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Buell Hampton
Buell Hampton

Chapter XXIV · Almost a Tragedy

Chapter XXIV of Buell Hampton, “Almost a Tragedy,” is here in full — 71 sentences across 15 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/14 · 5 lines
English subtitles · tap any word to listen 1 / 5
I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”
Oh, thank you,” said Hugh, bowing at the compliment.
Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, that you are wonderfully appreciative, and, doubtless, critical.”
Indeed,” interposed Mrs. Osborn, with some surprise, well, had I known that, I would have been more careful in the selections I played.”
Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.
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Buell Hampton

Chapter XXIV · Almost a Tragedy

Chapter XXIV of Buell Hampton, “Almost a Tragedy,” is here in full — 71 sentences across 15 reading sections, with audio for every sentence and word.

Reading 1/14 · 5 reading units · Lines 1–5

Line 1
I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”
Line 2
Oh, thank you,” said Hugh, bowing at the compliment.
Line 3
Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”
Line 4
Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”
Line 5
Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

appreciative adjective US /əˈpriːʃieɪtɪv/

feeling or expressive of gratitude

From this reading ““Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.””

bowing noun US /ˈboʊɪŋ/

bending the head or body or knee as a sign of reverence or submission or shame or greeting

From this reading ““Oh, thank you,” said Hugh, bowing at the compliment.”

chord noun US /kɔːrd/

a straight line connecting two points on a curve

From this reading “Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.”

fingering noun US /ˈfɪŋɡərɪŋ/

the placement of the fingers for playing different notes (or sequences of notes) on a musical instrument

From this reading “Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.”

insists verb US /ˌɪnˈsɪsts/

third-person singular of “insist” — be emphatic or resolute and refuse to budge

From this reading ““Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.””

misjudge verb US /mɪsˈdʒʌdʒ/

judge incorrectly

From this reading “I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.””

selections noun US /səˈlekʃənz/

plural of “selection” — the act of choosing or selecting

From this reading ““Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.””

Stanton noun US /ˈstæntən/

United States suffragist and feminist; called for reform of the practices that perpetuated sexual inequality (1815-1902)

From this reading “I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

drifted into verb + particle counted as “drift into”

In this reading “Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.”

looked at verb + particle counted as “look at”

take into consideration for exemplifying purposes

In this reading ““Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.””

until finally preposition + adverb

In this reading “Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.”

went on verb + particle counted as “go on”

continue a certain state, condition, or activity

In this reading ““Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.””

some surprise adjective + noun

In this reading ““Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.””

laughing eyes adjective + noun

In this reading ““Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.””

All words in this reading · 77

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

appreciativeadjectiveUS /əˈpriːʃieɪtɪv/

feeling or expressive of gratitude

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

atprepositionUS /æt/

in or near a particular place or position

From this reading “Oh, thank you,” said Hugh, bowing at the compliment.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

bowingnounUS /ˈboʊɪŋ/

bending the head or body or knee as a sign of reverence or submission or shame or greeting

From this reading “Oh, thank you,” said Hugh, bowing at the compliment.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

CANmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

CaptainnounUS /ˈkæptən/

an officer holding a rank below a major but above a lieutenant

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

carefuladjectiveUS /ˈkerfəl/

exercising caution or showing care or attention

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

Chopin's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

chordnounUS /kɔːrd/

a straight line connecting two points on a curve

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

complimentverbUS /ˈkɑːmpləment/

say something to someone that expresses praise

From this reading “Oh, thank you,” said Hugh, bowing at the compliment.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

driftedverbUS /ˈdrɪftəd/

past form of “drift” — be in motion due to some air or water current

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

eyesnounUS /aɪz/

opinion or judgment

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

FifthnounUS /fɪfθ/

a quantity of liquor equal to one fifth of a United States gallon

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

finallyadverbUS /ˈfaɪnəli/

after an unspecified period of time or an especially long delay

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

fingeringnounUS /ˈfɪŋɡərɪŋ/

the placement of the fingers for playing different notes (or sequences of notes) on a musical instrument

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

Hugh

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Oh, thank you,” said Hugh, bowing at the compliment.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

IndeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

insistsverbUS /ˌɪnˈsɪsts/

third-person singular of “insist” — be emphatic or resolute and refuse to budge

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

instrumentnounUS /ˈɪnstrəmənt/

a device that requires skill for proper use

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

interposed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

keysnounUS /kiːz/

plural of “key” — metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

laughingadjectiveUS /ˈlæfɪŋ/

showing or feeling mirth or pleasure or happiness

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

Marie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

misjudgeverbUS /mɪsˈdʒʌdʒ/

judge incorrectly

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

Nocturnenoun

a pensive lyrical piece of music (especially for the piano)

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading “Oh, thank you,” said Hugh, bowing at the compliment.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

Osborn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

PapanounUS /ˈpɑːpʌ/

an informal term for a father; probably derived from baby talk

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

pianonounUS /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

seatedadjectiveUS /ˈsiːtɪd/

(of persons) having the torso erect and legs bent with the body supported on the buttocks

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

selectionsnounUS /səˈlekʃənz/

plural of “selection” — the act of choosing or selecting

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

softlyadverbUS /ˈsɔːftli/

with low volume

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

speakverbUS /spiːk/

express in speech

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

StantonnounUS /ˈstæntən/

United States suffragist and feminist; called for reform of the practices that perpetuated sexual inequality (1815-1902)

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

thankverbUS /θæŋk/

express gratitude or show appreciation to

From this reading “Oh, thank you,” said Hugh, bowing at the compliment.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

thereadverbUS /ðer/

in or at that place or location

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading Marie turned to the instrument, softly fingering the keys and striking a chord here and there until finally she drifted into Chopin’s Fifth Nocturne.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

withprepositionUS /wɪð/

in the company of; together with

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

wonderfullyadverbUS /ˈwʌndərfəli/

(used as an intensifier) extremely well

From this reading “Papa insists,” Marie went on, as she looked at Hugh with her laughing eyes, “that you are wonderfully appreciative, and, doubtless, critical.”

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading “Indeed,” interposed Mrs. Osborn, with some surprise, “well, had I known that, I would have been more careful in the selections I played.”

youpronounUS /juː/

the person or people being spoken to

From this reading I CAN’. speak for Captain Osborn,” said Marie, as she seated herself before the piano, “but I fear, Mrs. Osborn, that you misjudge Mr. Stanton.”

Chapter 24 of Buell Hampton by Willis George Emerson holds 71 sentences, grouped into 15 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 24 of Buell Hampton contain?

Chapter 24 holds 71 sentences of Buell Hampton, unabridged, divided into 15 reading sections.

This page carries chapter 24 of Buell Hampton by Willis George Emerson exactly as it stands in the source edition, without abridgement. It runs to 71 sentences, grouped into 15 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 24 of Buell Hampton?

Work through the 15 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 15 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 24 be read aloud to me?

Yes — every sentence and every individual word in chapter 24 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Buell Hampton

Common questions about reading Buell Hampton by Willis George Emerson on this page, its source edition and its audio.

Is this the complete text of Buell Hampton?

Yes. All 4781 sentences of Project Gutenberg eBook #52449 are kept, with a record of which sentences cover which part.

Which edition of Buell Hampton is used?

Project Gutenberg eBook #52449, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Buell Hampton take to read?

About 398 minutes of reading across 957 sections of 5 sentences each, at an unhurried pace.

How to read Buell Hampton section by section

How to work through Buell Hampton section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Buell Hampton to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Buell Hampton

Words and structures a reader meets early in Buell Hampton, each tappable for pronunciation and meaning.

Boston
A word that appears in the opening chapter of Buell Hampton; the reader can tap it to hear it and see its dictionary entry.
Chicago
A word that appears in the opening chapter of Buell Hampton; the reader can tap it to hear it and see its dictionary entry.
Forbes
A word that appears in the opening chapter of Buell Hampton; the reader can tap it to hear it and see its dictionary entry.
Company
A word that appears in the opening chapter of Buell Hampton; the reader can tap it to hear it and see its dictionary entry.