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Charles Dickens: A critical study
Charles Dickens: A critical study

Chapter VI

Chapter 6 of Charles Dickens: A critical study is here in full — 284 sentences across 57 reading sections, with audio for every sentence and word.

Cover illustration for Charles Dickens: A critical study
Context Illustration Reading 1/56 · 5 lines
English subtitles · tap any word to listen 1 / 5
DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.
The two things are not, indeed, in such an antithesis as is commonly imagined.
Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word sense and the word sensibility in a kind of opposition to each other.
But not only are they not opposite words: they are actually the same word.
They both mean receptiveness or approachability by the facts outside us.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Charles Dickens: A critical study

Chapter VI

Chapter 6 of Charles Dickens: A critical study is here in full — 284 sentences across 57 reading sections, with audio for every sentence and word.

Reading 1/56 · 5 reading units · Lines 1–5

Line 1
DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.
/ˈdɪkənz ənd əˈmerəkə ðə eˈsenʃəl ʌv ˈdɪkənzɪz ˈkerɪktər wɑːz ðə kənˈdʒʌŋkʃən ʌv ˈkɑːmən sens wɪð ənˈkɑːmən ˌsensɪˈbɪlɪti/
Line 2
The two things are not, indeed, in such an antithesis as is commonly imagined.
/ðə tuː θɪŋz ɑːr nɑːt ˌɪnˈdiːd ɪn sʌtʃ æn ænˈtɪθəsəs æz ɪz ˈkɑːmənli ˌɪˈmædʒənd/
Line 3
Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the wordsenseand the wordsensibilityin a kind of opposition to each other.
Line 4
But not only are they not opposite words: they are actually the same word.
/bʌt nɑːt ˈoʊnli ɑːr ðeɪ nɑːt ˈɑːpəzət wɜːrdz ðeɪ ɑːr ˈæktʃuːəli ðə seɪm wɜːrd/
Line 5
They both mean receptiveness or approachability by the facts outside us.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

antithesis noun US /ænˈtɪθəsəs/

exact opposite

From this reading “The two things are not, indeed, in such an antithesis as is commonly imagined.”

Austen noun US /ˈɔːstɪn/

English novelist noted for her insightful portrayals of middle-class families (1775-1817)

From this reading “Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.”

Chamberlain noun US /ˈtʃeɪmbərlən/

British statesman who as Prime Minister pursued a policy of appeasement toward fascist Germany (1869-1940)

From this reading “Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.”

conjunction noun US /kənˈdʒʌŋkʃən/

the temporal property of two things happening at the same time

From this reading “DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.”

dickens noun US /ˈdɪkənz/

a word used in exclamations of confusion

From this reading “DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.”

Dickens's noun US /ˈdɪkənzɪz/

possessive form of “dickens” — a word used in exclamations of confusion

sensibility noun US /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading “DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.”

uncommon adjective US /ənˈkɑːmən/

not common or ordinarily encountered; unusually great in amount or remarkable in character or kind

From this reading “DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

common sense adjective + noun

sound practical judgment

In this reading “DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.”

two things noun + noun

In this reading “The two things are not, indeed, in such an antithesis as is commonly imagined.”

All words in this reading · 61

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

actuallyadverbUS /ˈæktʃuːəli/

in actual fact

From this reading But not only are they not opposite words: they are actually the same word.

AMERICAnounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

antithesisnounUS /ænˈtɪθəsəs/

exact opposite

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

approachabilitynoun

the attribute of being easy to meet or deal with

From this reading They both mean receptiveness or approachability by the facts outside us.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

AustennounUS /ˈɔːstɪn/

English novelist noted for her insightful portrayals of middle-class families (1775-1817)

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

authoritiesnounUS /əˈθɔːrətiz/

the organization that is the governing authority of a political unit

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading They both mean receptiveness or approachability by the facts outside us.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But not only are they not opposite words: they are actually the same word.

byprepositionUS /baɪ/

showing who or what does the action

From this reading They both mean receptiveness or approachability by the facts outside us.

ChamberlainnounUS /ˈtʃeɪmbərlən/

British statesman who as Prime Minister pursued a policy of appeasement toward fascist Germany (1869-1940)

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

commonlyadverbUS /ˈkɑːmənli/

under normal conditions

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

conjunctionnounUS /kənˈdʒʌŋkʃən/

the temporal property of two things happening at the same time

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

DICKENSnounUS /ˈdɪkənz/

a word used in exclamations of confusion

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

Dickens'snounUS /ˈdɪkənzɪz/

possessive form of “dickens” — a word used in exclamations of confusion

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

essentialadjectiveUS /eˈsenʃəl/

absolutely necessary; vitally necessary

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading They both mean receptiveness or approachability by the facts outside us.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

imaginedverbUS /ˌɪˈmædʒənd/

past form of “imagine” — form a mental image of something that is not present or that is not the case

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

Jane

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

meanverbUS /miːn/

mean or intend to express or convey

From this reading They both mean receptiveness or approachability by the facts outside us.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading But not only are they not opposite words: they are actually the same word.

oppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading But not only are they not opposite words: they are actually the same word.

oppositionnounUS /ˌɑːpəˈzɪʃən/

the action of opposing something that you disapprove or disagree with

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading They both mean receptiveness or approachability by the facts outside us.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

outsideadjectiveUS /ˈaʊtˈsaɪd/

relating to or being on or near the outer side or limit

From this reading They both mean receptiveness or approachability by the facts outside us.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

receptivenessnoun

willingness or readiness to receive (especially impressions or ideas)

From this reading They both mean receptiveness or approachability by the facts outside us.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading But not only are they not opposite words: they are actually the same word.

sensenounUS /sens/

a general conscious awareness

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

sensibilitynounUS /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading But not only are they not opposite words: they are actually the same word.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The two things are not, indeed, in such an antithesis as is commonly imagined.

uncommonadjectiveUS /ənˈkɑːmən/

not common or ordinarily encountered; unusually great in amount or remarkable in character or kind

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading They both mean receptiveness or approachability by the facts outside us.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

withprepositionUS /wɪð/

in the company of; together with

From this reading DICKENS AND AMERICA The essential of Dickens’s character was the conjunction of common sense with uncommon sensibility.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading Great English literary authorities, such as Jane Austen and Mr. Chamberlain, have put the word “sense” and the word “sensibility” in a kind of opposition to each other.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading But not only are they not opposite words: they are actually the same word.

Chapter 6 of Charles Dickens: A critical study by G. K. (Gilbert Keith) Chesterton holds 284 sentences, grouped into 57 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of Charles Dickens: A critical study contain?

Chapter 6 holds 284 sentences of Charles Dickens: A critical study, unabridged, divided into 57 reading sections.

This page carries chapter 6 of Charles Dickens: A critical study by G. K. (Gilbert Keith) Chesterton exactly as it stands in the source edition, without abridgement. It runs to 284 sentences, grouped into 57 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of Charles Dickens: A critical study?

Work through the 57 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 57 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Charles Dickens: A critical study

Common questions about reading Charles Dickens: A critical study by G. K. (Gilbert Keith) Chesterton on this page, its source edition and its audio.

Is this the complete text of Charles Dickens: A critical study?

Yes. All 3112 sentences of Project Gutenberg eBook #68682 are kept, with a record of which sentences cover which part.

Which edition of Charles Dickens: A critical study is used?

Project Gutenberg eBook #68682, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Charles Dickens: A critical study take to read?

About 259 minutes of reading across 623 sections of 5 sentences each, at an unhurried pace.

How to read Charles Dickens: A critical study section by section

How to work through Charles Dickens: A critical study section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of Charles Dickens: A critical study to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Charles Dickens: A critical study

Words and structures a reader meets early in Charles Dickens: A critical study, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Charles Dickens: A critical study; the reader can tap it to hear it and see its dictionary entry.
Varied
A word that appears in the opening chapter of Charles Dickens: A critical study; the reader can tap it to hear it and see its dictionary entry.
Types
A word that appears in the opening chapter of Charles Dickens: A critical study; the reader can tap it to hear it and see its dictionary entry.
Heretics
A word that appears in the opening chapter of Charles Dickens: A critical study; the reader can tap it to hear it and see its dictionary entry.