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Chaucer and His Times
Chaucer and His Times

Chapter V

Chapter 5 of Chaucer and His Times is here in full — 222 sentences across 45 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/44 · 5 lines
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CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.
As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.
The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.
Chaucer alone, showed that it was possible to see in them a revelation of human nature.
The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Chaucer and His Times

Chapter V

Chapter 5 of Chaucer and His Times is here in full — 222 sentences across 45 reading sections, with audio for every sentence and word.

Reading 1/44 · 5 reading units · Lines 1–5

Line 1
CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.
/ˈtʃɔːsərz ˈhjuːmər ˈkrɪtɪks meɪ biː dɪˈvaɪdɪd ɪn əˈpɪnjən æz tuː ˈtʃɔːsərz raɪt tuː biː kɔːld ðə ˈfɑːðər ʌv ˈɪŋɡlɪʃ ˈpoʊətri bʌt ðer kæn biː noʊ ˈkwestʃən ðæt hiː ɪz ðə fɜːrst ɡreɪt ˈɪŋɡlɪʃ ˈhjuːmərəst/
Line 2
As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.
Line 3
The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.
/ðə seɪm ˈstɔːriz wɜːr rɪˈpiːtɪd əˈɡen ənd əˈɡen wɪð slaɪt ˌveriˈeɪʃənz ənd ɑːr ˈɔːfən tuː biː faʊnd ɪn ˈɪndiən ɔːr əˈreɪbiən ˈvɜːrʒənz æz wel æz ɪn frentʃ ənd ˈɪŋɡlɪʃ/
Line 4
Chaucer alone, showed that it was possible to see in them a revelation of human nature.
/ˈtʃɔːsər əˈloʊn ʃoʊd ðæt ɪt wɑːz ˈpɑːsəbəl tuː siː ɪn ðem ə ˌrevəˈleɪʃən ʌv ˈhjuːmən ˈneɪtʃər/
Line 5
The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.
/ðə roʊˈmænsɪz æz hæz bɪn sed wɜːr fɑːr mɔːr frentʃ ðæn ˈɪŋɡlɪʃ ənd ˈiːvɪn soʊ kəmˈperətɪvli fjuː ʌv ðem ʃoʊ ˈeni ˈflɪkər ʌv ˈhjuːmər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

chaucer's noun US /ˈtʃɔːsərz/

possessive form of “chaucer” — English poet remembered as author of the Canterbury Tales (1340-1400)

From this reading “CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.”

collections noun US /kəˈlekʃənz/

plural of “collection” — several things grouped together or considered as a whole

From this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

humorist noun US /ˈhjuːmərəst/

someone who acts speaks or writes in an amusing way

From this reading “CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.”

imported adjective US /ˌɪmˈpɔːrtɪd/

used of especially merchandise brought from a foreign source

From this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

indecent adjective US /ˌɪnˈdiːsənt/

not in keeping with accepted standards of what is right or proper in polite society

From this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

jests noun US /dʒests/

plural of “jest” — a humorous anecdote or remark intended to provoke laughter

From this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

thirteenth adjective US /ˈθɜːr.tiːnθ/

Constituting number thirteen in a sequence.

From this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

versions noun US /ˈvɜːrʒənz/

plural of “version” — an interpretation of a matter from a particular viewpoint

From this reading “The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

fully appreciated adverb + adjective

In this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

human nature adjective + noun

the shared psychological attributes of humankind that are assumed to be shared by all human beings

In this reading “Chaucer alone, showed that it was possible to see in them a revelation of human nature.”

slight variations noun + noun counted as “slight variation”

In this reading “The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.”

literary style adjective + noun

In this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

above the level preposition + article + noun counted as “above … level”

In this reading “As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.”

comparatively few adverb + adjective

In this reading “The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.”

far more adverb + adjective

In this reading “The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.”

flicker of verb + particle

In this reading “The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.”

All words in this reading · 110

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

againadverbUS /əˈɡen/

anew

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

appreciatedadjectiveUS /əˈpriːʃieɪtɪd/

fully understood or grasped

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

ArabiannounUS /əˈreɪbiən/

a member of a Semitic people originally from the Arabian peninsula and surrounding territories who speaks Arabic and who inhabits much of the Middle East and northern Africa

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

backadverbUS /bæk/

in or to or toward a former location

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

byprepositionUS /baɪ/

showing who or what does the action

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

ChaucernounUS /ˈtʃɔːsər/

English poet remembered as author of the Canterbury Tales (1340-1400)

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

CHAUCER'SnounUS /ˈtʃɔːsərz/

possessive form of “chaucer” — English poet remembered as author of the Canterbury Tales (1340-1400)

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

coarseadjectiveUS /kɔːrs/

of textures that are rough to the touch or substances consisting of relatively large particles

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

collectionsnounUS /kəˈlekʃənz/

plural of “collection” — several things grouped together or considered as a whole

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

comparativelyadverbUS /kəmˈperətɪvli/

in a relative manner; by comparison to something else

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

CriticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

dividedadjectiveUS /dɪˈvaɪdɪd/

separated into parts or pieces

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

fabliaux

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

FathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

flickerverbUS /ˈflɪkər/

move back and forth very rapidly

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

foundverbUS /faʊnd/

set up or found

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

fourteenth-century

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

fullyadverbUS /ˈfʊli/

to the greatest degree or extent; completely or entirely; (“full” in this sense is used as a combining form)

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

humoristnounUS /ˈhjuːmərəst/

someone who acts speaks or writes in an amusing way

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

HUMOURnounUS /ˈhjuːmər/

a characteristic (habitual or relatively temporary) state of feeling

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

III's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

importedadjectiveUS /ˌɪmˈpɔːrtɪd/

used of especially merchandise brought from a foreign source

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

indecentadjectiveUS /ˌɪnˈdiːsənt/

not in keeping with accepted standards of what is right or proper in polite society

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

IndianadjectiveUS /ˈɪndiən/

of or relating to or characteristic of India or the East Indies or their peoples or languages or cultures

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

jestsnounUS /dʒests/

plural of “jest” — a humorous anecdote or remark intended to provoke laughter

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

levelnounUS /ˈlevəl/

a position on a scale of intensity or amount or quality

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

merrie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

nodeterminerUS /noʊ/

not any; not one

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

opinionnounUS /əˈpɪnjən/

a personal belief or judgment that is not founded on proof or certainty

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

originalitynounUS /ərˌɪdʒəˈnælɪti/

the ability to think and act independently

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

pretensionsnounUS /prəˈtenʃənz/

plural of “pretension” — a false or unsupportable quality

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

reignverbUS /reɪn/

have sovereign power

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

repeatedadjectiveUS /rɪˈpiːtɪd/

recurring again and again

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

revelationnounUS /ˌrevəˈleɪʃən/

the speech act of making something evident

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

rightadverbUS /raɪt/

precisely, exactly

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

romancesnounUS /roʊˈmænsɪz/

plural of “romance” — a relationship between two lovers

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

rootnounUS /ruːt/

(botany) the usually underground organ that lacks buds or leaves or nodes; absorbs water and mineral salts; usually it anchors the plant to the ground

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

rosenounUS /roʊz/

any of many shrubs of the genus Rosa that bear roses

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

showedverbUS /ʃoʊd/

past form of “show” — give an exhibition of to an interested audience

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

situationsnounUS /ˌsɪtʃuːˈeɪʃənz/

plural of “situation” — the general state of things; the combination of circumstances at a given time

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

slightnounUS /slaɪt/

a deliberate discourteous act (usually as an expression of anger or disapproval)

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

soilnounUS /sɔɪl/

the state of being covered with unclean things

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

stylenounUS /staɪl/

how something is done or how it happens

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

talesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The romances, as has been said, were far more French than English, and, even so, comparatively few of them show any flicker of humour.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

thereadverbUS /ðer/

in or at that place or location

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

thirteenthadjectiveUS /ˈθɜːr.tiːnθ/

Constituting number thirteen in a sequence.

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading CHAUCER'S HUMOUR Critics may be divided in opinion as to Chaucer's right to be called the Father of English poetry, but there can be no question that he is the first great English humorist.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

variationsnounUS /ˌveriˈeɪʃənz/

plural of “variation” — an instance of change; the rate or magnitude of change

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

versionsnounUS /ˈvɜːrʒənz/

plural of “version” — an interpretation of a matter from a particular viewpoint

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Chaucer alone, showed that it was possible to see in them a revelation of human nature.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading As far back as Henry III's reign fabliaux had been imported from France, but they took no real root in English soil, and though their coarse jests and indecent situations were fully appreciated by thirteenth- and fourteenth-century readers, they never rose above the level of collections of "merrie tales" and made no pretensions to originality or literary style.

withprepositionUS /wɪð/

in the company of; together with

From this reading The same stories were repeated again and again, with slight variations, and are often to be found in Indian or Arabian versions as well as in French and English.

Chapter 5 of Chaucer and His Times by Grace E. (Grace Eleanor) Hadow holds 222 sentences, grouped into 45 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Chaucer and His Times contain?

Chapter 5 holds 222 sentences of Chaucer and His Times, unabridged, divided into 45 reading sections.

This page carries chapter 5 of Chaucer and His Times by Grace E. (Grace Eleanor) Hadow exactly as it stands in the source edition, without abridgement. It runs to 222 sentences, grouped into 45 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Chaucer and His Times?

Work through the 45 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 45 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Chaucer and His Times

Common questions about reading Chaucer and His Times by Grace E. (Grace Eleanor) Hadow on this page, its source edition and its audio.

Is this the complete text of Chaucer and His Times?

Yes. All 2102 sentences of Project Gutenberg eBook #36554 are kept, with a record of which sentences cover which part.

Which edition of Chaucer and His Times is used?

Project Gutenberg eBook #36554, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Chaucer and His Times take to read?

About 175 minutes of reading across 421 sections of 5 sentences each, at an unhurried pace.

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How to work through Chaucer and His Times section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Chaucer and His Times

Words and structures a reader meets early in Chaucer and His Times, each tappable for pronunciation and meaning.

Chaucer's
A word that appears in the opening chapter of Chaucer and His Times; the reader can tap it to hear it and see its dictionary entry.
Times
A word that appears in the opening chapter of Chaucer and His Times; the reader can tap it to hear it and see its dictionary entry.
Biography
A word that appears in the opening chapter of Chaucer and His Times; the reader can tap it to hear it and see its dictionary entry.
Chaucer
A word that appears in the opening chapter of Chaucer and His Times; the reader can tap it to hear it and see its dictionary entry.