjective + noun

In this reading “If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!”

true artist adjective + noun

In this reading “A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.”

all things adjective + noun

In this reading “Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.”

All words in this reading · 112

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

answersnounUS /ˈænsərz/

plural of “answer” — a statement (either spoken or written) that is made to reply to a question or request or criticism or accusation

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

believesverbUS /bɪˈliːvz/

third-person singular of “believe” — accept as true; take to be true

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

blurredadjectiveUS /blɜːrd/

indistinct or hazy in outline

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

candlenounUS /ˈkændəl/

stick of wax with a wick in the middle

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

cuttingnounUS /ˈkʌtɪŋ/

the activity of selecting the scenes to be shown and putting them together to create a film

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

disgustverbUS /dɪsˈɡʌst/

fill with distaste

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

disillusions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

displeasingadjective

causing displeasure or lacking pleasing qualities

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

educatedadjectiveUS /ˈedʒəkeɪtɪd/

possessing an education (especially having more than average knowledge)

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

escapenounUS /ɪˈskeɪp/

the act of escaping physically

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

everadverbUS /ˈevər/

at any time

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

explosionnounUS /ɪkˈsploʊʒən/

a violent release of energy caused by a chemical or nuclear reaction

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

eyesnounUS /aɪz/

opinion or judgment

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

fanciedadjectiveUS /ˈfænsid/

formed or conceived by the imagination

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

foundationally

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

gentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

haughtyadjectiveUS /ˈhɔːti/

having or showing arrogant superiority to and disdain of those one views as unworthy

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

imaginedverbUS /ˌɪˈmædʒənd/

past form of “imagine” — form a mental image of something that is not present or that is not the case

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

judgesnounUS /ˈdʒʌdʒɪz/

a book of the Old Testament that tells the history of Israel under the leaders known as judges

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

kindsnounUS /kaɪndz/

plural of “kind” — a category of things distinguished by some common characteristic or quality

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

lednounUS /led/

diode such that light emitted at a p-n junction is proportional to the bias current; color depends on the material used

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

mennounUS /men/

the force of workers available

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

merchantnounUS /ˈmɜːr.tʃənt/

A person or company involved in wholesale trade, especially with foreign countries.

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

metverbUS /met/

inflected form of “meet” — come together

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

moraladjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

nodeterminerUS /noʊ/

not any; not one

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

observernounUS /əbˈzɜːrvər/

a person who becomes aware (of things or events) through the senses

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

perhapsadverbUS /pərˈhæps/

by chance

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

personnounUS /ˈpɜːrsən/

a human being

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

personaladjectiveUS /ˈpɜːrsɪnəl/

concerning or affecting a particular person or his or her private life and personality

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

possessverbUS /pəˈzes/

have as an attribute, knowledge, or skill

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

preferredadjectiveUS /prəˈfɜːrd/

more desirable than another

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

pretendverbUS /priˈtend/

make believe with the intent to deceive

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

sayverbUS /seɪ/

express in words

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

scornnounUS /skɔːrn/

lack of respect accompanied by a feeling of intense dislike

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

showedverbUS /ʃoʊd/

past form of “show” — give an exhibition of to an interested audience

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

stilladjectiveUS /stɪl/

not in physical motion

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

thereadverbUS /ðer/

in or at that place or location

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

TwonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

VenicenounUS /ˈvenəs/

the provincial capital of Veneto; built on 118 islands within a lagoon in the Gulf of Venice; has canals instead of streets; one of Italy's major ports and a famous tourist attraction

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

WhenconjunctionUS /wen/

at the time that

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

whopronounUS /huː/

which person or people

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Two kinds of men were especially displeasing to him and were ever a subject for his disgust: the critic who never produced anything, but judges all things (to whom he preferred a candle merchant), and the educated gentleman who believes himself an artist, who has imagined Venice different from what it is, and has had disillusions.

wickedadjectiveUS /ˈwɪkəd/

morally bad in principle or practice

From this reading A true artist, for him, never could be wicked, for an artist is before all an observer; the first quality for an observer is to possess good eyes.

withprepositionUS /wɪð/

in the company of; together with

From this reading If they are blurred with passion, or personal interest, things escape them; a good heart makes a good mind!

worshipverbUS /ˈwɜːrʃəp/

love unquestioningly and uncritically or to excess; venerate as an idol

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading When he met a person of this kind, there was an explosion of scorn which showed itself, perhaps through cutting answers (he would pretend that he had no imagination, never fancied anything nor knew anything) or through a silence still more haughty.

æsthetic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His worship of the beautiful led him to say: "The moral is not only a part of the æsthetic, but its condition foundationally."

Chapter 7 of Bouvard and Pécuchet — Part 2 by Gustave Flaubert holds 410 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Bouvard and Pécuchet — Part 2 contain?

Chapter 7 holds 410 sentences of Bouvard and Pécuchet — Part 2, unabridged, divided into 82 reading sections.

This page carries chapter 7 of Bouvard and Pécuchet — Part 2 by Gustave Flaubert exactly as it stands in the source edition, without abridgement. It runs to 410 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Bouvard and Pécuchet — Part 2?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Bouvard and Pécuchet — Part 2

Common questions about reading Bouvard and Pécuchet — Part 2 by Gustave Flaubert on this page, its source edition and its audio.

Is this the complete text of Bouvard and Pécuchet — Part 2?

Yes. All 4492 sentences of Project Gutenberg eBook #46909 are kept, with a record of which sentences cover which part.

Which edition of Bouvard and Pécuchet — Part 2 is used?

Project Gutenberg eBook #46909, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Bouvard and Pécuchet — Part 2 take to read?

About 374 minutes of reading across 899 sections of 5 sentences each, at an unhurried pace.

How to read Bouvard and Pécuchet — Part 2 section by section

How to work through Bouvard and Pécuchet — Part 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 10 chapters of Bouvard and Pécuchet — Part 2 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Bouvard and Pécuchet — Part 2

Words and structures a reader meets early in Bouvard and Pécuchet — Part 2, each tappable for pronunciation and meaning.

Volume
A word that appears in the opening chapter of Bouvard and Pécuchet — Part 2; the reader can tap it to hear it and see its dictionary entry.
Continued
A word that appears in the opening chapter of Bouvard and Pécuchet — Part 2; the reader can tap it to hear it and see its dictionary entry.
Intimate
A word that appears in the opening chapter of Bouvard and Pécuchet — Part 2; the reader can tap it to hear it and see its dictionary entry.
Remembrances
A word that appears in the opening chapter of Bouvard and Pécuchet — Part 2; the reader can tap it to hear it and see its dictionary entry.