Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Browning's England
Browning's England

Chapter VI · Chapter 6

Chapter 6 of Browning's England is here in full — 266 sentences across 54 reading sections, with audio for every sentence and word.

Cover illustration for Browning's England
Context Illustration Reading 1/53 · 5 lines
English subtitles · tap any word to listen 1 / 5
ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.
He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.
Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.
In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.
This was after Avison's death in 1770.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Browning's England

Chapter VI · Chapter 6

Chapter 6 of Browning's England is here in full — 266 sentences across 54 reading sections, with audio for every sentence and word.

Reading 1/53 · 5 reading units · Lines 1–5

Line 1
ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.
Line 2
He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.
Line 3
Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.
Line 4
In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.
Line 5
This was after Avison's death in 1770.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

attach verb US /əˈtætʃ/

cause to be attached

From this reading “Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.”

Browning noun US /ˈbraʊnɪŋ/

United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading “ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.”

colloquy noun US /ˈkɑːləkwi/

a conversation especially a formal one

From this reading “He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.”

hits noun US /hɪts/

plural of “hit” — (baseball) a successful stroke in an athletic contest (especially in baseball)

From this reading “He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.”

musician noun US /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading “ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.”

organist noun US /ˈɔːrɡənəst/

a person who plays an organ

From this reading “Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.”

plunges noun US /ˈplʌndʒɪz/

plural of “plunge” — a brief swim in water

From this reading “ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.”

styled verb US /staɪld/

past form of “style” — designate by an identifying term

From this reading “In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1770

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This was after Avison's death in 1770.

1785

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

accountsnounUS /əˈkaʊnts/

plural of “account” — a record or narrative description of past events

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

afterprepositionUS /ˈæftər/

later than; following

From this reading This was after Avison's death in 1770.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

ARTauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

attachverbUS /əˈtætʃ/

cause to be attached

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

AVISON

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

Avison's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This was after Avison's death in 1770.

becameverbUS /bɪˈkeɪm/

inflected form of “become” — enter or assume a certain state or condition

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

BrowningnounUS /ˈbraʊnɪŋ/

United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

CathedralnounUS /kəˈθiːdrəl/

any large and important church

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

ChurchnounUS /tʃɜːrtʃ/

one of the groups of Christians who have their own beliefs and forms of worship

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

colloquynounUS /ˈkɑːləkwi/

a conversation especially a formal one

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

CRITICISMnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

deathnounUS /deθ/

the event of dying or departure from life

From this reading This was after Avison's death in 1770.

discussionnounUS /dɪˈskʌʃən/

an extended communication (often interactive) dealing with some particular topic

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

earliestadjectiveUS /ˈɜːrliəst/

(comparative and superlative of “early”) more early than; most early

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

ENGLISHnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

ephemeralnessnoun

the property of lasting for a very short time

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

hitsnounUS /hɪts/

plural of “hit” — (baseball) a successful stroke in an athletic contest (especially in baseball)

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

INSPIREDadjectiveUS /ˌɪnˈspaɪərd/

being of such surpassing excellence as to suggest inspiration by the gods

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

marchverbUS /mɑːrtʃ/

march in a procession

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

monthnounUS /mʌnθ/

one of the twelve divisions of the calendar year

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

MUSICIANnounUS /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

Newcastle-upon-Tynenoun

a port city in northeastern England on the River Tyne; a center for coal exports (giving rise to the expression “carry coals to Newcastle” meaning to do something unnecessary)

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

NicholasnounUS /ˈnɪkələs/

a bishop in Asia Minor who is associated with Santa Claus (4th century)

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

nodeterminerUS /noʊ/

not any; not one

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

organistnounUS /ˈɔːrɡənəst/

a person who plays an organ

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

Parleying

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

plungesnounUS /ˈplʌndʒɪz/

plural of “plunge” — a brief swim in water

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

problemnounUS /ˈprɑːbləm/

a state of difficulty that needs to be resolved

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

styledverbUS /staɪld/

past form of “style” — designate by an identifying term

From this reading In the earliest accounts St. Nicholas was styled simply, "The Church of Newcastle-upon-Tyne," but in 1785 it became a Cathedral.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He hits upon Avison to have his colloquy with because a march by this musician came into his head, and the march came into his head for no better reason than that it was the month of March.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

WithprepositionUS /wɪð/

in the company of; together with

From this reading ART CRITICISM INSPIRED BY THE ENGLISH MUSICIAN, AVISON In the "Parleying" "With Charles Avison," Browning plunges into a discussion of the problem of the ephemeralness of musical expression.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Some interest would attach to Avison if it were only for the reason that he was organist of the Church of St. Nicholas in Newcastle-upon-Tyne.

Chapter 6 of Browning's England by Helen A. (Helen Archibald) Clarke holds 266 sentences, grouped into 54 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of Browning's England contain?

Chapter 6 holds 266 sentences of Browning's England, unabridged, divided into 54 reading sections.

This page carries chapter 6 of Browning's England by Helen A. (Helen Archibald) Clarke exactly as it stands in the source edition, without abridgement. It runs to 266 sentences, grouped into 54 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of Browning's England?

Work through the 54 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 54 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Browning's England

Common questions about reading Browning's England by Helen A. (Helen Archibald) Clarke on this page, its source edition and its audio.

Is this the complete text of Browning's England?

Yes. All 5119 sentences of Project Gutenberg eBook #29365 are kept, with a record of which sentences cover which part.

Which edition of Browning's England is used?

Project Gutenberg eBook #29365, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Browning's England take to read?

About 426 minutes of reading across 1024 sections of 5 sentences each, at an unhurried pace.

How to read Browning's England section by section

How to work through Browning's England section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of Browning's England to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Browning's England

Words and structures a reader meets early in Browning's England, each tappable for pronunciation and meaning.

Casually
A word that appears in the opening chapter of Browning's England; the reader can tap it to hear it and see its dictionary entry.
Trying
A word that appears in the opening chapter of Browning's England; the reader can tap it to hear it and see its dictionary entry.
Recall
A word that appears in the opening chapter of Browning's England; the reader can tap it to hear it and see its dictionary entry.
England
A word that appears in the opening chapter of Browning's England; the reader can tap it to hear it and see its dictionary entry.