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Charlemont
Charlemont

Chapter XVII · Chapter 17

Chapter 17 of Charlemont is here in full — 200 sentences across 40 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/40 · 5 lines
English subtitles · tap any word to listen 1 / 5
PHILOSOPHY OP FIGHTING.
You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”
Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.
The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.
He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Charlemont

Chapter XVII · Chapter 17

Chapter 17 of Charlemont is here in full — 200 sentences across 40 reading sections, with audio for every sentence and word.

Reading 1/40 · 5 reading units · Lines 1–5

Line 1
PHILOSOPHY OP FIGHTING.
Line 2
You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”
Line 3
Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.
/sʌtʃ wɑːz ðə bɪˈɡɪnɪŋ ʌv ə ˈdaɪəlɔːɡ bɪˈtwiːn ðə ˈkʌzənz sʌm θriː deɪz ˈæftər ðə əˈfer wɪtʃ wɑːz ˈnereɪtɪd ɪn ˈaʊər læst ˈtʃæptər/
Line 4
The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.
/ðə tuː jʌŋ men wɜːr æt ðə haʊs ʌv ðə ˈspiːkər ɔːr ˈræðər æt hɪz ˈmʌðərz haʊs wer ə ˈfeɪvərɪt ənd ˈoʊnli sʌn hiː hæd ˈɔːlmoʊst səˈpriːm dəˈmɪnjən/
Line 5
He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.
/hiː wɑːz ˈpʌtɪŋ hɪz vaɪəˈlɪn ɪn tuːn ənd ðə ˈsentənsəz wɜːr ˈspoʊkən æt ˈɪntərvəlz wɪð ðə dɪˈskɔːrdənt skræps ʌv saʊnd wɪtʃ wɜːr ˌnesəˈserəli ɪˈlɪsɪtɪd baɪ ðɪs ˌʌnəˈvɔɪdəbəl ˈmjuːzɪkəl ˌɑːpərˈeɪʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dialogue noun US /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading “Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.”

discordant adjective US /dɪˈskɔːrdənt/

not in agreement or harmony

From this reading “He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.”

dominion noun US /dəˈmɪnjən/

dominance or power through legal authority

From this reading “The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.”

elicited adjective US /ɪˈlɪsɪtɪd/

called forth from a latent or potential state by stimulation

From this reading “He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.”

fighter noun US /ˈfaɪtər/

someone who fights (or is fighting)

From this reading ““You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.””

narrated verb US /ˈnereɪtɪd/

past form of “narrate” — provide commentary for a film, for example

From this reading “Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.”

scraps noun US /skræps/

food that is discarded (as from a kitchen)

From this reading “He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.”

unavoidable adjective US /ˌʌnəˈvɔɪdəbəl/

impossible to avoid or evade

From this reading “He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

affairnounUS /əˈfer/

a vaguely specified concern

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

afterprepositionUS /ˈæftər/

later than; following

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

atprepositionUS /æt/

in or near a particular place or position

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

BillnounUS /bɪl/

a statute in draft before it becomes law

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

byprepositionUS /baɪ/

showing who or what does the action

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

cousinsnounUS /ˈkʌzənz/

plural of “cousin” — the child of your aunt or uncle

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

discordantadjectiveUS /dɪˈskɔːrdənt/

not in agreement or harmony

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

dominionnounUS /dəˈmɪnjən/

dominance or power through legal authority

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

elicitedadjectiveUS /ɪˈlɪsɪtɪd/

called forth from a latent or potential state by stimulation

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

faultnounUS /fɔːlt/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

favoritenounUS /ˈfeɪvərɪt/

something regarded with special favor or liking

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

fighternounUS /ˈfaɪtər/

someone who fights (or is fighting)

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

FIGHTINGnounUS /ˈfaɪtɪŋ/

the act of fighting; any contest or struggle

From this reading PHILOSOPHY OP FIGHTING.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

Hinkley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

intervalsnounUS /ˈɪntərvəlz/

plural of “interval” — a definite length of time marked off by two instants

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

lastadjectiveUS /læst/

immediately past

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

mennounUS /men/

the force of workers available

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

mother'snounUS /ˈmʌðərz/

possessive form of “mother” — a woman who has given birth to a child (also used as a term of address to your mother)

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

narratedverbUS /ˈnereɪtɪd/

past form of “narrate” — provide commentary for a film, for example

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

necessarilyadverbUS /ˌnesəˈserəli/

in an essential manner

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

OP

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PHILOSOPHY OP FIGHTING.

operationnounUS /ˌɑːpərˈeɪʃən/

the state of being in effect or being operative

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

PHILOSOPHYnounUS /fɪˈlɑː.sə.fi/

The study of the fundamental nature of knowledge, reality, and existence. (Triết học, đạo lý nhân sinh.)

From this reading PHILOSOPHY OP FIGHTING.

puttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

ratheradverbUS /ˈræðər/

on the contrary

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

scrapsnounUS /skræps/

food that is discarded (as from a kitchen)

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

sentencesnounUS /ˈsentənsəz/

plural of “sentence” — a string of words satisfying the grammatical rules of a language

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

sonnounUS /sʌn/

a male human offspring

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

speakernounUS /ˈspiːkər/

someone who expresses in language; someone who talks (especially someone who delivers a public speech or someone especially garrulous)

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

spokenadjectiveUS /ˈspoʊkən/

uttered through the medium of speech or characterized by speech; sometimes used in combination

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

supremeadjectiveUS /səˈpriːm/

final or last in your life or progress

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

that's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

tunenounUS /tuːn/

a succession of notes forming a distinctive sequence

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

unavoidableadjectiveUS /ˌʌnəˈvɔɪdəbəl/

impossible to avoid or evade

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

violinnounUS /vaɪəˈlɪn/

bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

whereconjunctionUS /wer/

in or at the place that

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Such was the beginning of a dialogue between the cousins some three days after the affair which was narrated in our last chapter.

withprepositionUS /wɪð/

in the company of; together with

From this reading He was putting his violin in tune, and the sentences were spoken at intervals with the discordant scraps of sound which were necessarily elicited by this unavoidable musical operation.

worstnounUS /wɜːrst/

the least favorable outcome

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

youpronounUS /juː/

the person or people being spoken to

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

You're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You're not a fighter, Bill Hinkley, and that's about the worst fault that I can find against you.”

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The two young men were at the house of the speaker, or rather at his mother's house; where, a favorite and only son, he had almost supreme dominion.

Chapter 17 of Charlemont by William Gilmore Simms holds 200 sentences, grouped into 40 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Charlemont contain?

Chapter 17 holds 200 sentences of Charlemont, unabridged, divided into 40 reading sections.

This page carries chapter 17 of Charlemont by William Gilmore Simms exactly as it stands in the public-domain source edition, without abridgement. It runs to 200 sentences, grouped into 40 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Charlemont?

Work through the 40 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 40 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Charlemont

Common questions about reading Charlemont by William Gilmore Simms on this page, its source edition and its audio.

Is this the complete text of Charlemont?

Yes. All 7184 sentences of Project Gutenberg eBook #6012 are kept, with a record of which sentences cover which part.

Which edition of Charlemont is used?

Project Gutenberg eBook #6012, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Charlemont take to read?

About 598 minutes of reading across 1437 sections of 5 sentences each, at an unhurried pace.

How to read Charlemont section by section

How to work through Charlemont section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 38 chapters of Charlemont to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Charlemont

Words and structures a reader meets early in Charlemont, each tappable for pronunciation and meaning.

Scene
A word that appears in the opening chapter of Charlemont; the reader can tap it to hear it and see its dictionary entry.
Stormy
A word that appears in the opening chapter of Charlemont; the reader can tap it to hear it and see its dictionary entry.
Rugged
A word that appears in the opening chapter of Charlemont; the reader can tap it to hear it and see its dictionary entry.
Winds
A word that appears in the opening chapter of Charlemont; the reader can tap it to hear it and see its dictionary entry.