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Charles Dickens and other Victorians
Charles Dickens and other Victorians

Chapter III

Chapter 3 of Charles Dickens and other Victorians is here in full — 432 sentences across 87 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/86 · 5 lines
English subtitles · tap any word to listen 1 / 5
VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.
I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.
IX But even this apologia--sufficient as I think it--does not cover the whole defence.
We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.
Believe me, you are mistaken if you believe these critics.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Charles Dickens and other Victorians

Chapter III

Chapter 3 of Charles Dickens and other Victorians is here in full — 432 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.
Line 2
I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.
Line 3
IX But even this apologia--sufficient as I think it--does not cover the whole defence.
Line 4
We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.
/wiː hæv pɪkt ʌp ə ˈhæbət ʌv kənˈsentɪŋ wɪð ˈkrɪtɪks huː tel ʌs ðæt ˈdɪkənz proʊz ɪz ˈkerləs ənd ˈðerfɔːr nɑːt wɜːrθ ˈstʌdiɪŋ/
Line 5
Believe me, you are mistaken if you believe these critics.
/bɪˈliːv miː juː ɑːr mɪˈsteɪkən ɪf juː bɪˈliːv ðiːz ˈkrɪtɪks/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aiming verb US /ˈeɪmɪŋ/

-ing form of “aim” — point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading “VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.”

chapters noun US /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

consenting adjective US /kənˈsentɪŋ/

having given consent

From this reading “We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.”

conveys verb US /kənˈveɪz/

third-person singular of “convey” — (of information) make known; pass on

From this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

defy verb US /dɪˈfaɪ/

resist or confront with resistance

From this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

employs noun US /emˈplɔɪz/

plural of “employ” — the state of being employed or having a job

From this reading “VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.”

marshes noun US /ˈmɑːrʃəz/

plural of “marsh” — low-lying wet land with grassy vegetation; usually is a transition zone between land and water

From this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

preconceived adjective US /ˌpriːkənˈsiːvd/

(of an idea or opinion) formed beforehand; especially without evidence or through prejudice

From this reading “VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

picked up verb + adjective counted as “pick up”

take and lift upward

In this reading “We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.”

opening chapters noun + noun counted as “opening chapter”

In this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

aiming straight verb + adjective counted as “aim straight”

In this reading “VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.”

for example preposition + noun

as an example

In this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

Great Expectations adjective + noun counted as “great expectation”

In this reading “I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.”

All words in this reading · 116

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

aimingverbUS /ˈeɪmɪŋ/

-ing form of “aim” — point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

apologianoun

a formal written defense of something you believe in strongly

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

apprehensionnounUS /ˌæprɪˈhenʃən/

fearful expectation or anticipation

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

assertverbUS /əˈsɜːrt/

state categorically

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

atprepositionUS /æt/

in or near a particular place or position

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

BelieveverbUS /bɪˈliːv/

accept as true; take to be true

From this reading Believe me, you are mistaken if you believe these critics.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

carelessadjectiveUS /ˈkerləs/

marked by lack of attention or consideration or forethought or thoroughness; not careful

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

chaptersnounUS /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

childnounUS /tʃaɪld/

a young person of either sex

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

confessverbUS /kənˈfes/

confess to a punishable or reprehensible deed, usually under pressure

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

consentingadjectiveUS /kənˈsentɪŋ/

having given consent

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

conveyedverbUS /kənˈveɪd/

past form of “convey” — (of information) make known; pass on

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

conveysverbUS /kənˈveɪz/

third-person singular of “convey” — (of information) make known; pass on

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

Copperfield

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

countlessadjectiveUS /ˈkaʊntləs/

too numerous to be counted

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

coververbUS /ˈkʌvər/

provide with a covering or cause to be covered

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

DavidnounUS /ˈdeɪvɪd/

patron saint of Wales (circa 520-600)

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

defencenounUS /dɪˈfens/

(psychiatry) an unconscious process that tries to reduce the anxiety associated with instinctive desires

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

defyverbUS /dɪˈfaɪ/

resist or confront with resistance

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

DickensnounUS /ˈdɪkənz/

a word used in exclamations of confusion

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

dislikenounUS /dɪˈslaɪk/

an inclination to withhold approval from some person or group

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

earliestadjectiveUS /ˈɜːrliəst/

(comparative and superlative of “early”) more early than; most early

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

eerinessnoun

strangeness by virtue of being mysterious and inspiring fear

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

employsnounUS /emˈplɔɪz/

plural of “employ” — the state of being employed or having a job

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

ExpectationsnounUS /ˌekspekˈteɪʃənz/

plural of “expectation” — belief about (or mental picture of) the future

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

fognounUS /fɑːɡ/

droplets of water vapor suspended in the air near the ground

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

habitnounUS /ˈhæbət/

an established custom

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

Havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

horrornounUS /ˈhɔːrər/

intense and profound fear

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Believe me, you are mistaken if you believe these critics.

impressionsnounUS /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

IXnoun

the cardinal number that is the sum of eight and one

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

locutions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

mainlyadverbUS /ˈmeɪnli/

for the most part

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

marshesnounUS /ˈmɑːrʃəz/

plural of “marsh” — low-lying wet land with grassy vegetation; usually is a transition zone between land and water

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Believe me, you are mistaken if you believe these critics.

mistakenadjectiveUS /mɪˈsteɪkən/

wrong in e.g. opinion or judgment

From this reading Believe me, you are mistaken if you believe these critics.

nodeterminerUS /noʊ/

not any; not one

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

notionsnounUS /ˈnoʊʃənz/

plural of “notion” — a vague idea in which some confidence is placed

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

openingnounUS /ˈoʊpənɪŋ/

an open or empty space in or between things

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

personnounUS /ˈpɜːrsən/

a human being

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

pickedverbUS /pɪkt/

past form of “pick” — select carefully from a group

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

preconceivedadjectiveUS /ˌpriːkənˈsiːvd/

(of an idea or opinion) formed beforehand; especially without evidence or through prejudice

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

prejudicesnounUS /ˈpredʒədɪsɪz/

plural of “prejudice” — a partiality that prevents objective consideration of an issue or situation

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

saveprepositionUS /seɪv/

except for; apart from

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

sensenounUS /sens/

a general conscious awareness

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

sensitiveadjectiveUS /ˈsensətɪv/

responsive to physical stimuli

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

splendidadjectiveUS /ˈsplendɪd/

having great beauty and splendor

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

straightadjectiveUS /streɪt/

successive (without a break)

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

studyingnounUS /ˈstʌdiɪŋ/

reading carefully with intent to remember

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

sufficientadjectiveUS /səˈfɪʃənt/

of a quantity that can fulfill a need or requirement but without being abundant

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

suggestverbUS /səˈdʒest/

make a proposal, declare a plan for something

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

tellverbUS /tel/

express in words

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Believe me, you are mistaken if you believe these critics.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

VIIInoun

the cardinal number that is the sum of seven and one

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

whopronounUS /huː/

which person or people

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading IX But even this apologia--sufficient as I think it--does not cover the whole defence.

withprepositionUS /wɪð/

in the company of; together with

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

Woolwich

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

worthnounUS /wɜːrθ/

an indefinite quantity of something having a specified value

From this reading We have picked up a habit of consenting with critics who tell us that Dickens’ prose is careless and therefore not worth studying.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading VIII Having, then, no preconceived notions about prose, and few prejudices save against certain locutions of which I confess I dislike them mainly because I dislike the sort of person who employs them--I assert that Dickens, aiming straight at his purpose, wrote countless pages of quite splendid prose.

youpronounUS /juː/

the person or people being spoken to

From this reading I defy you, for example, to suggest how a sense of the eeriness of the Woolwich marshes with an apprehension of horror behind the fog could be better conveyed in words than Dickens conveys them in the opening chapters of _Great Expectations_; as I ask you how the earliest impressions of a sensitive child can be better conveyed in language than they are in the early chapters of _David Copperfield_.

Chapter 3 of Charles Dickens and other Victorians by Arthur Quiller-Couch holds 432 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Charles Dickens and other Victorians contain?

Chapter 3 holds 432 sentences of Charles Dickens and other Victorians, unabridged, divided into 87 reading sections.

This page carries chapter 3 of Charles Dickens and other Victorians by Arthur Quiller-Couch exactly as it stands in the source edition, without abridgement. It runs to 432 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Charles Dickens and other Victorians?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 87 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #72466, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 190 minutes of reading across 458 sections of 5 sentences each, at an unhurried pace.

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