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Caught in the Net
Caught in the Net

Chapter IX · Chapter 9

Chapter 9 of Caught in the Net is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/26 · 5 lines
English subtitles · tap any word to listen 1 / 5
ROSE’S PROMOTION.
As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- How am I looking to-day, Andre?”
The young painter hastened to reassure her on this point, and she continued in joyous tones,-- No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”
Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.
Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Caught in the Net

Chapter IX · Chapter 9

Chapter 9 of Caught in the Net is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
ROSE’S PROMOTION.
/ˈroʊzɪz prəˈmoʊʃən/
Line 2
As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”
Line 3
The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”
/ðə jʌŋ ˈpeɪntər ˈheɪsənd tuː ˌriːəˈʃʊr hɜːr ɑːn ðɪs pɔɪnt ənd ʃiː kənˈtɪnjuːd ɪn ˈdʒɔɪəs toʊnz noʊ aɪ duː nɑːt wɑːnt ˈkɑːmpləments aɪ wɑːnt tuː noʊ ɪf aɪ lʊk ðə raɪt θɪŋ fɔːr ˈsɪtɪŋ fɔːr maɪ ˈpɔːrtrət/
Line 4
Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.
Line 5
Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

captivate verb US /ˈkæptɪveɪt/

attract; cause to be enamored

From this reading “Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.”

ethereal adjective US /ɪˈθɪriəl/

characterized by lightness and insubstantiality; as impalpable or intangible as air

From this reading “Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.”

fettered adjective US /ˈfetərd/

bound by chains fastened around the ankles

From this reading “Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.”

promotion noun US /prəˈmoʊʃən/

a message issued in behalf of some product or cause or idea or person or institution

From this reading “ROSE’S PROMOTION.”

reassure verb US /ˌriːəˈʃʊr/

cause to feel sure; give reassurance to

From this reading “The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.””

rose's noun US /ˈroʊzɪz/

possessive form of “rose” — any of many shrubs of the genus Rosa that bear roses

Sabine noun US /səˈbiːn/

a river in eastern Texas that flows south into the Gulf of Mexico

From this reading “As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?””

sensuous adjective US /ˈsenʃəwəs/

taking delight in beauty

From this reading “Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.”

All words in this reading · 86

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

admirationnounUS /ˌædmərˈeɪʃən/

a feeling of delighted approval and liking

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

Andre

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

captivateverbUS /ˈkæptɪveɪt/

attract; cause to be enamored

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

charmsnounUS /tʃɑːrmz/

plural of “charm” — attractiveness that interests or pleases or stimulates

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

complimentsnounUS /ˈkɑːmpləments/

(usually plural) a polite expression of desire for someone's welfare

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

earthlyadjectiveUS /ˈɜːrθli/

of or belonging to or characteristic of this earth as distinguished from heaven

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

etherealadjectiveUS /ɪˈθɪriəl/

characterized by lightness and insubstantiality; as impalpable or intangible as air

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

fetteredadjectiveUS /ˈfetərd/

bound by chains fastened around the ankles

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

fittedadjectiveUS /ˈfɪtəd/

being the right size and shape to fit as desired

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

handingverbUS /ˈhændɪŋ/

-ing form of “hand” — place into the hands or custody of

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

hastenedverbUS /ˈheɪsənd/

past form of “hasten” — act or move at high speed

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

hatnounUS /hæt/

headdress that protects the head from bad weather; has shaped crown and usually a brim

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

heavenwardadjective

directed toward heaven or the sky

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

herspronounUS /hərz/

the one or ones belonging to her

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

joyousadjectiveUS /ˈdʒɔɪəs/

full of or characterized by joy

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

Modeste

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

mostadverbUS /moʊst/

used to form the superlative

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

NodeterminerUS /noʊ/

not any; not one

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

painternounUS /ˈpeɪntər/

an artist who paints

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

portraitnounUS /ˈpɔːrtrət/

a word picture of a person's appearance and character

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

PROMOTIONnounUS /prəˈmoʊʃən/

a message issued in behalf of some product or cause or idea or person or institution

From this reading ROSE’S PROMOTION.

reassureverbUS /ˌriːəˈʃʊr/

cause to feel sure; give reassurance to

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

refinedadjectiveUS /rəˈfaɪnd/

(used of persons and their behavior) cultivated and genteel

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

releasedverbUS /riˈliːst/

past form of “release” — release, as from one's grip

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

remarkedverbUS /rɪˈmɑːrkt/

past form of “remark” — make mention of

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

rightadverbUS /raɪt/

precisely, exactly

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

ripeadjectiveUS /raɪp/

fully developed or matured and ready to be eaten or used

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

RosenounUS /roʊz/

any of many shrubs of the genus Rosa that bear roses

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

ROSE'SnounUS /ˈroʊzɪz/

possessive form of “rose” — any of many shrubs of the genus Rosa that bear roses

From this reading ROSE’S PROMOTION.

SabinenounUS /səˈbiːn/

a river in eastern Texas that flows south into the Gulf of Mexico

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

sensuousadjectiveUS /ˈsenʃəwəs/

taking delight in beauty

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

soonadverbUS /suːn/

in the near future

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

thingnounUS /θɪŋ/

a special situation

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

to-day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading As soon as Andre had released her hand, Sabine took off her hat, and, handing it to Modeste, remarked,-- “How am I looking to-day, Andre?”

trammels

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

voluptuarynoun

a person addicted to luxury and pleasures of the senses

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

whileconjunctionUS /waɪl/

during the time that

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

whosedeterminerUS /huːz/

belonging to which person

From this reading Sabine was very beautiful, but hers was a different style of beauty from that of Rose, whose ripe, sensuous charms were fitted to captivate the admiration of the voluptuary, while Sabine was of the most refined and ethereal character.

withprepositionUS /wɪð/

in the company of; together with

From this reading Rose fettered the body with earthly trammels, while Sabine drew the soul heavenward.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The young painter hastened to reassure her on this point, and she continued in joyous tones,-- “No, I do not want compliments; I want to know if I look the right thing for sitting for my portrait.”

Chapter 9 of Caught in the Net by Emile Gaboriau holds 134 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Caught in the Net contain?

Chapter 9 holds 134 sentences of Caught in the Net, unabridged, divided into 27 reading sections.

This page carries chapter 9 of Caught in the Net by Emile Gaboriau exactly as it stands in the source edition, without abridgement. It runs to 134 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Caught in the Net?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Caught in the Net

Common questions about reading Caught in the Net by Emile Gaboriau on this page, its source edition and its audio.

Is this the complete text of Caught in the Net?

Yes. All 5834 sentences of Project Gutenberg eBook #2451 are kept, with a record of which sentences cover which part.

Which edition of Caught in the Net is used?

Project Gutenberg eBook #2451, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Caught in the Net take to read?

About 486 minutes of reading across 1167 sections of 5 sentences each, at an unhurried pace.

How to read Caught in the Net section by section

How to work through Caught in the Net section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 27 chapters of Caught in the Net to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Caught in the Net

Words and structures a reader meets early in Caught in the Net, each tappable for pronunciation and meaning.

Putting
A word that appears in the opening chapter of Caught in the Net; the reader can tap it to hear it and see its dictionary entry.
Screw
A word that appears in the opening chapter of Caught in the Net; the reader can tap it to hear it and see its dictionary entry.
February
A word that appears in the opening chapter of Caught in the Net; the reader can tap it to hear it and see its dictionary entry.
Intense
A word that appears in the opening chapter of Caught in the Net; the reader can tap it to hear it and see its dictionary entry.